{"title":"Ukiyo-e","description":"\u003cp\u003eWoodblock Print Art from Nearly 150 Years Ago\u003c\/p\u003e","products":[{"product_id":"edo-period-sumo-wrestler-woodblock-print-18th-century","title":"Authentic Edo Period Sumo Wrestler Woodblock Print | 18th Century Japanese Ukiyo-e Multi-Color Woodblock","description":"\u003ch3 style=\"margin:16px 0 6px;font-size:15px;border-bottom:1px solid #e0e0e0;padding-bottom:4px\"\u003eOverview\u003c\/h3\u003e\u003cp style=\"margin:6px 0\"\u003eThis is a genuine ukiyo-e woodblock print featuring sumo wrestlers, created during Japan's culturally rich mid-to-late Edo period (late 18th century, approximately 1750-1800). As an original multi-color woodblock print from this era, it represents a significant piece of Japanese art history and cultural heritage. Sumo imagery was a beloved subject in ukiyo-e art, reflecting the popularity and prestige of sumo wrestling in feudal Japan. This print is a collector's treasure, offering authentic insight into Edo-period artistic traditions and Japanese cultural values.\u003c\/p\u003e\u003ch3 style=\"margin:16px 0 6px;font-size:15px;border-bottom:1px solid #e0e0e0;padding-bottom:4px\"\u003eItem Details\u003c\/h3\u003e\u003cul style=\"margin:4px 0;padding-left:18px\"\u003e\u003cli\u003e\n\n\u003cstrong\u003eMaterial:\u003c\/strong\u003e Multi-color woodblock print on paper (ukiyo-e technique). Maker: Unknown artist, attributed to Edo period mid-to-late studios (circa 1750-1800). The print demonstrates the sophisticated color separation and carving techniques characteristic of professional Edo-period printmakers. Original dimensions and full details available upon request. No maker's seal or signature currently visible.\u003c\/li\u003e\u003c\/ul\u003e\u003ch3 style=\"margin:16px 0 6px;font-size:15px;border-bottom:1px solid #e0e0e0;padding-bottom:4px\"\u003eCondition\u003c\/h3\u003e\u003cp style=\"margin:6px 0\"\u003eThis print is in good vintage condition appropriate to its 250+ year age. The paper shows honest patina consistent with centuries of aging: yellowing, foxing (age spots), visible staining, and progressive color fading are all present. Several small losses and minor tears have been documented during inspection. These characteristics reflect authentic aging and are typical of well-preserved original woodblock prints from the Edo period. The condition adds to the provenance and authenticity of the piece.\u003c\/p\u003e\u003ch3 style=\"margin:16px 0 6px;font-size:15px;border-bottom:1px solid #e0e0e0;padding-bottom:4px\"\u003eShipping\u003c\/h3\u003e\u003cp style=\"margin:6px 0\"\u003eShips directly from Japan via EMS (Japan Post International Express Mail Service). The print will be carefully packed with museum-quality protective materials including archival paper and cushioning to ensure safe international delivery and preservation of this historic artwork.\u003c\/p\u003e\u003chr style=\"margin:24px 0;border:none;border-top:1px solid #e0e0e0\"\u003e\u003cp style=\"margin:6px 0\"\u003e概要\u003c\/p\u003e\u003cp style=\"margin:6px 0\"\u003eこれは江戸時代中期～後期（18世紀後半、およそ1750～1800年）に制作された相撲力士図の浮世絵木版画です。本作は多色刷り浮世絵としての真正な日本美術品であり、日本の美術史と文化遺産を代表する重要な作品です。相撲はこの時期の浮世絵の主題として愛され、江戸期の日本における相撲の人気と格式の高さを反映しています。本木版画は収集家にとって貴重な逸品であり、江戸期の版画技法と日本の文化的価値観について真正な洞察を提供します。\u003c\/p\u003e\u003cp style=\"margin:6px 0\"\u003e作品の詳細\u003c\/p\u003e\u003cp style=\"margin:6px 0\"\u003e素材：紙に多色刷りされた木版画（浮世絵技法）。作者：不明、江戸中期～後期のスタジオに帰属（およそ1750～1800年頃）。本作は江戸期の専門的版画職人に特徴的な色分解と彫刻技法を示しています。原寸法および詳細情報については、ご要望に応じてお知らせします。現在、作家のシール印や署名は確認されていません。\u003c\/p\u003e\u003cp style=\"margin:6px 0\"\u003e状態\u003c\/p\u003e\u003cp style=\"margin:6px 0\"\u003e本作は250年以上の歴史を持つ作品として相応しい良好なヴィンテージコンディションです。紙には数世紀の経年劣化に伴う真正なパティナが見られます。黄変、狐色（経年変色）、目立つシミ、および段階的な色褪せが現れています。複数の小さな欠損と軽微な破れが確認されています。これらの特性は真正な経年変化を反映し、江戸期の良好に保存されたオリジナル木版画に典型的なものです。このコンディションは本作の来歴と真正性を強化するものです。\u003c\/p\u003e\u003cp style=\"margin:6px 0\"\u003e配送\u003c\/p\u003e\u003cp style=\"margin:6px 0\"\u003e日本からEMS（日本郵便国際スピード郵便）経由で直接配送されます。本木版画は、このような歴史的美術品の安全な国際配送と保存を確保するため、博物館品質の保護材料（アーカイバル紙とクッション材を含む）により丁寧に梱包されます。\u003c\/p\u003e\u003chr style=\"margin:24px 0;border:none;border-top:1px solid #e0e0e0\"\u003e\u003ch3 style=\"margin:0 0 6px;font-size:15px\"\u003eShipping\u003c\/h3\u003e\u003cp style=\"margin:4px 0\"\u003eWe ship worldwide via EMS (Japan Post International Express Mail Service).\u003c\/p\u003e\u003cp style=\"margin:4px 0;color:#555\"\u003e日本郵便EMSにて国際発送いたします。\u003c\/p\u003e\u003ch3 style=\"margin:16px 0 6px;font-size:15px\"\u003eInternational Orders\u003c\/h3\u003e\u003cp style=\"margin:4px 0\"\u003eImport duties, taxes, and customs fees may apply depending on your country's regulations.\u003c\/p\u003e\u003cp style=\"margin:4px 0\"\u003eThese charges are the responsibility of the customer.\u003c\/p\u003e\u003cp style=\"margin:4px 0;color:#555\"\u003e輸入関税・税金・通関手数料は、お客様の国の規制に応じてかかる場合があります。これらの費用はお客様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49000664760490,"sku":null,"price":180.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/1785749545427_2f7j.jpg?v=1785749734"},{"product_id":"toka-no-ame-十日の雨-rain-of-the-tenth-day-by-t-utagawa-kuniyoshi-歌川国芳","title":"\"Rain on the Tenth Day\" (Toka no Ame) by Utagawa Kuniyoshi.","description":"\u003cp\u003e1. Overview\u003cbr\u003eThis is a museum-grade, beautifully preserved traditional Japanese woodblock print (Ukiyo-e) titled \"Toka no Ame\" (十日の雨 - Rain of the Tenth Day) by the legendary genius of the Utagawa School, Utagawa Kuniyoshi (歌川国芳).\u003c\/p\u003e\n\u003cp\u003eOriginally published during the late Edo period by the renowned house Hisamaru (久丸 \/ Kudaya Marubei), this high-end revival edition was produced in the late 20th century by the world-famous Adachi Institute of Woodcut Prints (アダチ版画研究所). Executed on premium handmade Washi paper, this vintage piece is in near-mint condition, combining historic publishing prestige with contemporary woodcut craftsmanship.\u003c\/p\u003e\n\u003cp\u003e2. Specifications\u003c\/p\u003e\n\u003cp\u003eArtist: Utagawa Kuniyoshi (歌川国芳, 1797–1861)\u003c\/p\u003e\n\u003cp\u003eTitle: Toka no Ame (十日の雨 - Rain of the Tenth Day)\u003c\/p\u003e\n\u003cp\u003eOriginal Edo Publisher: Hisamaru \/ Kudaya Marubei (久丸 \/ 久田屋丸兵衛)\u003c\/p\u003e\n\u003cp\u003eModern Publisher\/Production: Adachi Institute of Woodcut Prints (アダチ版画研究所)\u003c\/p\u003e\n\u003cp\u003eTechnique: Genuine hand-carved, hand-printed woodblock print on Echizen Washi paper\u003c\/p\u003e\n\u003cp\u003eEra: Late Showa period (c. 1970s–1980s)\u003c\/p\u003e\n\u003cp\u003eCondition: Near-Mint condition. Vibrant pigmentation and crisp, delicate line work. No fading, creases, or prominent stains.\u003c\/p\u003e\n\u003cp\u003eDimensions: approx. 33.5 cm × 24.0 cm\u003c\/p\u003e\n\u003cp\u003e3. Artistry and Historical Significance\u003c\/p\u003e\n\u003cp\u003eThe Poetic Lore of \"Toka no Ame\": The title \"Toka no Ame\" (Rain of the Tenth Day) derives from the classical East Asian idiom Gofu Juu (\"Wind every five days, rain every ten days\"), a celebrated metaphor for perfect weather, rich harvests, and peaceful times. Kuniyoshi transforms this literary auspicious theme into a chic (Iki) genre portrait of an Edo beauty navigating a atmospheric rainy day.\u003c\/p\u003e\n\u003cp\u003eKuniyoshi’s Dynamic Female Portraiture: While globally famous for his dynamic warrior prints, Kuniyoshi's Bijin-ga (pictures of beautiful women) are highly prized for their earthly realism, playful spirit, and trendy fashion sensibility. He captures the subtle gestures of a stylish Edo woman holding an umbrella against the rain, showcasing her resilience, charm, and natural elegance.\u003c\/p\u003e\n\u003cp\u003eAdachi’s Masterful Hand-Printing: Recreating the fine linear details of the falling rain and the soft textures of her kimono requires elite craftsmanship. The master artisans at the Adachi Institute have utilized traditional water-based pigments on authentic Washi paper to perfectly recreate the depth and subtle tones intended by Kuniyoshi in the 19th century.\u003c\/p\u003e\n\u003cp\u003e4. Appeal for International Collectors\u003cbr\u003eUtagawa Kuniyoshi is one of the most widely collected Ukiyo-e masters globally, celebrated for his unconventional creative genius. The combination of the historic publisher provenance of Hisamaru, the poetic theme of peaceful rain, and the gold-standard production quality of the Adachi Institute makes this print a premier, investment-grade acquisition. Its striking graphic quality and harmonic colors make it a sophisticated focal piece for any modern interior or serious Asian art collection.\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49012942864554,"sku":null,"price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/LINE_ALBUM_202683_catawiki__260805_64.jpg?v=1785978676"},{"product_id":"tsukioka-yoshitoshi-taira-no-tomomori-1885-original-japanese-woodblock-print","title":"Tsukioka Yoshitoshi – Taira no Tomomori, 1885 | Original Japanese Woodblock Print","description":"\u003cp\u003eTsukioka Yoshitoshi – Taira no Tomomori, 1885 | Original Japanese Woodblock Print\u003c\/p\u003e\n\u003cp\u003eBefore his death, the samurai picked up a broom.\u003c\/p\u003e\n\u003cp\u003eCreated in 1885 by Tsukioka Yoshitoshi (1839–1892), one of the great masters of Japanese ukiyo-e, this original woodblock print depicts Taira no Tomomori during the final days of the Heike clan.\u003c\/p\u003e\n\u003cp\u003eThe scene comes from one of the most famous episodes in Japanese samurai history.\u003c\/p\u003e\n\u003cp\u003eIn 1185, at the Battle of Dan-no-ura, the Heike faced their final defeat against the Genji.\u003c\/p\u003e\n\u003cp\u003eRealizing that the battle was lost, Tomomori did not flee.\u003c\/p\u003e\n\u003cp\u003eAccording to The Tale of the Heike, he calmly prepared for the end. Before his death, he is remembered for taking a broom and cleaning the ship — an extraordinary image of composure, dignity, and acceptance in the face of death.\u003c\/p\u003e\n\u003cp\u003eRather than depicting the violence of battle, Yoshitoshi chose this quiet moment.\u003c\/p\u003e\n\u003cp\u003eA warrior in full armor, sweeping the floor before meeting his fate.\u003c\/p\u003e\n\u003cp\u003eIt is an image that captures something deeply rooted in the traditional Japanese ideal of the samurai: dignity even in defeat.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eABOUT TSUKIOKA YOSHITOSHI\u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi was one of the most important Japanese print artists of the late 19th century.\u003c\/p\u003e\n\u003cp\u003eA student of the celebrated ukiyo-e master Utagawa Kuniyoshi, Yoshitoshi became renowned for his dramatic historical scenes, warriors, supernatural subjects, and psychologically powerful portraits.\u003c\/p\u003e\n\u003cp\u003eWorking during the transition from the Edo period into modern Japan, he witnessed the decline of traditional ukiyo-e as photography and Western printing technologies entered the country.\u003c\/p\u003e\n\u003cp\u003eFor this reason, Yoshitoshi is often described as one of the last great masters of ukiyo-e.\u003c\/p\u003e\n\u003cp\u003eThis work was produced in 1885, only seven years before his death.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eTHE WORK\u003c\/p\u003e\n\u003cp\u003eTitle:\u003cbr\u003eShinchunagon Taira no Tomomori\u003c\/p\u003e\n\u003cp\u003eSeries:\u003cbr\u003eYoshitoshi Musha Burui\u003cbr\u003e(“Yoshitoshi’s Courageous Warriors”)\u003c\/p\u003e\n\u003cp\u003eArtist:\u003cbr\u003eTsukioka Yoshitoshi\u003cbr\u003e1839–1892\u003c\/p\u003e\n\u003cp\u003eDate:\u003cbr\u003e1885 \/ Meiji 18\u003c\/p\u003e\n\u003cp\u003ePeriod:\u003cbr\u003eMeiji Period\u003c\/p\u003e\n\u003cp\u003eMedium:\u003cbr\u003eJapanese polychrome woodblock print (nishiki-e)\u003c\/p\u003e\n\u003cp\u003eGenre:\u003cbr\u003eMusha-e \/ Warrior Print\u003c\/p\u003e\n\u003cp\u003ePublisher:\u003cbr\u003eKobayashi Tetsujiro\u003c\/p\u003e\n\u003cp\u003eCountry:\u003cbr\u003eJapan\u003c\/p\u003e\n\u003cp\u003eSignature:\u003cbr\u003eYoshitoshi signature and seal visible in the lower right\u003c\/p\u003e\n\u003cp\u003eDate inscription:\u003cbr\u003eMeiji 18 (1885) visible in the left margin\u003c\/p\u003e\n\u003cp\u003eQuantity:\u003cbr\u003eOne original work only\u003c\/p\u003e\n\u003cp\u003eThe exact work shown in the photographs will be shipped.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA SURVIVOR FROM 19TH-CENTURY JAPAN\u003c\/p\u003e\n\u003cp\u003eThis is not a modern poster or digital reproduction.\u003c\/p\u003e\n\u003cp\u003eThe work is printed on traditional Japanese paper using the woodblock printing process. Pigments can be seen through the reverse of the thin paper, consistent with the characteristics of traditional Japanese woodblock printing.\u003c\/p\u003e\n\u003cp\u003eThe colors remain remarkably vivid for a work of this age, particularly the reds, yellows, purples and dark tones of Tomomori’s armor and surroundings.\u003c\/p\u003e\n\u003cp\u003eMore than 140 years after it was produced, the print still retains a striking visual presence.\u003c\/p\u003e\n\u003cp\u003eFor collectors of Japanese art, samurai history and ukiyo-e, it represents a tangible connection to Meiji-period Japan.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCONDITION\u003c\/p\u003e\n\u003cp\u003eThis is an antique work dating from the 19th century and shows natural signs of age and previous handling.\u003c\/p\u003e\n\u003cp\u003eAge-related toning, discoloration, minor staining, small marks, wear, creases and binding holes may be present.\u003c\/p\u003e\n\u003cp\u003ePlease carefully examine all photographs before purchasing.\u003c\/p\u003e\n\u003cp\u003eThe photographs form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eNo attempt has been made to digitally conceal age-related imperfections.\u003c\/p\u003e\n\u003cp\u003eWe consider these traces of age part of the history and character of an antique Japanese print.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAUTHENTICITY \u0026amp; ATTRIBUTION\u003c\/p\u003e\n\u003cp\u003eThis work was acquired in Japan from a professional art and antique seller and was sold to us as a genuine work by Tsukioka Yoshitoshi.\u003c\/p\u003e\n\u003cp\u003eThe artist, title, date, publisher, signature, seal and printed inscriptions have been identified based on the information visible on the work and reference information for the design.\u003c\/p\u003e\n\u003cp\u003ePlease note that AUN is not an independent academic authentication institution.\u003c\/p\u003e\n\u003cp\u003eUnless specifically stated otherwise, no separate certificate from a third-party authentication institution accompanies the work.\u003c\/p\u003e\n\u003cp\u003eOur accompanying documentation is intended to record the identification, provenance information available to us, physical characteristics and condition of the work; it should not be interpreted as an independent expert authentication certificate.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePROVENANCE\u003c\/p\u003e\n\u003cp\u003eAcquired in Japan through the Japanese art and antique market.\u003c\/p\u003e\n\u003cp\u003eThe previous professional seller offered the work under a guarantee of authenticity subject to that seller’s own terms and conditions.\u003c\/p\u003e\n\u003cp\u003ePlease note that any guarantee originally provided by the previous seller does not automatically constitute or transfer as an independent third-party authentication certificate.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePLEASE NOTE BEFORE PURCHASING\u003c\/p\u003e\n\u003cp\u003eThis is an antique artwork, not a newly manufactured product.\u003c\/p\u003e\n\u003cp\u003eMinor stains, fading, toning, creases, small tears, binding holes, edge wear or other age-related imperfections may be present even when they are not immediately visible in photographs.\u003c\/p\u003e\n\u003cp\u003eColor appearance may vary slightly depending on lighting, photography and your screen settings.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs carefully and contact us before purchasing if you would like additional photographs or details about the condition.\u003c\/p\u003e\n\u003cp\u003eBecause each antique work is unique, only one is available.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWORLDWIDE SHIPPING FROM TOKYO\u003c\/p\u003e\n\u003cp\u003eThe work will be carefully packed in Tokyo and shipped internationally with tracking.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, VAT, customs clearance fees or other charges may apply depending on the destination country.\u003c\/p\u003e\n\u003cp\u003eThese charges are not included in the product price or shipping cost and, where applicable, are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003eCustoms regulations vary by country. Please check the rules applicable to your destination before purchasing.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA PIECE OF JAPANESE HISTORY\u003c\/p\u003e\n\u003cp\u003eThis is more than an image of a samurai.\u003c\/p\u003e\n\u003cp\u003eIt captures the final moments of a warrior who understood that his world was about to disappear.\u003c\/p\u003e\n\u003cp\u003eYoshitoshi chose not to show Tomomori fighting.\u003c\/p\u003e\n\u003cp\u003eHe showed him cleaning.\u003c\/p\u003e\n\u003cp\u003eA quiet act before death.\u003c\/p\u003e\n\u003cp\u003ePrinted in Japan in 1885 and preserved for more than a century, this work carries both the history of ukiyo-e and the memory of the samurai culture that inspired it.\u003c\/p\u003e\n\u003cp\u003eOne original available.\u003cbr\u003eWorldwide shipping from Tokyo.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi: \"Shin Chunagon Taira no Tomomori,\" 1885 | Japanese Woodblock Print, Ukiyo-e\u003c\/p\u003e\n\u003cp\u003eBefore his death, the samurai picked up a broom.\u003c\/p\u003e\n\u003cp\u003eThis woodblock print was created in 1885 (Meiji 18) by Tsukioka Yoshitoshi (1839–1892), one of Japan's leading ukiyo-e artists.\u003c\/p\u003e\n\u003cp\u003eIt depicts Taira no Tomomori, known as one of the last samurai generals of the Taira clan.\u003c\/p\u003e\n\u003cp\u003eThe scene is taken from one of the most famous episodes in Japanese samurai history.\u003c\/p\u003e\n\u003cp\u003eIn 1185, at the Battle of Dan-no-ura, the Taira clan faced their final defeat against the Minamoto clan.\u003c\/p\u003e\n\u003cp\u003eTomomori, realizing that the battle was lost, chose not to flee.\u003c\/p\u003e\n\u003cp\u003eAccording to \"The Tale of the Heike,\" Tomomori calmly prepared for his end. His act of taking a broom and cleaning the ship is particularly renowned, symbolizing the samurai's composure, dignity, and acceptance of fate in the face of death.\u003c\/p\u003e\n\u003cp\u003eYoshitoshi did not choose to depict the moment of fierce battle.\u003c\/p\u003e\n\u003cp\u003eInstead, he portrayed a warrior in full armor, quietly sweeping the deck before meeting his ultimate fate.\u003c\/p\u003e\n\u003cp\u003eThis print symbolizes the Japanese samurai culture, which embodies the ideal of maintaining one's dignity even in defeat.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eABOUT TSUKIOKA YOSHITOSHI\u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi was one of the most important Japanese ukiyo-e artists of the late 19th century.\u003c\/p\u003e\n\u003cp\u003eHe studied under the great ukiyo-e master Utagawa Kuniyoshi and produced numerous works including warrior prints, historical paintings, ghostly images, and beautiful women portraits.\u003c\/p\u003e\n\u003cp\u003eYoshitoshi was active during a period of great social change, transitioning from the Edo period to modern Japan.\u003c\/p\u003e\n\u003cp\u003eAs photography and Western printing technologies entered Japan, traditional ukiyo-e culture gradually declined. Yoshitoshi continued to create works during this time, earning him the reputation as one of the \"last ukiyo-e masters.\"\u003c\/p\u003e\n\u003cp\u003eThis work, produced in 1885, was created just seven years before Yoshitoshi's death.\u003c\/p\u003e\n\u003cp\u003eIt is a work born at the final stage of ukiyo-e culture, which spanned from the Edo to Meiji periods.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWORK INFORMATION\u003c\/p\u003e\n\u003cp\u003eTitle:\u003cbr\u003eShin Chunagon Taira no Tomomori\u003c\/p\u003e\n\u003cp\u003eSeries:\u003cbr\u003eYoshitoshi Musha Burui\u003c\/p\u003e\n\u003cp\u003eArtist:\u003cbr\u003eTsukioka Yoshitoshi\u003cbr\u003e1839–1892\u003c\/p\u003e\n\u003cp\u003eDate:\u003cbr\u003e1885 \/ Meiji 18\u003c\/p\u003e\n\u003cp\u003ePeriod:\u003cbr\u003eMeiji Period\u003c\/p\u003e\n\u003cp\u003eTechnique:\u003cbr\u003ePolychrome woodblock print (nishiki-e)\u003c\/p\u003e\n\u003cp\u003eGenre:\u003cbr\u003eMusha-e \/ Warrior Print, Historical Painting\u003c\/p\u003e\n\u003cp\u003ePublisher:\u003cbr\u003eKobayashi Tetsujiro\u003c\/p\u003e\n\u003cp\u003eCountry of Production:\u003cbr\u003eJapan\u003c\/p\u003e\n\u003cp\u003eSignature:\u003cbr\u003eYoshitoshi's signature and seal can be seen on the lower right of the print.\u003c\/p\u003e\n\u003cp\u003eDate Inscription:\u003cbr\u003eAn inscription \"御届 明治十八年\" (Registered Meiji 18) can be seen on the left margin of the print.\u003c\/p\u003e\n\u003cp\u003eQuantity:\u003cbr\u003eOne original item only\u003c\/p\u003e\n\u003cp\u003eThe actual item shown in the photographs will be delivered.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA SURVIVOR FROM 19TH-CENTURY JAPAN\u003c\/p\u003e\n\u003cp\u003eThis work is not a modern poster or digital print.\u003c\/p\u003e\n\u003cp\u003eIt is a work printed on traditional Japanese paper using traditional Japanese woodblock techniques.\u003c\/p\u003e\n\u003cp\u003eThe pigments can be seen through the reverse side of the thin Japanese paper, a characteristic of traditional Japanese woodblock prints.\u003c\/p\u003e\n\u003cp\u003eDespite being over 140 years old, the colors, including red, yellow, purple, and black, remain remarkably vibrant.\u003c\/p\u003e\n\u003cp\u003eYou can still enjoy the vivid colors of the armor and background.\u003c\/p\u003e\n\u003cp\u003eFor collectors of Japanese art, ukiyo-e, and samurai history, this print offers a direct connection to Meiji-era Japan.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCONDITION\u003c\/p\u003e\n\u003cp\u003eThis work is an antique artwork produced in the 19th century.\u003c\/p\u003e\n\u003cp\u003eDue to its age, it may show signs of age such as tanning, discoloration, minor stains, small marks, scuffs, creases, and binding holes.\u003c\/p\u003e\n\u003cp\u003ePlease carefully examine all photographs before making a purchase.\u003c\/p\u003e\n\u003cp\u003eThe photographs are an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eNo attempt has been made to digitally conceal age-related imperfections.\u003c\/p\u003e\n\u003cp\u003ePlease understand that such signs of aging are part of the history and character of an antique woodblock print that has survived for over 100 years.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAUTHENTICITY \u0026amp; ATTRIBUTION\u003c\/p\u003e\n\u003cp\u003eThis work was acquired from a professional art and antique dealer in Japan and was sold to us as a genuine work by Tsukioka Yoshitoshi.\u003c\/p\u003e\n\u003cp\u003eThe artist, title, date, publisher, signature, seal, and other inscriptions have been identified based on information visible on the work and reference materials pertaining to the design.\u003c\/p\u003e\n\u003cp\u003eHowever, AUN is not an independent academic authentication institution.\u003c\/p\u003e\n\u003cp\u003eUnless specifically stated otherwise, this work does not come with a separate certificate of authenticity issued by a third-party authentication institution.\u003c\/p\u003e\n\u003cp\u003eThe documentation provided by AUN is intended to record the identification, provenance information available to us, and the physical characteristics and condition of the work; it should not be interpreted as an expert authentication certificate from a third-party institution.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePROVENANCE\u003c\/p\u003e\n\u003cp\u003eAcquired through the Japanese art and antique market in Japan.\u003c\/p\u003e\n\u003cp\u003eThe professional dealer from whom it was acquired offered the work with a \"guarantee of authenticity\" subject to their own terms and conditions.\u003c\/p\u003e\n\u003cp\u003eHowever, any guarantee originally provided by the source does not automatically transfer as an independent certificate of authenticity from a third-party institution.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003ePLEASE READ BEFORE PURCHASE\u003c\/p\u003e\n\u003cp\u003eThis product is an antique artwork produced over 100 years ago, not a newly manufactured item.\u003c\/p\u003e\n\u003cp\u003eEven if not immediately visible in photographs, minor stains, fading, tanning, creases, small tears, binding holes, edge damage, and other age-related changes may be present.\u003c\/p\u003e\n\u003cp\u003eThe color appearance may vary slightly depending on lighting conditions during photography, the camera used, and the display settings of your monitor or smartphone.\u003c\/p\u003e\n\u003cp\u003eIf you have any concerns about the condition of the work, please request additional photographs or details before purchasing.\u003c\/p\u003e\n\u003cp\u003eDue to the nature of antiques, it is not possible to provide an identical item again.\u003c\/p\u003e\n\u003cp\u003eOnly one item is available for sale.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWORLDWIDE SHIPPING FROM TOKYO\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packed in Tokyo and shipped internationally using a trackable shipping method.\u003c\/p\u003e\n\u003cp\u003eDepending on the destination country, import duties, VAT, various taxes, customs clearance fees, etc., may apply.\u003c\/p\u003e\n\u003cp\u003eThese costs are not included in the product price or shipping cost and, if applicable, are the responsibility of the purchaser.\u003c\/p\u003e\n\u003cp\u003eCustoms duties and import regulations vary by country, so please check the rules applicable to your destination before purchasing.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eOWN A PIECE OF JAPANESE HISTORY\u003c\/p\u003e\n\u003cp\u003eThis is more than just a \"picture of a samurai.\"\u003c\/p\u003e\n\u003cp\u003eIt is a work that depicts the final moments of a warrior who understood that his world was about to disappear.\u003c\/p\u003e\n\u003cp\u003eYoshitoshi did not depict Tomomori fighting.\u003c\/p\u003e\n\u003cp\u003eHe depicted\u003c\/p\u003e\n\u003cp\u003e\"Tomomori cleaning.\"\u003c\/p\u003e\n\u003cp\u003eA quiet act before death.\u003c\/p\u003e\n\u003cp\u003ePrinted in Japan in 1885 and preserved for over 140 years, this work embodies not only the history of ukiyo-e but also the spirit of the samurai that Yoshitoshi sought to capture and the memory of Japanese culture.\u003c\/p\u003e\n\u003cp\u003eOnly one item is available.\u003c\/p\u003e\n\u003cp\u003eShips worldwide from Tokyo.\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49028343333034,"sku":null,"price":1000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/2D11F969-CB80-4806-8895-4BA2B39FA8A6.jpg?v=1786350544"},{"product_id":"a-samurai-woman-who-fought-to-save-her-husband-yoshitoshi-1885","title":"A Samurai Woman Who Fought to Save Her Husband | Yoshitoshi, 1885","description":"\u003cp\u003eTsukioka Yoshitoshi – Female Warrior | Japanese Woodblock Print, 1885\u003c\/p\u003e\n\u003cp\u003eShe put on samurai armor and entered the battlefield to save her husband.\u003c\/p\u003e\n\u003cp\u003eIn 1600, the same year as the Battle of Sekigahara, Anotsu Castle came under attack by a large Western Army force.\u003c\/p\u003e\n\u003cp\u003eAccording to the story, the wife of samurai lord Tomita Nobutaka put on armor, took up a naginata, and entered the battlefield to help save her husband.\u003c\/p\u003e\n\u003cp\u003eNearly 300 years later, the legendary Japanese ukiyo-e artist Tsukioka Yoshitoshi depicted this remarkable story in woodblock print.\u003c\/p\u003e\n\u003cp\u003eRed armor. Blue hakama. A sword at her waist.\u003cbr\u003eA long naginata in her hand.\u003c\/p\u003e\n\u003cp\u003eYoshitoshi did not place her quietly in the background.\u003c\/p\u003e\n\u003cp\u003eShe stands at the very center of the composition.\u003c\/p\u003e\n\u003cp\u003eWhen we think of samurai, we often imagine male warriors. But Japanese history also preserves stories of women who took up weapons and fought.\u003c\/p\u003e\n\u003cp\u003eThis work is not only for ukiyo-e collectors.\u003c\/p\u003e\n\u003cp\u003eIt is for anyone drawn to Japan, samurai, Japanese swords and armor, history, or simply the image of a powerful woman standing her ground.\u003c\/p\u003e\n\u003cp\u003eA piece of Japanese history, made to be displayed.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eABOUT YOSHITOSHI\u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi (1839–1892) was one of the great Japanese ukiyo-e artists of the late 19th century.\u003c\/p\u003e\n\u003cp\u003eA student of the celebrated Utagawa Kuniyoshi, he became particularly renowned for his dramatic warrior and historical prints.\u003c\/p\u003e\n\u003cp\u003eWorking during the transition from the age of the samurai into modern Japan, Yoshitoshi is often regarded as one of the last great masters of ukiyo-e.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDETAILS\u003c\/p\u003e\n\u003cp\u003eArtist:\u003cbr\u003eTsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\n\u003cp\u003eTitle:\u003cbr\u003eTomita Nobutaka, No. 31 from the series Kyodo Risshiki\u003c\/p\u003e\n\u003cp\u003eOriginal Publication:\u003cbr\u003e1885 \/ Meiji 18\u003c\/p\u003e\n\u003cp\u003ePeriod:\u003cbr\u003eMeiji Period\u003c\/p\u003e\n\u003cp\u003eMedium:\u003cbr\u003eJapanese polychrome woodblock print (nishiki-e)\u003c\/p\u003e\n\u003cp\u003eSubject:\u003cbr\u003eFemale warrior, samurai, naginata, Japanese sword, armor, white horse\u003c\/p\u003e\n\u003cp\u003eApprox. Size:\u003cbr\u003e35.6 × 24.2 cm\u003cbr\u003e14.0 × 9.5 in\u003c\/p\u003e\n\u003cp\u003eCountry:\u003cbr\u003eJapan\u003c\/p\u003e\n\u003cp\u003eQuantity:\u003cbr\u003eOne only\u003c\/p\u003e\n\u003cp\u003eYou will receive the exact artwork shown in the photographs.\u003c\/p\u003e\n\u003cp\u003ePlease note: 1885 refers to the original publication date of this design. We do not guarantee that this particular impression is a first-edition impression printed in 1885.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCONDITION\u003c\/p\u003e\n\u003cp\u003eThis is an antique Japanese woodblock print and shows natural signs of age and previous handling.\u003c\/p\u003e\n\u003cp\u003eAge-related toning, staining, wear, creases, minor marks and edge wear may be present.\u003c\/p\u003e\n\u003cp\u003ePlease examine all photographs carefully before purchasing, as the photographs form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAUTHENTICITY \u0026amp; ATTRIBUTION\u003c\/p\u003e\n\u003cp\u003eThis work was acquired through the Japanese art and antique market and was sold to us as a genuine work by Tsukioka Yoshitoshi.\u003c\/p\u003e\n\u003cp\u003eThe artist, title and publication date have been identified based on inscriptions visible on the work and reference information for the design.\u003c\/p\u003e\n\u003cp\u003ePlease note that AUN is not an independent authentication institution, and no separate certificate issued by a third-party authentication authority accompanies this work.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWORLDWIDE SHIPPING FROM TOKYO\u003c\/p\u003e\n\u003cp\u003eCarefully packed in Tokyo and shipped internationally with tracking.\u003c\/p\u003e\n\u003cp\u003eImport duties, VAT, taxes and customs clearance fees may apply depending on the destination country.\u003c\/p\u003e\n\u003cp\u003eThese charges are not included in the product price or shipping cost and, where applicable, are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eA woman entered the battlefield to save her husband.\u003c\/p\u003e\n\u003cp\u003eNearly 300 years later, Yoshitoshi preserved her story in woodblock print.\u003c\/p\u003e\n\u003cp\u003eBring a piece of Japanese history into your space.\u003c\/p\u003e\n\u003cp\u003eOne original work available.\u003cbr\u003eWorldwide shipping from Tokyo.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e月岡芳年「教導立志基 富田信高」｜戦う女性武者｜1885年\u003c\/p\u003e\n\u003cp\u003e夫を救うため、彼女は甲冑をまとって戦場へ向かった。\u003c\/p\u003e\n\u003cp\u003e1600年、関ヶ原の戦いと同じ年。\u003c\/p\u003e\n\u003cp\u003e西軍の大軍に攻められた安濃津城で、\u003cbr\u003e武将・富田信高の妻は甲冑を身につけ、薙刀を手に戦ったと伝えられています。\u003c\/p\u003e\n\u003cp\u003eその物語を、約300年後に描いたのが\u003cbr\u003e日本を代表する浮世絵師・月岡芳年です。\u003c\/p\u003e\n\u003cp\u003e赤い甲冑、青い袴、腰の刀。\u003cbr\u003e手には大きな薙刀。\u003c\/p\u003e\n\u003cp\u003e芳年は彼女を脇役ではなく、\u003cbr\u003e作品の中央、最も目を引く場所に描きました。\u003c\/p\u003e\n\u003cp\u003e侍というと男性を想像することが多いかもしれません。\u003c\/p\u003e\n\u003cp\u003eしかし日本の歴史には、\u003cbr\u003e武器を取り、自ら戦った女性たちの物語も残されています。\u003c\/p\u003e\n\u003cp\u003e浮世絵のコレクターだけでなく、\u003cbr\u003e日本、侍、刀、甲冑、日本史、\u003cbr\u003eそして「強い女性」を描いたアートに惹かれる方へ。\u003c\/p\u003e\n\u003cp\u003e日本の歴史を、飾る。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eABOUT YOSHITOSHI\u003c\/p\u003e\n\u003cp\u003e月岡芳年（1839–1892）は、\u003cbr\u003e幕末から明治にかけて活躍した日本を代表する浮世絵師。\u003c\/p\u003e\n\u003cp\u003e歌川国芳に師事し、武者絵や歴史画を数多く残しました。\u003c\/p\u003e\n\u003cp\u003e侍の時代が終わり、伝統的な浮世絵文化も衰退していく時代に活躍したことから、\u003cbr\u003e現在では「最後の浮世絵師」の一人として世界的に知られています。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e作品情報\u003c\/p\u003e\n\u003cp\u003e作者：\u003cbr\u003e月岡芳年（Tsukioka Yoshitoshi \/ 1839–1892）\u003c\/p\u003e\n\u003cp\u003e作品：\u003cbr\u003e教導立志基　三十一　富田信高\u003c\/p\u003e\n\u003cp\u003e刊行：\u003cbr\u003e1885年（明治18年）\u003c\/p\u003e\n\u003cp\u003e時代：\u003cbr\u003e明治時代\u003c\/p\u003e\n\u003cp\u003e技法：\u003cbr\u003e多色木版画／錦絵\u003c\/p\u003e\n\u003cp\u003eモチーフ：\u003cbr\u003e女性武者、侍、薙刀、日本刀、甲冑、白馬\u003c\/p\u003e\n\u003cp\u003e制作国：\u003cbr\u003e日本\u003c\/p\u003e\n\u003cp\u003e数量：\u003cbr\u003e現品一点のみ\u003c\/p\u003e\n\u003cp\u003e掲載写真の作品そのものをお届けします。\u003c\/p\u003e\n\u003cp\u003e※1885年は本図の初出・刊行年を示します。\u003cbr\u003e本個体そのものが1885年に摺られた「初摺」であることを保証するものではありません。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e状態について\u003c\/p\u003e\n\u003cp\u003e本作品は長い年月を経た骨董木版画です。\u003c\/p\u003e\n\u003cp\u003e経年によるヤケ、シミ、汚れ、擦れ、シワ、小傷、縁部分の傷みなどが見られます。\u003c\/p\u003e\n\u003cp\u003e状態については掲載写真を十分にご確認ください。\u003cbr\u003e写真も作品の状態説明の一部となります。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e真贋・作品の帰属について\u003c\/p\u003e\n\u003cp\u003e本作品は日本国内の美術品・骨董市場から取得し、\u003cbr\u003e仕入れ時には「月岡芳年・真作」として販売されていた作品です。\u003c\/p\u003e\n\u003cp\u003e作者、作品名、刊行年等は、\u003cbr\u003e作品上の表記および公的所蔵資料等をもとに記載しています。\u003c\/p\u003e\n\u003cp\u003eAUNは独立した鑑定機関ではなく、\u003cbr\u003e第三者鑑定機関による鑑定書は付属しません。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eWORLDWIDE SHIPPING\u003c\/p\u003e\n\u003cp\u003e作品は東京から丁寧に梱包し、\u003cbr\u003e追跡可能な方法で海外発送いたします。\u003c\/p\u003e\n\u003cp\u003e輸入関税、VAT、税金、通関手数料等が発生する場合は、\u003cbr\u003e購入者様のご負担となります。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e400年前、夫を救うために戦場へ向かった女性。\u003c\/p\u003e\n\u003cp\u003e約300年後、芳年がその物語を木版画にした。\u003c\/p\u003e\n\u003cp\u003e日本の歴史を、あなたの部屋へ。\u003c\/p\u003e\n\u003cp\u003e現品一点のみ。\u003cbr\u003e東京から世界へお届けします。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49028354244778,"sku":null,"price":1500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/23550E0A-079C-41AB-821B-0DDA10756D89.jpg?v=1786351627"},{"product_id":"kobayashi-kiyochika-meiji-oban-woodblock-print","title":"Original Samurai Woodblock Print by Kiyochika Kobayashi — Meiji Japan, 1880s","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eA dramatic scene from Meiji-era Japan, depicting a samurai standing over the fallen Kesa Gozen.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis original woodblock print is by \u003cstrong\u003eKiyochika Kobayashi (1847–1915)\u003c\/strong\u003e, one of the most important artists of the Meiji period, known for capturing Japan at the moment it was transforming from the world of the samurai into a modern nation.\u003c\/p\u003e\n\u003cp\u003eThe work belongs to the historical series \u003cstrong\u003eKyōdō Risshi no Motoi (教導立志基)\u003c\/strong\u003e, which portrayed famous figures and stories from Japanese history as examples of courage, loyalty, and moral character.\u003c\/p\u003e\n\u003cp\u003eThe sword, traditional clothing, expressive figures, and deep decorative border make this a particularly striking piece even for those who are not traditional ukiyo-e collectors.\u003c\/p\u003e\n\u003cp\u003eMore than 100 years old, it is a surviving piece of Japanese visual history — created during the extraordinary transition between old Japan and the modern era.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kiyochika Kobayashi (1847–1915)\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Kyōdō Risshi no Motoi (教導立志基)\u003cbr\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e Kesa Gozen\u003cbr\u003e\u003cstrong\u003ePeriod:\u003c\/strong\u003e Meiji Period, Japan\u003cbr\u003e\u003cstrong\u003eTechnique:\u003c\/strong\u003e Traditional Japanese woodblock print\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 26 × 37 cm \/ 10.2 × 14.6 in\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Antique \/ pre-owned. Please carefully review all photographs for age-related wear, discoloration, stains, edge damage, and other condition details.\u003c\/p\u003e\n\u003cp\u003eEach antique print is unique, and this is the actual piece you will receive.\u003c\/p\u003e\n\u003ch3\u003eInternational Orders\u003c\/h3\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDisplay \"Samurai of Meiji Japan\" as is. Genuine woodblock print by Kiyochika Kobayashi\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWoodblock print by \u003cstrong\u003eKiyochika Kobayashi (1847–1915)\u003c\/strong\u003e, one of the most prominent ukiyo-e artists of the Meiji period.\u003c\/p\u003e\n\u003cp\u003eThis is one print from the \"Kyōdō Risshi no Motoi\" series, which depicted courage, loyalty, and way of life through historical figures and stories, illustrating the tale surrounding Kesa Gozen.\u003c\/p\u003e\n\u003cp\u003eThe samurai with a sword, the fallen woman, vivid kimonos, and a profound decorative border.\u003c\/p\u003e\n\u003cp\u003eThis piece is intuitively enjoyable not only for ukiyo-e collectors but also for \u003cstrong\u003eanyone who loves samurai, Japanese history, the Meiji period, and Japanese culture\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eMore than 100 years old, this woodblock print allows you to feel the very history of Japan.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kiyochika Kobayashi\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Kyōdō Risshi no Motoi\u003cbr\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e Kesa Gozen\u003cbr\u003e\u003cstrong\u003ePeriod:\u003c\/strong\u003e Meiji Period\u003cbr\u003e\u003cstrong\u003eTechnique:\u003c\/strong\u003e Woodblock print\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 26 × 37 cm\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e As an antique work, there may be age-related tanning, stains, damage, etc. Please carefully check the provided photographs for condition details.\u003c\/p\u003e\n\u003cp\u003e*The product in the photographs is the exact item you will receive.\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49033817686186,"sku":null,"price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/LINE_ALBUM___260811_19.jpg?v=1786429993"},{"product_id":"meiji-ukiyo-e-kobayashi-kiyochika-samurai","title":"Original Samurai Woodblock Print by Kiyochika Kobayashi — Minamoto no Yoshiie, Meiji Japan","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\n\u003cdiv class=\"\"\u003e\n\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\n\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003eA mounted samurai in full armor, carrying a bow and arrows across the fields of ancient Japan.\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis original woodblock print is by \u003cstrong\u003eKiyochika Kobayashi (1847–1915)\u003c\/strong\u003e, one of the leading artists of the Meiji period.\u003c\/p\u003e\n\n\u003cp\u003eThe warrior depicted is \u003cstrong\u003eMinamoto no Yoshiie\u003c\/strong\u003e, one of the most celebrated samurai commanders in Japanese history. Known for both military skill and leadership, his legend survived for centuries as an ideal of the Japanese warrior.\u003c\/p\u003e\n\n\u003cp\u003eThe work belongs to the historical series \u003cstrong\u003eKyōdō Risshi no Motoi (教導立志基)\u003c\/strong\u003e, depicting figures from Japanese history whose lives represented courage, discipline, and character.\u003c\/p\u003e\n\n\u003cp\u003eWith its detailed samurai armor, horse, bow and arrows, and expansive landscape, the composition captures the visual world most closely associated with the legendary samurai of Japan.\u003c\/p\u003e\n\n\u003cp\u003eAn exceptional piece for collectors of Japanese art, as well as anyone fascinated by \u003cstrong\u003esamurai, Japanese history, martial culture, or traditional Japan.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eArtist:\u003c\/strong\u003e Kiyochika Kobayashi (1847–1915)\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Kyōdō Risshi no Motoi (教導立志基)\u003cbr\u003e\u003cstrong\u003eSubject:\u003c\/strong\u003e Minamoto no Yoshiie\u003cbr\u003e\u003cstrong\u003ePeriod:\u003c\/strong\u003e Meiji Period, Japan\u003cbr\u003e\u003cstrong\u003eTechnique:\u003c\/strong\u003e Traditional Japanese woodblock print\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 26 × 37 cm \/ 10.2 × 14.6 in\u003cbr\u003e\u003cstrong\u003eCondition:\u003c\/strong\u003e Antique \/ pre-owned. Please carefully review all photographs for age-related wear, discoloration, stains, edge damage, and other condition details.\u003c\/p\u003e\n\n\u003cp\u003eEach antique print is unique, and this is the actual piece you will receive.\u003c\/p\u003e\n\n\u003ch3\u003eInternational Orders\u003c\/h3\u003e\n\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch3\u003e日本語版\u003c\/h3\u003e\n\n\u003cp\u003e\u003cstrong\u003e馬上の侍を描いた、小林清親の明治木版画。\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e明治を代表する浮世絵師の一人、**小林清親（1847–1915）**による「教導立志基」の一図。\u003c\/p\u003e\n\n\u003cp\u003e描かれているのは、日本史に名を残す武将\u003cstrong\u003e源義家\u003c\/strong\u003e。\u003c\/p\u003e\n\n\u003cp\u003e甲冑を身につけ、馬にまたがり、背には矢、手には弓。\u003cbr\u003e海外の人が思い描く「SAMURAI」の世界が、一枚の中に凝縮されています。\u003c\/p\u003e\n\n\u003cp\u003e広い野原と空を飛ぶ鳥を背景にした構図も美しく、戦闘場面とは違った\u003cstrong\u003e武士の静かな強さ\u003c\/strong\u003eを感じさせる作品です。\u003c\/p\u003e\n\n\u003cp\u003e浮世絵コレクターはもちろん、\u003cstrong\u003e侍・日本史・武具・日本文化が好きな方にもおすすめできる一枚。\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003e作者：\u003c\/strong\u003e 小林清親\u003cbr\u003e\u003cstrong\u003eシリーズ：\u003c\/strong\u003e 教導立志基\u003cbr\u003e\u003cstrong\u003e題材：\u003c\/strong\u003e 源義家\u003cbr\u003e\u003cstrong\u003e時代：\u003c\/strong\u003e 明治時代\u003cbr\u003e\u003cstrong\u003e技法：\u003c\/strong\u003e 木版画\u003cbr\u003e\u003cstrong\u003eサイズ：\u003c\/strong\u003e 約26 × 37cm\u003cbr\u003e\u003cstrong\u003e状態：\u003c\/strong\u003e 経年によるヤケ・シミ・傷み等があります。掲載写真をご確認のうえ、アンティーク作品としてお楽しみください。\u003c\/p\u003e\n\n\u003cp\u003e※掲載写真の商品そのものをお届けします。\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49033826566314,"sku":null,"price":450.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/1786430240658_nfzw.jpg?v=1786430391"},{"product_id":"the-fierce-matriarch-kakuju-a-heroine-of-classic-kabuki-後室-覚寿","title":"The Fierce Matriarch Kakuju \/ 後室 覚寿","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eUtagawa Kunisada I \/ 歌川国貞（三代歌川豊国） (1786–1865)\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eThe Fierce Matriarch Kakujū — A Heroine of Classic Kabuki \/ 後室 覚寿\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003ch3\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eA commanding female figure from one of Japan’s great theatrical classics.\u003c\/p\u003e\n\u003cp\u003eThis ōban woodblock print depicts \u003cstrong\u003eKakujū\u003c\/strong\u003e, an important character in \u003cem\u003eSugawara Denju Tenarai Kagami\u003c\/em\u003e (\u003cem\u003eSugawara and the Secrets of Calligraphy\u003c\/em\u003e), a celebrated drama based on the downfall and exile of the historical scholar and statesman Sugawara no Michizane. In the play, Kakujū is the aunt of Kan Shōjō—the fictionalized Michizane—and the mother of Kariya-hime. She is remembered as a formidable matriarch: severe and perceptive, yet deeply devoted to her family. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKunisada captures that strength in a remarkably restrained composition. Kakujū stands alone in an interior, her body enveloped in an elaborate russet-brown robe patterned with delicate blue blossoms. Beneath it, sweeping layers of black and white create a dramatic vertical rhythm. At her side she carries a sheathed blade, while her composed expression and deliberate posture give the figure an unmistakable authority.\u003c\/p\u003e\n\u003cp\u003eBehind her, a standing lantern and flowering plum branches frame the scene against a pale blue sky. The plum is especially resonant within the world of \u003cem\u003eSugawara Denju Tenarai Kagami\u003c\/em\u003e, whose story is closely associated with Michizane and the celebrated legends surrounding him. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe vertical cartouche at upper left identifies the character as \u003cstrong\u003e“Goshitsu Kakujū” (後室覚寿)\u003c\/strong\u003e. At lower left is the \u003cstrong\u003eToyokuni ga (豊国画)\u003c\/strong\u003e signature, the name under which Kunisada worked in his later career, together with the carver’s mark \u003cstrong\u003eHori Take (彫竹)\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eRather than presenting feminine beauty in the conventional manner of \u003cem\u003ebijin-ga\u003c\/em\u003e, this print centers on \u003cstrong\u003epresence, dignity, and character\u003c\/strong\u003e—a powerful portrait of one of classical Japanese theatre’s strong female roles.\u003c\/p\u003e\n\u003ch3\u003eArtist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eUtagawa Kunisada I (1786–1865)\u003c\/strong\u003e, later known as \u003cstrong\u003eToyokuni III\u003c\/strong\u003e, was a pupil of Utagawa Toyokuni I and one of the dominant ukiyo-e artists of nineteenth-century Japan. He was especially renowned for \u003cem\u003eyakusha-e\u003c\/em\u003e, portraits of kabuki actors and theatrical characters, as well as \u003cem\u003ebijin-ga\u003c\/em\u003e and literary subjects.\u003c\/p\u003e\n\u003cp\u003eHis work is distinguished by confident figure drawing, sophisticated textile patterns, strong color contrasts, and an exceptional ability to translate the visual drama of the kabuki stage into woodblock print.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003ePre-owned and long stored, with age-related deterioration, scratches, soiling, and other signs of wear. Condition as shown in the photographs. Age-related wear consistent with an antique woodblock print. Please examine the photographs carefully before bidding.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eApproximate size:\u003c\/strong\u003e 26 × 37 cm \/ 10.2 × 14.6 in\u003cbr\u003e\u003cstrong\u003eFormat:\u003c\/strong\u003e Ōban\u003c\/p\u003e\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eShipping\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\n\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Each artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event that the artwork is lost or damaged during transit, \u003cstrong\u003ewe will take responsibility and provide appropriate compensation.\u003c\/strong\u003e Please contact us promptly with photographs and details of the issue.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49040780558506,"sku":null,"price":300.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/LINE_ALBUM___260812_11.jpg?v=1786518623"},{"product_id":"inaba-kozo-emerging-from-the-shadows-onoe-kikugoro-v-in-early-meiji-kabuki","title":"Inaba Kōzō Emerging from the Shadows — Onoe Kikugorō V in Early Meiji Kabuki","description":"\u003cp\u003e\u003cstrong\u003e1869（明治2年）頃 \/ c. 1869\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e錦絵・木版 \/ Nishiki-e woodblock print\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e大判 \/ Ōban\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eThis original ukiyo-e actor print by \u003cstrong\u003eToyohara Kunichika\u003c\/strong\u003e depicts the celebrated Kabuki actor \u003cstrong\u003eOnoe Kikugorō V\u003c\/strong\u003e in the role of \u003cstrong\u003eInaba Kōzō\u003c\/strong\u003e. Museum records identify Kunichika's \u003cem\u003eKabuki Actors (Onoe Kikugorō \/ Inaba Kōzō)\u003c\/em\u003e as a work from \u003cstrong\u003e1869 (Meiji 2)\u003c\/strong\u003e, originally conceived as part of an \u003cstrong\u003eōban-format triptych\u003c\/strong\u003e. Another impression bearing the same actor and role is preserved in the Ishikawa Prefectural Museum of Art. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eRather than relying on elaborate scenery, Kunichika isolates the actor against a deep, almost black interior. Kikugorō appears through the architectural frame of a doorway or partition, one hand gripping its edge as he leans forward. His dark indigo checked kimono, restrained salmon-colored sash, and sharply articulated face create a striking contrast against the shadowed background.\u003c\/p\u003e\n\u003cp\u003eThe result is remarkably theatrical: the surrounding darkness works almost like a stage spotlight, concentrating attention on the actor's expression and posture. The vertical cartouche identifies \u003cstrong\u003eInaba Kōzō\u003c\/strong\u003e and \u003cstrong\u003eOnoe Kikugorō\u003c\/strong\u003e, while Kunichika's signature appears at lower left. The cropped, architectural composition gives the print an unusually modern graphic quality while retaining the immediacy of nineteenth-century Kabuki.\u003c\/p\u003e\n\u003ch3\u003eArtist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eToyohara Kunichika (1835–1900)\u003c\/strong\u003e was one of the foremost artists of \u003cem\u003eyakusha-e\u003c\/em\u003e, or Kabuki actor prints, during the transition from the Edo period into Meiji Japan. He entered the studio of \u003cstrong\u003eUtagawa Kunisada (Toyokuni III)\u003c\/strong\u003e as a teenager and became particularly celebrated for his powerful actor portraits, expressive faces, and sophisticated use of color. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKunichika remained deeply connected to the Kabuki world and was known for observing actors and their expressions backstage. Today he is regarded as one of the defining ukiyo-e artists of the Meiji period, particularly for his vivid documentation of nineteenth-century Kabuki culture. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eAntique, pre-owned woodblock print with age-related wear, including visible staining, soiling, rubbing, creasing and general deterioration consistent with long-term storage.\u003c\/p\u003e\n\u003cp\u003eCondition as shown in the photographs. Age-related wear consistent with an antique woodblock print. Please examine the photographs carefully before bidding.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Each artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event that the artwork is lost or damaged during transit, \u003cstrong\u003ewe will take responsibility and provide appropriate compensation.\u003c\/strong\u003e Please contact us promptly with photographs and details of the issue.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch1\u003e\u003cbr\u003e\u003c\/h1\u003e\n\u003ch2\u003e豊原国周 \/ Toyohara Kunichika (1835–1900)\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eInaba Kōzō Emerging from the Shadows — Onoe Kikugorō V in Early Meiji Kabuki\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ec. 1869 (Meiji 2)\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eNishiki-e woodblock print\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eŌban\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eArtwork Description\u003c\/h3\u003e\n\u003cp\u003eThis ukiyo-e Kabuki actor print is by \u003cstrong\u003eToyohara Kunichika\u003c\/strong\u003e, a leading \u003cem\u003eyakusha-e\u003c\/em\u003e (actor print) artist from the late Edo to Meiji periods. It depicts the renowned actor \u003cstrong\u003eOnoe Kikugorō V\u003c\/strong\u003e in the role of \u003cstrong\u003eInaba Kōzō\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003eMuseum records indicate that Kunichika's \"Kabuki Actors (Onoe Kikugorō \/ Inaba Kōzō)\" dates to \u003cstrong\u003e1869 (Meiji 2)\u003c\/strong\u003e and was originally part of an \u003cstrong\u003eōban-format triptych\u003c\/strong\u003e. Another impression of \"Inaba Kōzō \/ Onoe Kikugorō\" is preserved at the Ishikawa Prefectural Museum of Art. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhat is particularly striking about this work is its bold use of \"darkness.\"\u003c\/p\u003e\n\u003cp\u003eKikugorō emerges from what appears to be a door or partition frame, set against an almost black interior. His deep indigo checkered kimono, pale vermilion obi, and the stark white of his face create a powerful contrast against the dark background.\u003c\/p\u003e\n\u003cp\u003eThe composition, where the figure appears to float out of the darkness like a stage spotlight, captures a moment of intense theatrical tension through the actor's gaze and posture.\u003c\/p\u003e\n\u003cp\u003eThe architectural framing of the figure is also remarkably bold, making this \u003cstrong\u003ean actor print from over 150 years ago that possesses a sharp, modern graphic quality\u003c\/strong\u003e.\u003c\/p\u003e\n\u003ch3\u003eArtist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eToyohara Kunichika (1835–1900)\u003c\/strong\u003e was an ukiyo-e artist active from the late Edo to Meiji periods, known as a master of \u003cem\u003eyakusha-e\u003c\/em\u003e (Kabuki actor prints).\u003c\/p\u003e\n\u003cp\u003eHe entered the studio of \u003cstrong\u003eUtagawa Kunisada (Toyokuni III)\u003c\/strong\u003e as a teenager and subsequently established a unique style that boldly captured actors' expressions and stage presence. Deeply connected to the Kabuki world, he was known to observe actors' expressions and gestures backstage. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWith his vivid colors and powerful depiction of figures, he is now highly regarded as \u003cstrong\u003eone of the representative ukiyo-e artists of the Meiji period\u003c\/strong\u003e. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThis is an antique, pre-owned woodblock print with age-related wear, including visible staining, soiling, rubbing, creasing, and other deterioration consistent with long-term storage.\u003c\/p\u003e\n\u003cp\u003eCondition is as shown in the photographs. As an antique woodblock print, it exhibits age-appropriate wear. Please examine the photographs carefully before purchasing or bidding.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Each artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event that the artwork is lost or damaged during transit, \u003cstrong\u003ewe will take responsibility and provide appropriate compensation.\u003c\/strong\u003e Please contact us promptly with photographs and details of the issue upon arrival.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49040806248618,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/LINE_ALBUM___260812_2.jpg?v=1786519075"},{"product_id":"taisho-keisai-eisen-ukiyoe-shinagawa","title":"A Beauty of Shinagawa — Tea, Travel, and the Tōkaidō Keisai Eisen (1791–1848)","description":"\u003cp class=\"PDq2pG_selectionAnchorContainer\"\u003e\u003cstrong\u003e『美人東海道 品川之驛』 \/ \u003cem\u003eBeauty Tōkaidō: Shinagawa Station\u003c\/em\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e大正期復刻木版 \/ Taishō-period woodblock reprint\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e大判 \/ Ōban (39cm×26cm)\u003c\/strong\u003e\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eA beautifully executed woodblock print after \u003cstrong\u003eKeisai Eisen's \u003cem\u003eBijin Tōkaidō\u003c\/em\u003e\u003c\/strong\u003e, a celebrated series combining two enduring subjects of ukiyo-e: elegant women and the famous stations of the Tōkaidō highway. Eisen's \u003cem\u003eBijin Tōkaidō\u003c\/em\u003e is documented in museum collections as an ōban nishiki-e series dating to around the early 1840s. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis design represents \u003cstrong\u003eShinagawa\u003c\/strong\u003e, the first major post station encountered after leaving Edo on the Tōkaidō. In the foreground, an elegantly dressed woman kneels beside a brazier, delicately tending a small iron kettle. Her elaborate coiffure, layered kimono and richly patterned textiles contrast beautifully with the expansive coastal landscape behind her.\u003c\/p\u003e\n\u003cp\u003eAcross the water, sailing vessels and small boats evoke Shinagawa's historic connection with Edo Bay, while a procession of travelers and roadside buildings brings the famous highway to life. The composition is particularly appealing because Eisen does not simply portray a beautiful woman: \u003cstrong\u003ehe brings together fashion, tea culture, travel and landscape in a single image of nineteenth-century Japan.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe combination of deep indigo, muted green, warm red and the open blue of the bay gives the work a decorative quality that remains remarkably suited to contemporary Japanese and Japandi interiors.\u003c\/p\u003e\n\u003ch3\u003eArtist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eKeisai Eisen (1791–1848)\u003c\/strong\u003e was a leading ukiyo-e artist of the late Edo period, particularly celebrated for his \u003cem\u003ebijin-ga\u003c\/em\u003e—images of fashionable and beautiful women. He worked under several art names and developed a distinctive style noted for sophisticated, sometimes sensuous female figures and elaborate contemporary fashions. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAlongside his celebrated images of women, Eisen also produced landscape prints and famously participated in the early stages of the \u003cem\u003eSixty-Nine Stations of the Kisokaidō\u003c\/em\u003e. His \u003cem\u003eBijin Tōkaidō\u003c\/em\u003e is especially interesting for combining his mastery of female portraiture with views associated with Japan's most famous highway.\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eGood overall condition for a vintage woodblock print, with some age-related wear and minor signs of long-term storage visible in the photographs.\u003c\/p\u003e\n\u003cp\u003eCondition as shown in the photographs. Age-related wear consistent with an antique\/vintage woodblock print. Please examine the photographs carefully before purchasing.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Each artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event that the artwork is lost or damaged during transit, \u003cstrong\u003ewe will take responsibility and provide appropriate compensation.\u003c\/strong\u003e Please contact us promptly with photographs and details of the issue.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e日本語訳\u003c\/h1\u003e\n\u003ch2\u003e溪斎英泉 \/ Keisai Eisen (1791–1848)\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003e品川の美人 ― 茶の湯と東海道の旅情 \/ A Beauty of Shinagawa — Tea, Travel, and the Tōkaidō\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e『美人東海道 品川之驛』\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e大正期復刻木版\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e大判\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e作品解説\u003c\/h3\u003e\n\u003cp\u003e江戸後期を代表する浮世絵師、\u003cstrong\u003e溪斎英泉\u003c\/strong\u003eの代表的なシリーズのひとつ『美人東海道』をもとに制作された木版画です。\u003c\/p\u003e\n\u003cp\u003e『美人東海道』は、東海道の宿場風景と美しい女性という、浮世絵を代表する二つの題材を組み合わせたシリーズ。美術館所蔵資料からも、1840年代前半を中心に制作された大判錦絵のシリーズであることが確認できます。 \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e本図の舞台は、江戸を出発して最初の主要な宿場となる\u003cstrong\u003e品川\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e画面手前には、火鉢にかけられた小さな鉄瓶を扱う美しい女性が描かれています。華やかな髪飾り、幾重にも重なる着物、細部まで施された文様。その背後には一転して、広々とした海と山並みが広がります。\u003c\/p\u003e\n\u003cp\u003e海には帆船や小舟が浮かび、海岸沿いには旅人や建物が連なる。\u003c\/p\u003e\n\u003cp\u003e単なる美人画ではなく、\u003cstrong\u003e「美人」「茶」「旅」「東海道」「江戸の風景」という日本文化の要素が一枚に凝縮されている\u003c\/strong\u003eのが、この作品の面白さです。\u003c\/p\u003e\n\u003cp\u003e深い藍色の着物、落ち着いた緑、赤の差し色、そして品川の海の青。色彩のバランスも美しく、現代の和モダンやJAPANDIの空間にも自然に馴染む一枚です。\u003c\/p\u003e\n\u003ch3\u003e作者\u003c\/h3\u003e\n\u003cp\u003e**溪斎英泉（1791–1848）**は、江戸時代後期を代表する浮世絵師です。\u003c\/p\u003e\n\u003cp\u003e特に美人画で高く評価され、華やかな衣装や髪型、どこか妖艶さを感じさせる女性表現によって独自の画風を確立しました。美人画だけでなく風景画も手掛け、木曾街道を描いた『木曾海道六十九次』にも携わっています。 \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e『美人東海道』は、そんな英泉が得意とした\u003cstrong\u003e女性美と旅の風景を一つの画面に融合させたシリーズ\u003c\/strong\u003eとして楽しめます。\u003c\/p\u003e\n\u003ch3\u003e状態\u003c\/h3\u003e\n\u003cp\u003eヴィンテージ木版画として概ね良好な状態です。長期保管および経年による軽微な劣化等については、掲載写真をご確認ください。\u003c\/p\u003e\n\u003cp\u003e状態は掲載写真の通りです。年代物の木版画として経年変化がありますので、ご購入前に写真を十分にご確認ください。\u003c\/p\u003e\n\u003ch3\u003e配送\u003c\/h3\u003e\n\u003cp\u003e海外発送に対応しています。作品は一点ずつ丁寧に梱包し、追跡可能な方法で発送いたします。\u003c\/p\u003e\n\u003cp\u003e万が一、\u003cstrong\u003e配送中に作品の紛失・破損などの事故が発生した場合には、当店にて責任を持って適切に補償いたします。\u003c\/strong\u003e 到着時の状態が分かる写真と詳細をご連絡ください。\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。\u003c\/p\u003e\n\u003cp\u003eこれらの費用が発生する場合、金額はお届け先の国の税関当局によって決定され、お客様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49048323915946,"sku":null,"price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/1786670559817_vzyh.jpg?v=1786670639"},{"product_id":"meiji-ukiyo-e-yosai-chikanobu-nakamura-shikan","title":"A Samurai’s Gaze — Original Japanese Woodblock Print by Yōshū Chikanobu, Meiji Period","description":"\u003cp\u003eA Samurai’s Gaze — Original Japanese Woodblock Print by Yōshū Chikanobu, Meiji Period\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA striking original Japanese woodblock print by Yōshū Chikanobu (1838–1912), depicting the kabuki character Munekiyo, portrayed by the celebrated actor Nakamura Shikan.\u003c\/p\u003e\n\u003cp\u003eThe image is dominated by a powerful figure gripping the hilt of his sword, his sharp gaze emerging from behind a dramatic black garment. At its center is an oversized butterfly crest, creating a bold graphic composition that feels remarkably modern despite the work being created in Meiji-period Japan.\u003c\/p\u003e\n\u003cp\u003eDeep black, muted green and warm ochre are contrasted with the richly patterned red garment beneath. Behind the figure, an old pine tree and theatrical scenery evoke the atmosphere of traditional kabuki.\u003c\/p\u003e\n\u003cp\u003eYou do not need to be a collector of Japanese prints to appreciate this piece.\u003c\/p\u003e\n\u003cp\u003eThe sword, powerful expression, bold family crest and almost graphic use of black make it an exceptional piece of Japanese art for a contemporary interior — particularly for those drawn to samurai culture, Japanese history, traditional design, or the aesthetics of Japan.\u003c\/p\u003e\n\u003cp\u003eThe artist himself makes the work even more compelling: Chikanobu was born into the samurai class before becoming one of the important woodblock print artists of the Meiji era.\u003c\/p\u003e\n\u003cp\u003eA piece of Japanese history created by an artist who personally lived through the end of the samurai age.\u003c\/p\u003e\n\u003cp\u003eOriginal title: 宗清 中村芝翫\u003cbr\u003eSubject: Munekiyo \/ Nakamura Shikan\u003cbr\u003ePeriod: Meiji period\u003cbr\u003eTechnique: Japanese woodblock print (Nishiki-e)\u003cbr\u003eFormat: Ōban\u003cbr\u003eSize: Approx. 37.0 × 24.5 cm \/ 14.6 × 9.6 in\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003eYōshū Chikanobu \/ 楊洲周延 (1838–1912) was one of the important Japanese woodblock print artists of the Meiji period.\u003c\/p\u003e\n\u003cp\u003eBorn Hashimoto Naoyoshi, Chikanobu originally belonged to the samurai class and served the Takada domain before pursuing a career as an artist. Working within the Utagawa tradition, he became known for kabuki actor portraits, historical scenes, contemporary subjects and elegant depictions of women.\u003c\/p\u003e\n\u003cp\u003eHis career bridged two radically different Japans: the disappearing world of the samurai and the rapidly modernizing Meiji era.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eSome age-related damage, wear, staining, soiling and deterioration are visible, particularly around the margins and upper edge.\u003c\/p\u003e\n\u003cp\u003eCondition as shown in the photographs. Age-related wear consistent with an antique woodblock print. Please examine the photographs carefully before purchasing.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available. Each artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event that the artwork is lost or damaged during transit, we will take responsibility and provide appropriate compensation. Please contact us promptly with photographs and details of the issue.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e侍の眼差し ― 楊洲周延による明治期・真作木版画\u003c\/p\u003e\n\u003cp\u003e作品解説\u003c\/p\u003e\n\u003cp\u003e明治を代表する浮世絵師、楊洲周延（1838–1912）による真作木版画。歌舞伎役者・中村芝翫が演じる「宗清」を描いた作品です。\u003c\/p\u003e\n\u003cp\u003e刀の柄を握りながら、鋭い視線を向ける男。\u003c\/p\u003e\n\u003cp\u003e画面を大きく占める黒い衣装には、巨大な蝶の紋が大胆に描かれています。明治期の作品でありながら、現代のグラフィックデザインにも通じる非常に力強い構図です。\u003c\/p\u003e\n\u003cp\u003e深い黒、落ち着いた緑、黄土色。その中から鮮やかな赤い衣装が覗き、背景には松と歌舞伎の舞台空間が広がります。\u003c\/p\u003e\n\u003cp\u003e浮世絵について詳しくなくても、純粋に「日本のアート」として楽しめる一枚です。\u003c\/p\u003e\n\u003cp\u003e刀、鋭い表情、大胆な家紋、黒を大きく使った構図。\u003c\/p\u003e\n\u003cp\u003e侍文化、日本史、日本の伝統的なデザインや美意識に惹かれる方の空間にもよく似合います。\u003c\/p\u003e\n\u003cp\u003eそして、この作品をさらに興味深くしているのが作者自身の経歴です。\u003c\/p\u003e\n\u003cp\u003e楊洲周延は、もともと武士の身分に生まれ、その後、明治を代表する浮世絵師となった人物です。\u003c\/p\u003e\n\u003cp\u003eつまりこれは、単に「侍の世界を描いた日本美術」ではありません。\u003c\/p\u003e\n\u003cp\u003e武士の時代の終焉を実際に生きた絵師が残した、日本の歴史の一片です。\u003c\/p\u003e\n\u003cp\u003e原題：宗清 中村芝翫\u003cbr\u003e題材：宗清／中村芝翫\u003cbr\u003e時代：明治期\u003cbr\u003e技法：木版・錦絵\u003cbr\u003e判型：大判\u003cbr\u003eサイズ：約37.0 × 24.5cm\u003c\/p\u003e\n\u003cp\u003e作者\u003c\/p\u003e\n\u003cp\u003e楊洲周延（ようしゅう ちかのぶ／1838–1912）は、明治期を代表する浮世絵師の一人です。\u003c\/p\u003e\n\u003cp\u003e本名は橋本直義。もともと武士の身分にあり、高田藩に仕えた後、浮世絵師として活動しました。歌舞伎役者絵、歴史画、時事的な作品、美人画など幅広い作品を残しています。\u003c\/p\u003e\n\u003cp\u003e彼の生涯そのものが、「侍の時代」から近代日本へと移り変わる激動の時代をまたいでいます。\u003c\/p\u003e\n\u003cp\u003e状態\u003c\/p\u003e\n\u003cp\u003e経年による傷み、スレ、シミ、汚れ等が見られます。特に余白および上部に経年劣化が確認できます。\u003c\/p\u003e\n\u003cp\u003e状態は掲載写真の通りです。年代物の木版画として経年変化がありますので、ご購入前に写真を十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003e配送\u003c\/p\u003e\n\u003cp\u003e海外発送に対応しています。作品は一点ずつ丁寧に梱包し、追跡可能な方法で発送いたします。\u003c\/p\u003e\n\u003cp\u003e万が一、配送中に作品の紛失・破損などの事故が発生した場合には、当店にて責任を持って適切に補償いたします。到着時の状態が分かる写真と詳細をご連絡ください。\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。\u003c\/p\u003e\n\u003cp\u003eこれらの費用が発生する場合、金額はお届け先の国の税関当局によって決定され、お客様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49048712642730,"sku":null,"price":199.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/1786689986886_769r.jpg?v=1786690167"},{"product_id":"a-woman-by-the-water-an-intimate-portrait-of-edo-beauty-歌川国輝-二代-utagawa-kuniteru-ii-1830-1874","title":"A Woman by the Water — An Intimate Portrait of Edo Beauty — Utagawa Kuniteru II (1830–1874)","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\n\u003cdiv class=\"\"\u003e\n\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\n\u003ch3 class=\"PDq2pG_selectionAnchorContainer\"\u003eDescription\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\n\u003c\/h3\u003e\n\n\u003cp\u003eA striking Japanese woodblock print portraying an elegantly dressed woman against a deep, almost charcoal-black ground. Above her appears a small landscape of rushing water and a bridge, creating a poetic contrast between the intimate figure and the world beyond.\u003c\/p\u003e\n\n\u003cp\u003eHer elaborate coiffure, floral ornament, and richly patterned kimono immediately evoke the visual culture of late Edo-period Japan. The combination of indigo blue, warm orange and black gives the composition an unusually strong decorative quality—one that can be appreciated not only as ukiyo-e, but simply as a compelling piece of Japanese art.\u003c\/p\u003e\n\n\u003cp\u003eThe woman raises one hand gracefully while the other rests near her chest, giving the portrait a sense of movement and personality rather than formal stillness. Particularly beautiful are the repeated geometric patterns of her kimono and the fine linear treatment of her hair.\u003c\/p\u003e\n\n\u003cp\u003eFor collectors of Japanese culture, fashion and design, the work offers a direct visual connection to the aesthetics of nineteenth-century Japan.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. 37.0 × 24.5 cm \/ 14.6 × 9.6 in\u003c\/p\u003e\n\n\u003ch3\u003eArtist\u003c\/h3\u003e\n\n\u003cp\u003eUtagawa Kuniteru II (1830–1874) was an ukiyo-e artist of the Utagawa school and a pupil of Utagawa Kunisada, also known as Toyokuni III. He initially worked under the name Kunitsuna II before succeeding to the name Kuniteru II in 1865. He produced bijin-ga, landscapes and images reflecting the rapidly changing visual culture of late Edo and early Meiji Japan. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\n\u003cp\u003eAge-related wear, staining, soiling, creasing, rubbing, and areas of damage are visible, including losses near the lower edge and wear to the upper-right area.\u003c\/p\u003e\n\n\u003cp\u003eCondition as shown in the photographs. Age-related wear consistent with an antique woodblock print. Please examine the photographs carefully before purchasing.\u003c\/p\u003e\n\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\n\u003cp\u003eThe artwork will be carefully packed to protect it during international transportation.\u003c\/p\u003e\n\n\u003cp\u003eIn the unlikely event that the artwork is damaged or lost during shipping, we will provide appropriate compensation or a refund after confirming the circumstances.\u003c\/p\u003e\n\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost. If applicable, these charges are determined by the destination country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\n\u003chr\u003e\n\n\u003ch1\u003eJapanese\u003c\/h1\u003e\n\n\u003ch2\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eA Woman by the Water – A Quiet Moment of an Edo Beauty – Utagawa Kuniteru II (1830–1874)\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h2\u003e\n\n\u003ch3\u003eDescription\u003c\/h3\u003e\n\n\u003cp\u003eThis woodblock print prominently features an elegantly dressed woman against a deep, almost charcoal-black background. Above the woman, a small landscape depicting rushing water and a bridge is arranged, creating a striking contrast with the figure's serene expression.\u003c\/p\u003e\n\n\u003cp\u003eWith her beautifully styled hair, floral hair ornament, and finely patterned kimono, the color composition centered around indigo, orange, and black creates a highly decorative quality. This piece is not only appealing to those who specialize in ukiyo-e but also to \u003cstrong\u003ethose who appreciate Japanese culture, fashion, and design itself\u003c\/strong\u003e.\u003c\/p\u003e\n\n\u003cp\u003eThe posture of one hand gently raised and the other placed near her chest adds a sense of movement to the portrait, distinguishing it from a mere formal depiction. Particularly noteworthy are the intricate geometric patterns on her kimono and the delicate lines used to depict her hair.\u003c\/p\u003e\n\n\u003cp\u003eThis work allows contemporary spaces to enjoy the aesthetic sensibility that Japanese people cherished in the 19th century.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eSize: Approximately 37.0 × 24.5 cm\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch3\u003eArtist\u003c\/h3\u003e\n\n\u003cp\u003eUtagawa Kuniteru II (1830–1874) was an ukiyo-e artist and a pupil of Utagawa Kunisada (Toyokuni III). He initially worked under the name Kunitsuna II before succeeding to the name Kuniteru II in 1865. He produced bijin-ga (pictures of beautiful women) and meisho-e (pictures of famous places), and was active during a period of significant change in Japanese society, from the late Edo to the early Meiji eras.\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\n\u003cp\u003eAge-related stains, dirt, wrinkles, and scuffs are visible. Additionally, damage and wear are confirmed near the bottom and in the upper right area, consistent with age.\u003c\/p\u003e\n\n\u003cp\u003ePlease check the provided photographs for the condition. As an old woodblock print, it shows age-related changes. Please examine the photographs thoroughly before purchase.\u003c\/p\u003e\n\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\n\u003cp\u003eInternational shipping is available.\u003c\/p\u003e\n\n\u003cp\u003eThe artwork will be carefully packed with ample protection to prevent damage during international transport.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eIn the unlikely event of damage or loss of the artwork during shipping, we will provide compensation or a refund after confirming the circumstances.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost. If applicable, these charges are determined by the destination country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49048735482026,"sku":null,"price":150.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/260811_009.jpg?v=1786691873"},{"product_id":"the-tragic-beauty-of-kasane-a-dark-tale-from-old-japan-詞花開末広-かさね-豊原国周-toyohara-kunichika-1835-1900","title":"The Tragic Beauty of Kasane — A Dark Tale from Old Japan \/ Kasane — by Toyohara Kunichika (1835–1900)","description":"\u003cp\u003eThe Tragic Beauty of Kasane — A Dark Tale from Old Japan \/ 詞花開末広「かさね」 — 豊原国周 \/ Toyohara Kunichika (1835–1900)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eAn original Edo-period Japanese woodblock print by Toyohara Kunichika, one of the great masters of nineteenth-century kabuki portraiture.\u003c\/p\u003e\n\u003cp\u003ePublished in 1867 (Keiō 3) as part of the series “Kotoba no Hana Hiraku Suehiro” (詞花開末広), this work depicts Kasane — a woman whose tragic story became one of the haunting legends of Japanese kabuki.\u003c\/p\u003e\n\u003cp\u003eKasane is associated with a famous tale of love, jealousy, betrayal, murder, and supernatural revenge. Her story developed into numerous kabuki and theatrical adaptations, making her a memorable female figure in traditional Japanese drama.\u003c\/p\u003e\n\u003cp\u003eShe is therefore more than simply a beautiful woman in a kimono. Kasane belongs to the darker side of old Japanese storytelling — a world where intense human emotions can survive even beyond death.\u003c\/p\u003e\n\u003cp\u003eKunichika captures that atmosphere beautifully.\u003c\/p\u003e\n\u003cp\u003eHer head is lowered, her eyes half-closed, and one delicate hand is raised before her face. Long black hair falls heavily around her shoulders, creating a quiet but unsettling psychological tension.\u003c\/p\u003e\n\u003cp\u003eAgainst the deep dark background, her elaborate kimono becomes particularly striking. Indigo, turquoise, rust red, floral and geometric patterns overlap across the composition, giving the print an unexpectedly modern graphic quality.\u003c\/p\u003e\n\u003cp\u003eAbove the figure is an open folding fan carrying calligraphy, while the red cartouche identifies the character as “Kasane” (かさね).\u003c\/p\u003e\n\u003cp\u003eThe print bears Kunichika’s signature “Kunichika hitsu” (国周筆) with the Toshidama seal. The publisher’s mark “Kagaya” (加ゝや) and the carver’s mark “Hori Ei” (彫栄) are also visible.\u003c\/p\u003e\n\u003cp\u003eArchival records identify the publisher as Kagaya Kichiuemon and date the series to 1867.\u003c\/p\u003e\n\u003cp\u003eMore than 150 years later, the image still feels remarkably powerful.\u003c\/p\u003e\n\u003cp\u003eFor collectors of Japanese art, but equally for those drawn to Japanese folklore, kabuki, kimono, fashion, tattoo culture, dark romantic imagery, or distinctive interior art, this is a piece with an unmistakable presence.\u003c\/p\u003e\n\u003cp\u003eOriginal title: 詞花開末広「かさね」\u003cbr\u003eCharacter: Kasane\u003cbr\u003eDate: 1867 (Keiō 3)\u003cbr\u003ePeriod: Late Edo period\u003cbr\u003eFormat: Ōban nishiki-e woodblock print\u003cbr\u003ePublisher: Kagaya Kichiuemon\u003cbr\u003eCarver: Hori Ei\u003cbr\u003eSize: Approx. 36.5 × 26.5 cm \/ 14.4 × 10.4 in\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\n\u003cp\u003eToyohara Kunichika (1835–1900) was one of the leading ukiyo-e artists of the late Edo and Meiji periods, particularly celebrated for his powerful portraits of kabuki actors.\u003c\/p\u003e\n\u003cp\u003eA pupil of Utagawa Kunisada (Toyokuni III), Kunichika developed a distinctive style characterized by dramatic compositions, expressive faces, strong areas of color and elaborate textile patterns.\u003c\/p\u003e\n\u003cp\u003eHis career bridged the final years of the Tokugawa shogunate and the rapid modernization of Meiji Japan.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\n\u003cp\u003eLined (backed).\u003c\/p\u003e\n\u003cp\u003eAge-related wear, staining, soiling, rubbing and minor creasing are present.\u003c\/p\u003e\n\u003cp\u003eThe print remains visually strong, with the dark background and kimono colors retaining considerable presence.\u003c\/p\u003e\n\u003cp\u003eCondition is as shown in the photographs. As this is an antique woodblock print from 1867, please examine all photographs carefully before purchasing.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packed to protect it during international transportation.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event that the artwork is damaged or lost during shipping, we will provide appropriate compensation or a refund after confirming the circumstances.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost. If applicable, these charges are determined by the destination country’s customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e悲劇の女・かさね ― 愛と怨念を描いた幕末の一枚 \/ 詞花開末広「かさね」 — 豊原国周 \/ Toyohara Kunichika (1835–1900)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e幕末を代表する役者絵師、豊原国周による江戸時代の木版画です。\u003c\/p\u003e\n\u003cp\u003e本作は慶応3年（1867）に刊行された『詞花開末広（ことばのはな ひらく すえひろ）』の一図。\u003c\/p\u003e\n\u003cp\u003e描かれているのは、日本の歌舞伎における悲劇的な女性として知られる「かさね」です。\u003c\/p\u003e\n\u003cp\u003eかさねは、愛、嫉妬、裏切り、殺人、そして死後の怨念をめぐる物語と結びついた人物です。その物語はさまざまな歌舞伎や芝居へと展開し、日本の怪談的な演目を象徴する女性像のひとつとなりました。\u003c\/p\u003e\n\u003cp\u003eつまり本作に描かれているのは、単なる「着物姿の美しい女性」ではありません。\u003c\/p\u003e\n\u003cp\u003e強い感情が死を越えて残り続ける――そんな日本の古い物語が持つ、妖しく暗い世界を背負った女性です。\u003c\/p\u003e\n\u003cp\u003e国周はその空気を、非常に印象的な構図で描いています。\u003c\/p\u003e\n\u003cp\u003e顔を伏せるように傾け、細い指を顔の前へ差し出すかさね。長い黒髪が肩へ流れ、半ば閉じた目とわずかに開いた口元からは、静かながら不穏な感情が感じられます。\u003c\/p\u003e\n\u003cp\u003e深い黒を背景に、藍、緑、朱色を重ねた着物の文様が鮮烈に浮かび上がります。\u003c\/p\u003e\n\u003cp\u003e花や幾何学文様を組み合わせた衣装は装飾性が高く、150年以上前の作品でありながら、現代のファッションやグラフィックデザインにも通じる強さがあります。\u003c\/p\u003e\n\u003cp\u003e上部には書を配した大きな扇。そして赤い短冊には、人物名である「かさね」。\u003c\/p\u003e\n\u003cp\u003e左上には「国周筆」の落款と年玉印、その横には版元を示す「加ゝや」、さらに「彫栄」の文字も確認できます。\u003c\/p\u003e\n\u003cp\u003e資料上では版元は加賀屋吉右衛門、彫師は彫栄、刊行は1867年とされています。\u003c\/p\u003e\n\u003cp\u003e150年以上の時を経ても、人物の表情、黒い背景、着物の大胆な色彩には独特の存在感があります。\u003c\/p\u003e\n\u003cp\u003e浮世絵や歌舞伎のコレクターはもちろん、日本の怪談、民間伝承、着物、ファッション、タトゥーカルチャー、ダークな日本美術などを好む方にもおすすめしたい一枚です。\u003c\/p\u003e\n\u003cp\u003e原題：詞花開末広「かさね」\u003cbr\u003e人物：かさね\u003cbr\u003e制作年：慶応3年（1867）\u003cbr\u003e時代：江戸時代末期\u003cbr\u003e形式：大判錦絵・木版画\u003cbr\u003e版元：加賀屋吉右衛門\u003cbr\u003e彫師：彫栄\u003cbr\u003eサイズ：約36.5 × 26.5cm\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\n\u003cp\u003e豊原国周（1835–1900）は、幕末から明治にかけて活躍した浮世絵師で、特に歌舞伎役者を描いた役者絵で知られています。\u003c\/p\u003e\n\u003cp\u003e歌川国貞（三代豊国）に学び、大胆な構図、役者の表情、強い色彩、精緻な着物文様を特徴とする独自の画風を確立しました。\u003c\/p\u003e\n\u003cp\u003e江戸時代の終焉から明治の近代化までを生きた、最後期を代表する浮世絵師の一人です。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\n\u003cp\u003e裏打ちあり。\u003c\/p\u003e\n\u003cp\u003e経年によるシミ、汚れ、スレ、軽いシワなどが見られます。\u003c\/p\u003e\n\u003cp\u003e一方で、黒を基調とした背景や着物の色彩は現在も印象的に残っています。\u003c\/p\u003e\n\u003cp\u003e状態は掲載写真をご確認ください。1867年の古い木版画のため、ご購入前に写真を十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\n\u003cp\u003e海外発送に対応しています。\u003c\/p\u003e\n\u003cp\u003e国際輸送中に作品が傷まないよう、十分に保護した状態で丁寧に梱包して発送いたします。\u003c\/p\u003e\n\u003cp\u003e万が一、配送中に作品の破損・紛失などの事故が発生した場合は、状況確認のうえ、補償または返金にて対応いたします。\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。これらが発生する場合は、お届け先の国の税関当局によって決定され、お客様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49048750555306,"sku":null,"price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/260811_033.jpg?v=1786693831"},{"product_id":"dark-sorcery-in-old-japan-the-woman-who-became-takiyasha-木曽街道六十九次之内-芦田-歌川国芳-utagawa-kuniyoshi-1798-1861","title":"Dark Sorcery in Old Japan — The Woman Who Became Takiyasha \/ Ashida, from the Sixty-nine Stations of the Kisokaidō — Utagawa Kuniyoshi (1798–1861)","description":"\u003cp\u003eDark Sorcery in Old Japan — The Woman Who Became Takiyasha \/ 木曽街道六十九次之内 芦田 — 歌川国芳 \/ Utagawa Kuniyoshi (1798–1861)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eAn original Edo-period Japanese woodblock print by Utagawa Kuniyoshi, one of the most imaginative and internationally celebrated masters of ukiyo-e.\u003c\/p\u003e\n\u003cp\u003eCreated in 1852, this work is “Ashida” from Kuniyoshi’s famous series The Sixty-nine Stations of the Kisokaidō (木曽街道六十九次之内).\u003c\/p\u003e\n\u003cp\u003eAt first glance, it appears to be an elegant woman traveling through a snowy landscape.\u003c\/p\u003e\n\u003cp\u003eLook closer, however, and the scene becomes much darker.\u003c\/p\u003e\n\u003cp\u003eThe woman is Nyogetsuni, a sorceress associated with the legendary Takiyasha. She walks through the snow while performing a magical ritual, while behind her an attendant carries a severed human head attached to a branch.\u003c\/p\u003e\n\u003cp\u003eIt is a striking example of Kuniyoshi’s fascination with the supernatural, warriors, legends, ghosts and strange stories of old Japan.\u003c\/p\u003e\n\u003cp\u003eTakiyasha is one of the legendary female figures associated with Japanese supernatural folklore. She is traditionally connected with the fallen warrior Taira no Masakado and became famous in later stories as a woman possessing extraordinary magical powers.\u003c\/p\u003e\n\u003cp\u003eRather than simply depicting a beautiful woman, Kuniyoshi creates an unsettling contrast between beauty and horror: elegant clothing, falling snow, supernatural ritual, and the shocking presence of the severed head.\u003c\/p\u003e\n\u003cp\u003eThis combination gives the print an atmosphere that feels surprisingly cinematic even today.\u003c\/p\u003e\n\u003cp\u003eA small landscape of Ashida appears in the upper cartouche, connecting the supernatural story to one of the stations along the historic Kisokaidō highway.\u003c\/p\u003e\n\u003cp\u003eFor collectors of ukiyo-e, but equally for those fascinated by samurai culture, Japanese folklore, yokai, supernatural stories, tattoo art, dark interiors, or unconventional Japanese design, this is a particularly memorable work.\u003c\/p\u003e\n\u003cp\u003eOriginal title: 木曽街道六十九次之内 芦田\u003cbr\u003eEnglish title: Ashida, from The Sixty-nine Stations of the Kisokaidō\u003cbr\u003eSubject: Nyogetsuni \/ Takiyasha legend\u003cbr\u003eDate: 1852\u003cbr\u003ePeriod: Edo period\u003cbr\u003eFormat: Ōban nishiki-e woodblock print\u003cbr\u003ePublisher: Sumiyoshiya Masagorō\u003cbr\u003eSize: Approx. 36.5 × 25.0 cm \/ 14.4 × 9.8 in.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\n\u003cp\u003eUtagawa Kuniyoshi (1798–1861) was one of the great masters of nineteenth-century Japanese ukiyo-e.\u003c\/p\u003e\n\u003cp\u003eHe became particularly famous for dynamic warriors, legendary heroes, supernatural creatures, ghosts, monsters and highly imaginative compositions.\u003c\/p\u003e\n\u003cp\u003eHis dramatic visual language has made his work especially popular far beyond traditional ukiyo-e collecting, influencing modern illustration, manga, tattoo culture and contemporary Japanese visual culture.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is an antique woodblock print dating from the Edo period.\u003c\/p\u003e\n\u003cp\u003eAge-related wear, discoloration, staining, rubbing, creasing and other signs of age may be present.\u003c\/p\u003e\n\u003cp\u003eDespite its age, the composition retains a powerful visual presence.\u003c\/p\u003e\n\u003cp\u003ePlease examine all photographs carefully before purchasing, as the photographs form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packed to protect it during international transportation.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event that the artwork is damaged or lost during shipping, we will provide appropriate compensation or a refund after confirming the circumstances.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost. If applicable, these charges are determined by the destination country’s customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eDark Sorcery in Old Japan — The Woman Who Became Takiyasha \/ Kisokaidō Rokujūkyū-tsugi no Uchi Ashida — Utagawa Kuniyoshi \/ Utagawa Kuniyoshi (1798–1861)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eAn Edo period woodblock print by Utagawa Kuniyoshi, one of the leading ukiyo-e artists of the 19th century.\u003c\/p\u003e\n\u003cp\u003eThis work, created in 1852 (Kaei 5), is \"Ashida\" from Kuniyoshi's representative series \"Kisokaidō Rokujūkyū-tsugi no Uchi.\"\u003c\/p\u003e\n\u003cp\u003eAt first glance, it appears to be a work depicting a beautiful woman traveling through a snowy landscape.\u003c\/p\u003e\n\u003cp\u003eHowever, upon closer inspection, the world changes dramatically.\u003c\/p\u003e\n\u003cp\u003eThe woman depicted is Nyogetsuni, a sorceress associated with the legend of Takiyasha.\u003c\/p\u003e\n\u003cp\u003eShe performs a magical ritual while walking through the snow, and behind her, an attendant carries a \"severed head\" tied to a branch.\u003c\/p\u003e\n\u003cp\u003eIt is a very striking piece, characteristic of Kuniyoshi, who favored depicting warriors, legends, ghosts, sorcery, and strange occurrences.\u003c\/p\u003e\n\u003cp\u003eTakiyasha is one of the iconic female figures in Japanese tales of the strange and legendary.\u003c\/p\u003e\n\u003cp\u003eAssociated with the legend of Taira no Masakado, she became widely known in later stories as a woman wielding powerful sorcery.\u003c\/p\u003e\n\u003cp\u003eWhat Kuniyoshi depicts here is not merely a beautiful woman.\u003c\/p\u003e\n\u003cp\u003eBeautiful kimono.\u003cbr\u003eQuietly falling snow.\u003cbr\u003eA woman performing sorcery.\u003cbr\u003eAnd behind her, a severed head being carried.\u003c\/p\u003e\n\u003cp\u003eBy coexisting \"beauty\" and \"horror\" on the same screen, he creates an unsettling and dramatic world that resonates with modern cinema and manga.\u003c\/p\u003e\n\u003cp\u003eA small window at the top depicts the landscape of \"Ashida,\" a post station on the Nakasendō route.\u003c\/p\u003e\n\u003cp\u003eThis work is recommended not only for ukiyo-e collectors but also for those who appreciate samurai, Japanese ghost stories, yokai, legends, tattoo art, dark interiors, and distinctive Japanese art.\u003c\/p\u003e\n\u003cp\u003eOriginal title: 木曽街道六十九次之内 芦田\u003cbr\u003eEnglish title: Ashida, from The Sixty-nine Stations of the Kisokaidō\u003cbr\u003eSubject: Nyogetsuni \/ Takiyasha legend\u003cbr\u003eYear of production: 1852 (Kaei 5)\u003cbr\u003ePeriod: Edo period\u003cbr\u003eFormat: Ōban nishiki-e woodblock print\u003cbr\u003ePublisher: Sumiyoshiya Masagorō\u003cbr\u003eSize: Approx. 36.5 × 25.0 cm\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\n\u003cp\u003eUtagawa Kuniyoshi (1798–1861) was one of the leading ukiyo-e artists of the 19th century.\u003c\/p\u003e\n\u003cp\u003eHe is particularly known for his dynamic warrior prints, heroes, ghosts, yokai, strange occurrences, and bold works depicting legends.\u003c\/p\u003e\n\u003cp\u003eHis original compositions and powerful visuals are highly regarded today not only by ukiyo-e collectors but also in the contexts of manga, illustration, and tattoo culture.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is an old woodblock print produced during the Edo period.\u003c\/p\u003e\n\u003cp\u003eAge-related discoloration, stains, dirt, scuffs, and wrinkles may be present.\u003c\/p\u003e\n\u003cp\u003eHowever, even after approximately 170 years, this work still offers the powerful composition and presence characteristic of Kuniyoshi.\u003c\/p\u003e\n\u003cp\u003ePlease examine the posted photos carefully to confirm the condition before purchasing.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\n\u003cp\u003eInternational shipping is available.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packed and shipped with sufficient protection to prevent damage during international transport.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event of damage or loss during shipping, we will provide compensation or a refund after confirming the circumstances.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost. If applicable, these charges are determined by the customs authorities of the destination country and are the responsibility of the customer.\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49048807112874,"sku":null,"price":800.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/260811_017.jpg?v=1786695243"},{"product_id":"a-forbidden-glimpse-beneath-the-crescent-moon-yoshitoshi-1839-1892","title":"A Forbidden Glimpse Beneath the Crescent Moon — Yoshitoshi (1839–1892)","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003e月岡芳年 \/ Tsukioka Yoshitoshi (1839–1892)\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eA Forbidden Glimpse Beneath the Crescent Moon — One Hundred Aspects of the Moon \/ 月百姿　垣間見の月 かほよ\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWoodblock Reprint after the 1886 Original\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eA striking woodblock reprint of \u003cstrong\u003eTsukioka Yoshitoshi’s \u003cem\u003eKaimami no Tsuki — Kahoyo\u003c\/em\u003e (A Glimpse of the Moon — Kahoyo)\u003c\/strong\u003e from his celebrated final masterpiece, \u003cem\u003eOne Hundred Aspects of the Moon\u003c\/em\u003e (\u003cem\u003eTsuki Hyakushi\u003c\/em\u003e).\u003c\/p\u003e\n\u003cp\u003eThe original design was published in \u003cstrong\u003e1886 by Akiyama Buemon\u003c\/strong\u003e as part of Yoshitoshi’s ambitious series of one hundred images inspired by the moon and stories from Japanese history, literature, legend, and theater. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe scene comes from the world of \u003cstrong\u003eKanadehon Chūshingura\u003c\/strong\u003e, the great kabuki and puppet-theater drama inspired by the story of the Forty-Seven Rōnin. The woman is \u003cstrong\u003eKahoyo Gozen\u003c\/strong\u003e, wife of En’ya Hangan. Hidden among the garden foliage at left is \u003cstrong\u003eKō no Moronao\u003c\/strong\u003e, secretly watching her as she dresses after bathing—a voyeuristic episode that establishes the desire and conflict at the heart of the drama. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYoshitoshi turns the scene into something remarkably cinematic.\u003c\/p\u003e\n\u003cp\u003eKahoyo stands beneath a slender crescent moon, her long black hair falling over her shoulders as a red under-kimono slips open across her body. Behind her, Moronao’s face is barely visible through the dense garden vegetation. The viewer almost occupies his position, transforming a quiet moonlit garden into a scene charged with secrecy, beauty, and tension.\u003c\/p\u003e\n\u003cp\u003eThe pale floral kimono, deep red fabric, black hair and muted night landscape create an elegant composition that feels surprisingly modern more than a century after Yoshitoshi designed it.\u003c\/p\u003e\n\u003ch3\u003eArtist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTsukioka Yoshitoshi (1839–1892)\u003c\/strong\u003e was one of the great masters of the final generation of ukiyo-e. A pupil of \u003cstrong\u003eUtagawa Kuniyoshi\u003c\/strong\u003e, he became renowned for dramatic compositions depicting warriors, supernatural subjects, beautiful women, history and legend.\u003c\/p\u003e\n\u003cp\u003eCreated during the final years of his career, \u003cem\u003eOne Hundred Aspects of the Moon\u003c\/em\u003e was produced between 1885 and 1891 and is widely regarded as one of Yoshitoshi’s defining achievements. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eGood overall condition as shown in the photographs, with minor age-related wear and signs of storage.\u003c\/p\u003e\n\u003cp\u003eCondition as shown in the photographs. Age-related wear consistent with a vintage woodblock print. Please examine the photographs carefully before purchasing.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Each artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event that the artwork is lost or damaged during transit, \u003cstrong\u003ewe will take responsibility and provide appropriate compensation.\u003c\/strong\u003e Please contact us promptly with photographs and details of the issue.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003e月岡芳年 \/ Tsukioka Yoshitoshi（1839–1892）\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003e三日月の下、覗き見る男 ― 月百姿 \/ A Forbidden Glimpse Beneath the Crescent Moon — One Hundred Aspects of the Moon\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e『月百姿　垣間見の月 かほよ』\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1886年の原画をもとにした復刻木版画\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e作品解説\u003c\/h3\u003e\n\u003cp\u003e月岡芳年の晩年を代表する傑作シリーズ**『月百姿』**より、《垣間見の月 かほよ》を再現した復刻木版画です。\u003c\/p\u003e\n\u003cp\u003eオリジナルは\u003cstrong\u003e1886年（明治19年）、秋山武右衛門版\u003c\/strong\u003e。『月百姿』は、日本の歴史・文学・伝説・演劇などに登場する「月」を題材として、100の物語を描いた芳年晩年の大作です。 \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e描かれているのは、**『仮名手本忠臣蔵』**に由来する場面。\u003c\/p\u003e\n\u003cp\u003e中央の女性は、塩谷判官の妻\u003cstrong\u003e顔世御前（かほよごぜん）\u003c\/strong\u003e。そして画面左、庭の草木の陰から彼女を密かに覗いている男が\u003cstrong\u003e高師直\u003c\/strong\u003eです。\u003c\/p\u003e\n\u003cp\u003e湯上がりの顔世が着物を身につけようとする姿を、師直が物陰から覗き見る――その欲望が後の物語の大きな対立へとつながっていきます。 \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eこの作品の魅力は、芳年の\u003cstrong\u003e映画のワンシーンのような構図\u003c\/strong\u003eです。\u003c\/p\u003e\n\u003cp\u003e細い三日月が浮かぶ夜。\u003c\/p\u003e\n\u003cp\u003e長い黒髪を下ろした顔世。\u003cbr\u003e大きく開いた赤い襦袢。\u003cbr\u003e淡い花文様の着物。\u003cbr\u003eそして草木の向こうから、こちらを窺う男。\u003c\/p\u003e\n\u003cp\u003e見る側まで「覗いている側」に置かれるような構図によって、静かな日本庭園の風景に、\u003cstrong\u003e美しさと緊張感、そして少し危うい色気\u003c\/strong\u003eが生まれています。\u003c\/p\u003e\n\u003cp\u003e100年以上前のデザインでありながら、黒・赤・淡い灰色を中心とした色彩と大胆な余白は非常にモダンで、現代のインテリアにも映える一枚です。\u003c\/p\u003e\n\u003ch3\u003e作者\u003c\/h3\u003e\n\u003cp\u003e**月岡芳年（1839–1892）**は、幕末から明治にかけて活躍した浮世絵師で、歌川国芳の門人です。\u003c\/p\u003e\n\u003cp\u003e武者絵、歴史画、美人画、怪奇・妖怪画など幅広い題材を手掛け、劇的な構図と物語性の強い表現で知られています。\u003c\/p\u003e\n\u003cp\u003e1885年から1891年にかけて制作された**『月百姿』**は芳年晩年の代表作であり、その芸術の集大成ともいえるシリーズです。 \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e状態\u003c\/h3\u003e\n\u003cp\u003e掲載写真の通り、概ね良好な状態です。経年および長期保管による軽微な変化があります。\u003c\/p\u003e\n\u003cp\u003eヴィンテージ木版画としての経年変化がありますので、ご購入前に掲載写真を十分にご確認ください。\u003c\/p\u003e\n\u003ch3\u003e配送\u003c\/h3\u003e\n\u003cp\u003e海外発送に対応しています。作品は一点ずつ丁寧に梱包し、追跡可能な方法で発送いたします。\u003c\/p\u003e\n\u003cp\u003e万が一、\u003cstrong\u003e配送中に作品の紛失・破損などの事故が発生した場合には、当店にて責任を持って適切に補償いたします。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。これらの費用が発生する場合は、お客様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49048854790314,"sku":null,"price":120.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/260811_049.jpg?v=1786698753"},{"product_id":"the-samurai-who-climbed-an-impregnable-castle-moon-at-mount-inaba-月百姿-稲葉山の月","title":"The Samurai Who Climbed an “Impregnable” Castle — Moon at Mount Inaba \/ One Hundred Aspects of the Moon: Moon at Mount Inaba","description":"\u003ch2 class=\"PDq2pG_selectionAnchorContainer\"\u003eTsukioka Yoshitoshi (1839–1892)\u003cspan class=\"PDq2pG_selectionAnchor\"\u003e\u003c\/span\u003e\n\n\u003c\/h2\u003e\n\u003ch3 class=\"\"\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003eThe Samurai Who Climbed an “Impregnable” Castle — Moon at Mount Inaba \/ 月百姿 稲葉山の月\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eReproduction after the 1885 original\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003eDescription\u003c\/h3\u003e\n\u003cp\u003eA dramatic reproduction of \u003cstrong\u003eTsukioka Yoshitoshi’s \u003cem\u003eMoon at Mount Inaba (Inabayama no Tsuki)\u003c\/em\u003e\u003c\/strong\u003e, from his celebrated final series \u003cem\u003eOne Hundred Aspects of the Moon (Tsuki Hyakushi)\u003c\/em\u003e.\u003c\/p\u003e\n\u003cp\u003eThe original design was published in \u003cstrong\u003eDecember 1885 by Akiyama Buemon\u003c\/strong\u003e. It depicts \u003cstrong\u003eHachisuka Matajūrō\u003c\/strong\u003e during the legendary assault on Inabayama Castle in 1567, an episode associated with the rise of Toyotomi Hideyoshi. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eAccording to the traditional account, Hideyoshi and a small group of men climbed the steep rear approach to the mountain fortress to infiltrate it from an unexpected direction. Matajūrō is shown clinging to the sheer rock face, carrying a large \u003cstrong\u003egourd\u003c\/strong\u003e on his back. The gourd was to serve as a signal once the infiltration succeeded—an image connected with the famous gourd emblem later associated with Hideyoshi. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eYoshitoshi makes the landscape itself feel dangerous. The warrior appears almost swallowed by the massive black cliff, his fingers gripping the rock while his sword hangs at his side. Below him, an enormous pale moon rises through the wild grasses.\u003c\/p\u003e\n\u003cp\u003eThe composition is remarkably bold: \u003cstrong\u003eone warrior, one cliff, and one monumental moon.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eRather than depicting the chaos of battle, Yoshitoshi captures the silent moment before victory—a lone samurai climbing through the darkness toward a castle believed difficult to conquer.\u003c\/p\u003e\n\u003ch3\u003eArtist\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eTsukioka Yoshitoshi (1839–1892)\u003c\/strong\u003e was one of the most important ukiyo-e artists of the late Edo and Meiji periods and a pupil of the celebrated Utagawa Kuniyoshi.\u003c\/p\u003e\n\u003cp\u003eKnown for his powerful warrior scenes, supernatural subjects and psychologically charged compositions, Yoshitoshi brought traditional ukiyo-e storytelling into the rapidly changing world of Meiji Japan.\u003c\/p\u003e\n\u003cp\u003eHis \u003cem\u003eOne Hundred Aspects of the Moon\u003c\/em\u003e series is regarded as one of the defining achievements of his late career. The original \u003cem\u003eMoon at Mount Inaba\u003c\/em\u003e was issued in 1885. \u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eCondition\u003c\/h3\u003e\n\u003cp\u003eThis work is a later reproduction after Yoshitoshi’s original design.\u003c\/p\u003e\n\u003cp\u003eCondition as shown in the photographs. Age-related wear consistent with a vintage reproduction print. Please examine the photographs carefully before purchasing.\u003c\/p\u003e\n\u003ch3\u003eShipping\u003c\/h3\u003e\n\u003cp\u003eWorldwide shipping is available. Each artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eIn the unlikely event that the artwork is lost or damaged during transit, \u003cstrong\u003ewe will take responsibility and provide appropriate compensation.\u003c\/strong\u003e Please contact us promptly with photographs and details of the issue.\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003chr\u003e\n\u003ch1\u003e日本語訳\u003c\/h1\u003e\n\u003ch2\u003e月岡芳年 \/ Tsukioka Yoshitoshi（1839–1892）\u003c\/h2\u003e\n\u003ch3\u003e\u003cspan role=\"text\"\u003e\u003cstrong\u003e“難攻不落”の城を登った侍 ― 稲葉山の月 \/ The Samurai Who Climbed an “Impregnable” Castle — Moon at Mount Inaba\u003c\/strong\u003e\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e『月百姿　稲葉山の月』\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e1885年の原画をもとにした複製版画\u003c\/strong\u003e\u003c\/p\u003e\n\u003ch3\u003e作品解説\u003c\/h3\u003e\n\u003cp\u003e月岡芳年の晩年を代表する連作**『月百姿』**より、《稲葉山の月》を再現した複製版画です。\u003c\/p\u003e\n\u003cp\u003e原作は\u003cstrong\u003e1885年（明治18年）12月、秋山武右衛門版\u003c\/strong\u003e。\u003c\/p\u003e\n\u003cp\u003e描かれているのは、1567年の\u003cstrong\u003e稲葉山城攻略\u003c\/strong\u003eにまつわる場面です。険しい岩壁にしがみついている武士は\u003cstrong\u003e蜂須賀又十郎\u003c\/strong\u003e。木下藤吉郎、のちの豊臣秀吉による稲葉山城への奇襲に関わった人物として描かれています。\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e伝承では、秀吉は少人数を率いて険しい山道を登り、城の裏側から潜入を試みたとされます。\u003c\/p\u003e\n\u003cp\u003e又十郎の背中に見える大きなものは\u003cstrong\u003e瓢箪\u003c\/strong\u003e。城内への潜入に成功した際、これを掲げて味方へ合図を送ったという逸話が伝わっています。\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eこの作品で芳年が描いているのは、華々しい合戦そのものではありません。\u003c\/p\u003e\n\u003cp\u003e巨大な黒い岩壁。\u003cbr\u003eそこに指をかけ、必死に登る一人の武士。\u003cbr\u003eそして眼下に浮かぶ、異様ほど大きな月。\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e「一人の武士、一枚の岩壁、そして巨大な月」。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e非常に大胆で、現代のグラフィックアートにも通じる構図です。\u003c\/p\u003e\n\u003cp\u003e戦いの喧騒ではなく、勝利へ向かう直前の静かな緊張感を切り取っているところに、芳年らしい物語性があります。\u003c\/p\u003e\n\u003ch3\u003e作者\u003c\/h3\u003e\n\u003cp\u003e**月岡芳年（1839–1892）**は、幕末から明治時代に活躍した浮世絵師で、歌川国芳の門人です。\u003c\/p\u003e\n\u003cp\u003e武者絵、歴史画、怪奇・妖怪、美人画などを手掛け、劇的な構図と強い物語性で知られました。\u003c\/p\u003e\n\u003cp\u003e晩年に制作された**『月百姿』**は、「月」を軸に日本や中国の歴史・文学・伝説などを描いた全100図の大作で、芳年を代表するシリーズの一つです。\u003cspan class=\"contents\"\u003e\u003cspan class=\"\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e状態\u003c\/h3\u003e\n\u003cp\u003e本作品は、月岡芳年の原画をもとにした\u003cstrong\u003e後世の複製版画\u003c\/strong\u003eです。\u003c\/p\u003e\n\u003cp\u003e状態は掲載写真の通りです。ヴィンテージの複製版画として経年による変化があります。ご購入前に掲載写真を十分にご確認ください。\u003c\/p\u003e\n\u003ch3\u003e配送\u003c\/h3\u003e\n\u003cp\u003e海外発送に対応しています。作品は一点ずつ丁寧に梱包し、追跡可能な方法で発送いたします。\u003c\/p\u003e\n\u003cp\u003e万が一、\u003cstrong\u003e配送中に作品の紛失・破損などの事故が発生した場合には、当店にて責任を持って適切に補償いたします。\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。これらの費用が発生する場合は、お客様のご負担となります。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSY008\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49055529631914,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/260811_065.jpg?v=1786765183"},{"product_id":"the-tattooed-warrior-under-the-moon-月岡芳年-tsukioka-yoshitoshi-1839-1892","title":"The Tattooed Warrior Under the Moon | Tsukioka Yoshitoshi (1839–1892)","description":"\u003cp\u003eThe Tattooed Warrior Under the Moon | Tsukioka Yoshitoshi (1839–1892) | Reproduction Woodblock Print\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA tattooed warrior. Nine dragons. A quiet moonlit night.\u003c\/p\u003e\n\u003cp\u003eThis Japanese woodblock print is a reproduction of a striking design by Tsukioka Yoshitoshi (1839–1892), from his celebrated series One Hundred Aspects of the Moon (Tsuki Hyakushi).\u003c\/p\u003e\n\u003cp\u003eThe figure depicted is Shi Jin, known in Japan as Kumonryū Shishin — the “Nine-Dragon” warrior from the Chinese classic Water Margin.\u003c\/p\u003e\n\u003cp\u003eHis name comes from the nine dragons tattooed across his body.\u003c\/p\u003e\n\u003cp\u003eBut Yoshitoshi does not show him in the chaos of battle.\u003c\/p\u003e\n\u003cp\u003eInstead, the warrior sits quietly beneath a willow tree on a summer night. His robe falls open, revealing the elaborate dragon tattoos across his chest and arms, while the moon appears through the branches above.\u003c\/p\u003e\n\u003cp\u003eStrength and silence exist in the same image.\u003c\/p\u003e\n\u003cp\u003eThe contrast is what makes this design so compelling: a legendary warrior covered in dragons, captured not in violence, but in a rare moment of stillness.\u003c\/p\u003e\n\u003cp\u003eThe dragon tattoos, deep blue background, patterned robe, dark foliage, and pale moon create a composition that feels surprisingly contemporary more than a century after the original design was created.\u003c\/p\u003e\n\u003cp\u003eIt brings together Japanese warrior imagery, tattoo culture, literature, and the beauty of the moon in a single image.\u003c\/p\u003e\n\u003cp\u003eFor admirers of Japanese tattoo culture, dragons, warrior imagery, traditional Japanese art, or the darker atmosphere of old Japan, this is a particularly distinctive work.\u003c\/p\u003e\n\u003cp\u003eIts restrained palette and bold composition also allow it to sit naturally within modern, minimalist, and Japandi interiors.\u003c\/p\u003e\n\u003cp\u003eNot simply an image from the past.\u003c\/p\u003e\n\u003cp\u003eA piece of Japanese visual culture that still feels powerful today.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi was one of the most important artists of the final generation of ukiyo-e.\u003c\/p\u003e\n\u003cp\u003eA pupil of the celebrated Utagawa Kuniyoshi, Yoshitoshi became known for his dramatic warrior scenes, supernatural subjects, historical narratives, beautiful women, and psychologically charged compositions.\u003c\/p\u003e\n\u003cp\u003eHis late masterpiece, One Hundred Aspects of the Moon, brought together stories from Japanese and Chinese history, literature, legend, and folklore through one recurring image: the moon.\u003c\/p\u003e\n\u003cp\u003eThe series remains one of the defining achievements of Yoshitoshi’s career.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtwork Details\u003c\/p\u003e\n\u003cp\u003eArtist: Tsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\n\u003cp\u003eSeries: One Hundred Aspects of the Moon (Tsuki Hyakushi)\u003c\/p\u003e\n\u003cp\u003eTitle: Moonlight at Shijia Village — Nine-Dragon Shijin\u003c\/p\u003e\n\u003cp\u003eSubject: Shi Jin \/ Kumonryū Shishin (Nine-Dragon Shijin)\u003c\/p\u003e\n\u003cp\u003eType: Reproduction Woodblock Print\u003c\/p\u003e\n\u003cp\u003eOrigin: Japan\u003c\/p\u003e\n\u003cp\u003ePlease note: This is a later reproduction based on Yoshitoshi’s original design. It is not being offered as an original 19th-century impression.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis work is a later reproduction woodblock print based on Yoshitoshi’s original design.\u003c\/p\u003e\n\u003cp\u003eAs this is a vintage item, minor signs of age, toning, wear, or other imperfections may be present.\u003c\/p\u003e\n\u003cp\u003eCondition as shown in the photographs. Please examine all photographs carefully before purchasing, as the images form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eEach artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Tattooed Warrior Under the Moon | Tsukioka Yoshitoshi (1839–1892) | Reproduction Woodblock Print\u003c\/p\u003e\n\u003cp\u003eProduct Description\u003c\/p\u003e\n\u003cp\u003eA tattooed warrior. Nine dragons. A quiet moonlit night.\u003c\/p\u003e\n\u003cp\u003eThis is a reproduction Japanese woodblock print based on a striking design from Tsukioka Yoshitoshi's (1839–1892) celebrated series, \"One Hundred Aspects of the Moon.\"\u003c\/p\u003e\n\u003cp\u003eThe figure depicted is Shi Jin, a hero from the Chinese classic novel \"Water Margin.\"\u003c\/p\u003e\n\u003cp\u003eIn Japan, he is known as \"Kumonryū Shishin\" (Nine-Dragon Shi Jin).\u003c\/p\u003e\n\u003cp\u003eHis name comes from the nine dragons tattooed across his body.\u003c\/p\u003e\n\u003cp\u003eHowever, Yoshitoshi did not portray him in the midst of fierce battle.\u003c\/p\u003e\n\u003cp\u003eInstead, Shi Jin is shown sitting quietly under a willow tree on a summer night.\u003c\/p\u003e\n\u003cp\u003eHis robe falls open, revealing the dragon tattoos that cover his chest and arms, while the moon appears through the branches above his head.\u003c\/p\u003e\n\u003cp\u003eStrength and tranquility coexist in a single image.\u003c\/p\u003e\n\u003cp\u003eThis contrast—a legendary warrior adorned with fierce dragons, depicted not in a moment of violence but in stillness—is what makes this work so captivating.\u003c\/p\u003e\n\u003cp\u003eThe dragon tattoos, the deep blue background, the patterned robe, the dark foliage, and the softly glowing moon create a composition that feels surprisingly contemporary, even more than a century after the original was created.\u003c\/p\u003e\n\u003cp\u003eIt condenses multiple cultural elements—warriors, tattoos, dragons, literature, and the moon—into one image.\u003c\/p\u003e\n\u003cp\u003eThis is a particularly distinctive piece for those who are drawn to Japanese tattoo culture, dragons, warrior imagery, traditional Japanese art, or the slightly mysterious and darker atmosphere of \"old Japan.\"\u003c\/p\u003e\n\u003cp\u003eIts restrained color palette and bold composition also allow it to blend naturally with modern, minimalist, and Japandi interiors.\u003c\/p\u003e\n\u003cp\u003eMore than just an old painting,\u003c\/p\u003e\n\u003cp\u003eit is a piece of Japanese visual culture that still holds power today.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi was one of the most important artists of the final generation of ukiyo-e.\u003c\/p\u003e\n\u003cp\u003eA pupil of the celebrated Utagawa Kuniyoshi, Yoshitoshi created a unique world through dramatic compositions and strong narratives, specializing in warrior prints, historical paintings, eerie and supernatural subjects, and beautiful women, all imbued with psychological depth.\u003c\/p\u003e\n\u003cp\u003eHis late masterpiece, \"One Hundred Aspects of the Moon,\" connected stories from Japanese and Chinese history, literature, legends, and folklore through a single motif: the moon.\u003c\/p\u003e\n\u003cp\u003eIt remains one of the defining series of Yoshitoshi's career.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtwork Information\u003c\/p\u003e\n\u003cp\u003eArtist: Tsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\n\u003cp\u003eSeries: One Hundred Aspects of the Moon (Tsuki Hyakushi)\u003c\/p\u003e\n\u003cp\u003eTitle: Moonlight at Shijia Village — Nine-Dragon Shijin\u003c\/p\u003e\n\u003cp\u003eFigure: Shi Jin \/ Kumonryū Shishin\u003c\/p\u003e\n\u003cp\u003eType: Reproduction Woodblock Print\u003c\/p\u003e\n\u003cp\u003eCountry of Origin: Japan\u003c\/p\u003e\n\u003cp\u003ePlease note: This work is a later reproduction based on Tsukioka Yoshitoshi's original design. It is not being sold as an original first or contemporary impression from the 19th century.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis work is a later reproduction woodblock print based on Yoshitoshi’s original design.\u003c\/p\u003e\n\u003cp\u003eAs this is a vintage item, minor signs of age, toning, wear, or other alterations may be present.\u003c\/p\u003e\n\u003cp\u003eThe condition is as shown in the photographs. Please carefully examine all photographs before purchasing, as the images form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eEach artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSY011\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49055530844330,"sku":null,"price":377.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/260811_073.jpg?v=1786766004"},{"product_id":"japanese-firefighter-facing-the-flames-moon-through-the-smoke-月岡芳年-tsukioka-yoshitoshi-1839-1892","title":"Japanese Firefighter Facing the Flames | \"Moon Through the Smoke\" | Tsukioka Yoshitoshi (1839–1892)","description":"\u003cp\u003eJapanese Firefighter Facing the Flames | “Moon Through the Smoke” | Tsukioka Yoshitoshi (1839–1892) | Reproduction Woodblock Print\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA Japanese firefighter stands before a wall of flames.\u003c\/p\u003e\n\u003cp\u003eThis dramatic reproduction woodblock print is based on “Moon Through the Smoke” (Enchū no Tsuki \/ 烟中月), from Tsukioka Yoshitoshi’s celebrated series One Hundred Aspects of the Moon (Tsuki Hyakushi \/ 月百姿).\u003c\/p\u003e\n\u003cp\u003eThe scene depicts a traditional Japanese firefighter confronting a massive fire.\u003c\/p\u003e\n\u003cp\u003eDuring the Edo period, fires were one of the greatest dangers of urban life, and firefighters became admired symbols of courage, toughness, and loyalty.\u003c\/p\u003e\n\u003cp\u003eHere, Yoshitoshi turns that world into an unforgettable image.\u003c\/p\u003e\n\u003cp\u003eThe firefighter stands with his back toward us, dressed in a bold black-and-white fire coat, while enormous orange and red flames consume the space before him.\u003c\/p\u003e\n\u003cp\u003eAbove the smoke and fire, the moon remains quietly visible.\u003c\/p\u003e\n\u003cp\u003eFire and moon.\u003cbr\u003eChaos and stillness.\u003cbr\u003eHuman courage against an overwhelming force.\u003c\/p\u003e\n\u003cp\u003eThe contrast gives the composition an almost cinematic power.\u003c\/p\u003e\n\u003cp\u003eFor collectors interested in samurai-era Japan, Japanese firefighters, traditional tattoo culture, Japanese history, or bold graphic art, this is an especially striking image.\u003c\/p\u003e\n\u003cp\u003eThe geometric black clothing against the flowing flames also gives the work a surprisingly modern visual character, making it powerful not only as historical Japanese art but also as a statement piece for contemporary interiors.\u003c\/p\u003e\n\u003cp\u003eA dramatic vision of courage from old Japan.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\n\u003cp\u003eTsukioka Yoshitoshi was one of the most important artists of the final generation of ukiyo-e.\u003c\/p\u003e\n\u003cp\u003eA pupil of the celebrated Utagawa Kuniyoshi, Yoshitoshi became famous for dramatic historical scenes, warriors, supernatural subjects, beautiful women, and psychologically powerful compositions.\u003c\/p\u003e\n\u003cp\u003eHis late masterpiece, One Hundred Aspects of the Moon, combines Japanese and Chinese history, literature, legend, and everyday life through the recurring presence of the moon.\u003c\/p\u003e\n\u003cp\u003eToday, the series is regarded as one of the defining achievements of Yoshitoshi’s career.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtwork Details\u003c\/p\u003e\n\u003cp\u003eArtist: Tsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\n\u003cp\u003eSeries: One Hundred Aspects of the Moon \/ 月百姿 (Tsuki Hyakushi)\u003c\/p\u003e\n\u003cp\u003eTitle: Moon Through the Smoke \/ 烟中月 (Enchū no Tsuki)\u003c\/p\u003e\n\u003cp\u003eSubject: Traditional Japanese Firefighter \/ Hikeshi\u003c\/p\u003e\n\u003cp\u003eType: Reproduction Woodblock Print\u003c\/p\u003e\n\u003cp\u003eOrigin: Japan\u003c\/p\u003e\n\u003cp\u003ePlease note: This is a later reproduction based on Yoshitoshi’s original design. It is not being offered as an original 19th-century impression.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis work is a later reproduction woodblock print based on Yoshitoshi’s original design.\u003c\/p\u003e\n\u003cp\u003eAs this is a vintage item, minor signs of age, toning, wear, or other imperfections may be present.\u003c\/p\u003e\n\u003cp\u003eCondition as shown in the photographs. Please examine all photographs carefully before purchasing, as the images form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\n\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\n\u003cp\u003eEach artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e炎に立ち向かう日本の火消し ―「烟中月」| 月岡芳年 Tsukioka Yoshitoshi (1839–1892) | 複製木版画\u003c\/p\u003e\n\u003cp\u003e作品解説\u003c\/p\u003e\n\u003cp\u003e燃え上がる巨大な炎を前に、一人の日本の火消しが立つ。\u003c\/p\u003e\n\u003cp\u003e月岡芳年（1839–1892）の代表的連作『月百姿』に収められた「烟中月（えんちゅうのつき）」をもとにした複製木版画です。\u003c\/p\u003e\n\u003cp\u003e描かれているのは、大火に立ち向かう日本の伝統的な火消し。\u003c\/p\u003e\n\u003cp\u003e江戸時代、火災は都市に暮らす人々にとって最大級の脅威の一つでした。\u003c\/p\u003e\n\u003cp\u003eその最前線に立つ火消したちは、勇気、男気、仲間への忠義を象徴する存在として人々から支持されました。\u003c\/p\u003e\n\u003cp\u003e芳年は、その世界を圧倒的な構図で描いています。\u003c\/p\u003e\n\u003cp\u003eこちらに背を向けた火消し。\u003c\/p\u003e\n\u003cp\u003e黒と白の大胆な装束。\u003c\/p\u003e\n\u003cp\u003eそして、その人物を飲み込むかのように画面いっぱいに燃え上がる赤と橙の炎。\u003c\/p\u003e\n\u003cp\u003eその煙と炎の上には、静かに月が浮かんでいます。\u003c\/p\u003e\n\u003cp\u003e炎と月。\u003cbr\u003e混沌と静寂。\u003cbr\u003e圧倒的な力に立ち向かう、人間の勇気。\u003c\/p\u003e\n\u003cp\u003eその対比が、この作品に映画のワンシーンのような迫力を与えています。\u003c\/p\u003e\n\u003cp\u003e侍の時代の日本、江戸の火消し、日本の刺青文化、日本史、そして大胆なグラフィックアートに惹かれる方にも印象的な一枚です。\u003c\/p\u003e\n\u003cp\u003e幾何学的な黒い装束と、流れるような炎のコントラストは驚くほど現代的。\u003c\/p\u003e\n\u003cp\u003e歴史的な日本美術としてだけではなく、現代のインテリアに飾るアートとしても強い存在感があります。\u003c\/p\u003e\n\u003cp\u003e昔の日本が描いた、「勇気」の一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e作者\u003c\/p\u003e\n\u003cp\u003e月岡芳年 \/ Tsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\n\u003cp\u003e月岡芳年は、浮世絵最後期を代表する重要な絵師の一人です。\u003c\/p\u003e\n\u003cp\u003e歌川国芳に学び、武者絵、歴史画、怪奇・妖怪、美人画など幅広い題材を手掛け、劇的な構図と強い物語性、心理描写によって独自の世界を築きました。\u003c\/p\u003e\n\u003cp\u003e晩年の代表作『月百姿』では、日本や中国の歴史、文学、伝説、そして人々の暮らしを「月」という共通のモチーフで描いています。\u003c\/p\u003e\n\u003cp\u003e現在でも、芳年を代表する連作の一つとして高く評価されています。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e作品情報\u003c\/p\u003e\n\u003cp\u003e作者：月岡芳年 \/ Tsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\n\u003cp\u003eシリーズ：『月百姿』 \/ One Hundred Aspects of the Moon (Tsuki Hyakushi)\u003c\/p\u003e\n\u003cp\u003e作品名：『烟中月』 \/ Moon Through the Smoke (Enchū no Tsuki)\u003c\/p\u003e\n\u003cp\u003e題材：日本の火消し\u003c\/p\u003e\n\u003cp\u003e種類：複製木版画\u003c\/p\u003e\n\u003cp\u003e制作国：日本\u003c\/p\u003e\n\u003cp\u003eご注意：本作品は、月岡芳年の原画をもとに後世に制作された複製版です。19世紀に制作されたオリジナルの当時摺として販売するものではありません。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e状態\u003c\/p\u003e\n\u003cp\u003e本作品は、月岡芳年の原画をもとにした後世の複製木版画です。\u003c\/p\u003e\n\u003cp\u003eヴィンテージ品のため、経年による軽微なヤケ、スレ、その他の変化が見られる場合があります。\u003c\/p\u003e\n\u003cp\u003e状態は掲載写真の通りです。写真も商品の状態説明の重要な一部となりますので、ご購入前にすべての写真を十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003eモニターや画面の設定によって、実物と色味が多少異なって見える場合があります。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e配送\u003c\/p\u003e\n\u003cp\u003e海外発送に対応しています。\u003c\/p\u003e\n\u003cp\u003e作品は一点ずつ丁寧に梱包し、追跡可能な方法で発送いたします。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e海外からのご注文について\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。\u003c\/p\u003e\n\u003cp\u003eこれらの費用が発生する場合、金額はお届け先の国の税関当局によって決定され、お客様のご負担となります。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSY011\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49055531499690,"sku":null,"price":377.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/260811_081.jpg?v=1786766203"},{"product_id":"princess-kaguya-returns-to-the-moon-received-back-into-the-moon-palace-月岡芳年-tsukioka-yoshitoshi-1839-1892-nbsp","title":"Princess Kaguya Returns to the Moon | “Received Back into the Moon Palace” | Tsukioka Yoshitoshi (1839–1892)","description":"\u003cp\u003ePrincess Kaguya Returns to the Moon | “Received Back into the Moon Palace” | Tsukioka Yoshitoshi (1839–1892) \u003c\/p\u003e\u003cp\u003eDescription\u003c\/p\u003e\u003cp\u003eA princess from the Moon, moments before leaving Earth forever.\u003c\/p\u003e\u003cp\u003eThis reproduction woodblock print is based on “Received Back into the Moon Palace — The Bamboo Cutter” (月宮迎 竹とり), from Tsukioka Yoshitoshi’s celebrated series One Hundred Aspects of the Moon (月百姿).\u003c\/p\u003e\u003cp\u003eThe scene comes from The Tale of the Bamboo Cutter, one of Japan’s oldest and most beloved legends.\u003c\/p\u003e\u003cp\u003eThe story follows Kaguya-hime, a mysterious girl discovered as a tiny child inside a glowing bamboo stalk. Raised by an elderly bamboo cutter and his wife, she grows into a woman of extraordinary beauty.\u003c\/p\u003e\u003cp\u003eBut Kaguya-hime does not belong to this world.\u003c\/p\u003e\u003cp\u003eShe is a princess of the Moon.\u003c\/p\u003e\u003cp\u003eIn this scene, Yoshitoshi depicts the story’s haunting final chapter, as the celestial princess prepares to leave her earthly home and return to the Moon.\u003c\/p\u003e\u003cp\u003eHer pale white robes, long black hair, and vivid red sash emerge from behind the dark architecture, creating an image that feels almost supernatural.\u003c\/p\u003e\u003cp\u003eRather than showing the moment with spectacle, Yoshitoshi creates a quiet and mysterious atmosphere — a farewell between two worlds.\u003c\/p\u003e\u003cp\u003eIt is a story of beauty, separation, destiny, and the sadness of knowing that some things cannot remain forever.\u003c\/p\u003e\u003cp\u003eThe restrained palette of gray, white, black, pale blue, and red also gives the composition a remarkably modern quality.\u003c\/p\u003e\u003cp\u003eA beautiful piece for collectors of Japanese mythology, folklore, Kaguya-hime, ukiyo-e, and Japanese art, as well as for contemporary or Japandi-inspired interiors.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi was one of the most important artists of the final generation of ukiyo-e.\u003c\/p\u003e\u003cp\u003eA pupil of the celebrated Utagawa Kuniyoshi, Yoshitoshi became known for dramatic historical scenes, warriors, supernatural subjects, beautiful women, and psychologically powerful compositions.\u003c\/p\u003e\u003cp\u003eHis late masterpiece, One Hundred Aspects of the Moon, was originally published between 1885 and 1892 and brings together Japanese and Chinese history, literature, legend, and everyday life through the recurring presence of the moon.\u003c\/p\u003e\u003cp\u003eThe original design of this work was published in 1888.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eArtwork Details\u003c\/p\u003e\u003cp\u003eArtist: Tsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\u003cp\u003eSeries: One Hundred Aspects of the Moon \/ 月百姿 (Tsuki Hyakushi)\u003c\/p\u003e\u003cp\u003eTitle: Received Back into the Moon Palace — The Bamboo Cutter \/ 月宮迎 竹とり\u003c\/p\u003e\u003cp\u003eSubject: Kaguya-hime \/ The Tale of the Bamboo Cutter\u003c\/p\u003e\u003cp\u003eOriginal Design: 1888\u003c\/p\u003e\u003cp\u003eType: Reproduction Woodblock Print\u003c\/p\u003e\u003cp\u003eOrigin: Japan\u003c\/p\u003e\u003cp\u003ePlease note: This is a later reproduction based on Yoshitoshi’s original 1888 design. It is not being offered as an original 19th-century impression.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\u003cp\u003eThis work is a later reproduction woodblock print based on Yoshitoshi’s original design.\u003c\/p\u003e\u003cp\u003eAs this is a vintage item, minor signs of age, toning, wear, or other imperfections may be present.\u003c\/p\u003e\u003cp\u003eCondition is as shown in the photographs. Please examine all photographs carefully before purchasing, as the images form an important part of the condition description.\u003c\/p\u003e\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\u003cp\u003eEach artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eInternational Orders\u003c\/p\u003e\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\u003cp\u003eIf applicable, these charges are determined by your country’s customs authority and are the responsibility of the customer.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003ePrincess Kaguya Returns to the Moon — “Received Back into the Moon Palace” | Tsukioka Yoshitoshi (1839–1892) | Reproduction Woodblock Print\u003c\/p\u003e\u003cp\u003eArtwork Description\u003c\/p\u003e\u003cp\u003eA princess from the Moon, moments before leaving Earth forever.\u003c\/p\u003e\u003cp\u003eThis reproduction woodblock print is based on “Received Back into the Moon Palace — The Bamboo Cutter” (月宮迎 竹とり), from Tsukioka Yoshitoshi’s (1839–1892) celebrated series One Hundred Aspects of the Moon.\u003c\/p\u003e\u003cp\u003eThe subject is taken from The Tale of the Bamboo Cutter, one of Japan’s oldest known stories.\u003c\/p\u003e\u003cp\u003eThe story follows Kaguya-hime, a mysterious girl discovered as a tiny child inside a glowing bamboo stalk.\u003c\/p\u003e\u003cp\u003eRaised by an elderly bamboo cutter and his wife, she grows into a woman of extraordinary beauty.\u003c\/p\u003e\u003cp\u003eHowever, Kaguya-hime was not of this world.\u003c\/p\u003e\u003cp\u003eHer home was the Moon.\u003c\/p\u003e\u003cp\u003eYoshitoshi depicts the climax of the story, as Kaguya-hime bids farewell to her earthly life and prepares to return to the Moon.\u003c\/p\u003e\u003cp\u003eHer white robes.\u003cbr\u003eHer long flowing black hair.\u003cbr\u003eHer striking red sash.\u003c\/p\u003e\u003cp\u003eHer figure emerges from behind the dark architecture, exuding an almost otherworldly mystique.\u003c\/p\u003e\u003cp\u003eYoshitoshi portrays this farewell not as a dramatic spectacle, but as a quiet and ethereal moment.\u003c\/p\u003e\u003cp\u003eBeauty, separation, destiny.\u003c\/p\u003e\u003cp\u003eAnd the poignancy of knowing that even the most precious things cannot be held onto forever.\u003c\/p\u003e\u003cp\u003eThe restrained palette, centered on grays, whites, blacks, pale blues, and reds, appears remarkably modern when viewed through a contemporary lens.\u003c\/p\u003e\u003cp\u003eThis piece is perfect for lovers of Japanese mythology and legends, Kaguya-hime, ukiyo-e, and Japanese art, as well as for contemporary or Japandi-inspired interiors.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\u003cp\u003eTsukioka Yoshitoshi was one of the most important artists of the final generation of ukiyo-e.\u003c\/p\u003e\u003cp\u003eA pupil of Utagawa Kuniyoshi, Yoshitoshi handled a wide range of subjects, including warrior prints, historical paintings, ghost and supernatural beings, and bijin-ga (pictures of beautiful women). He established his unique world through dramatic compositions, strong narrative, and psychological depth.\u003c\/p\u003e\u003cp\u003eHis late masterpiece, One Hundred Aspects of the Moon, published from 1885 to 1892, is a series depicting Japanese and Chinese history, literature, legends, and everyday life, all connected by the common motif of the \"moon.\"\u003c\/p\u003e\u003cp\u003eThe original design for this work was published in 1888.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eArtwork Information\u003c\/p\u003e\u003cp\u003eArtist: Tsukioka Yoshitoshi (1839–1892)\u003c\/p\u003e\u003cp\u003eSeries: One Hundred Aspects of the Moon (Tsuki Hyakushi)\u003c\/p\u003e\u003cp\u003eTitle: Received Back into the Moon Palace — The Bamboo Cutter (月宮迎 竹とり)\u003c\/p\u003e\u003cp\u003eSubject: Kaguya-hime \/ The Tale of the Bamboo Cutter\u003c\/p\u003e\u003cp\u003eOriginal Design Year: 1888\u003c\/p\u003e\u003cp\u003eType: Reproduction Woodblock Print\u003c\/p\u003e\u003cp\u003eCountry of Origin: Japan\u003c\/p\u003e\u003cp\u003eNote: This work is a reproduction print made later, based on Tsukioka Yoshitoshi's original design published in 1888. It is not being sold as an original print from the 19th century.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\u003cp\u003eThis work is a later reproduction woodblock print based on Yoshitoshi's original design.\u003c\/p\u003e\u003cp\u003eAs this is a vintage item, minor signs of age, toning, wear, or other imperfections may be present.\u003c\/p\u003e\u003cp\u003eCondition is as shown in the photographs. Please examine all photographs carefully before purchasing, as the images form an important part of the condition description.\u003c\/p\u003e\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\u003cp\u003eWorldwide shipping is available.\u003c\/p\u003e\u003cp\u003eEach artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\u003cp\u003e\u003cbr\u003eInternational Orders\u003c\/p\u003e\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\u003cp\u003eIf applicable, these charges are determined by your country’s customs authority and are the responsibility of the customer.\u003c\/p\u003e\u003cp\u003eSY018\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49055531663530,"sku":null,"price":170.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/260811_089.jpg?v=1786766396"},{"product_id":"japan-s-most-iconic-masterpiece-the-great-wave-amp-mt-fuji-葛飾北斎-katsushika-hokusai-c-1831","title":"Japan’s Most Iconic Masterpiece – The Great Wave \u0026 Mt. Fuji Katsushika Hokusai (c. 1831)","description":"\u003cdiv class=\"qMYqUG_convSearchResultHighlightRoot\"\u003e\n\n\u003cdiv class=\"\"\u003e\n\n\u003csection class=\"text-token-text-primary w-full focus:outline-none has-data-writing-block:pointer-events-none [\u0026amp;:has([data-writing-block])\u0026gt;*]:pointer-events-auto R6Vx5W_threadScrollVars scroll-mb-[calc(var(--scroll-root-safe-area-inset-bottom,0px)+var(--thread-response-height))] scroll-mt-[calc(var(--header-height)+min(200px,max(70px,20svh)))]\" dir=\"auto\"\u003e\n\u003cdiv class=\"text-base my-auto mx-auto pb-8 [--thread-content-margin:var(--thread-content-margin-xs,calc(var(--spacing)*4))] @w-sm\/main:[--thread-content-margin:var(--thread-content-margin-sm,calc(var(--spacing)*6))] @w-lg\/main:[--thread-content-margin:var(--thread-content-margin-lg,calc(var(--spacing)*16))] px-(--thread-content-margin)\"\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1 group\/turn-messages focus-visible:outline-hidden relative flex w-full min-w-0 flex-col agent-turn\"\u003e\n\n\u003cdiv class=\"flex max-w-full flex-col gap-4 grow\"\u003e\n\n\u003cdiv dir=\"auto\" class=\"min-h-8 text-message relative flex w-full flex-col items-end gap-2 text-start break-words whitespace-normal outline-none keyboard-focused:focus-ring [.text-message+\u0026amp;]:mt-1\" tabindex=\"0\"\u003e\n\n\u003cdiv class=\"flex w-full flex-col gap-1 empty:hidden\"\u003e\n\n\u003cdiv class=\"markdown prose dark:prose-invert wrap-break-word w-full light markdown-new-styling\"\u003e\n\n\u003ch2\u003eDescription\u003c\/h2\u003e\n\n\u003cp\u003eOne of the most iconic images ever created in Japan — \u003cstrong\u003ethe legendary Great Wave and Mt. Fuji.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis work reproduces \u003cstrong\u003e葛飾北斎 (Katsushika Hokusai)\u003c\/strong\u003e’s masterpiece \u003cem\u003eThe Great Wave off Kanagawa\u003c\/em\u003e, originally created around \u003cstrong\u003e1831\u003c\/strong\u003e as part of his celebrated series \u003cem\u003eThirty-six Views of Mount Fuji\u003c\/em\u003e.\u003c\/p\u003e\n\n\u003cp\u003eA monumental wave rises above small boats struggling through the sea, while Mt. Fuji remains quietly visible in the distance.\u003c\/p\u003e\n\n\u003cp\u003eThe contrast is what makes this image so powerful: \u003cstrong\u003echaos and stillness, fear and courage, human fragility and the overwhelming force of nature.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eNearly two centuries later, the Great Wave has become a global icon — instantly recognizable far beyond the world of Japanese art.\u003c\/p\u003e\n\n\u003cp\u003eIts dramatic composition, deep blues, and surprisingly modern graphic quality make it especially striking in contemporary, minimalist, and Japandi interiors.\u003c\/p\u003e\n\n\u003cp\u003eThis piece is a \u003cstrong\u003elater reproduction woodblock print\u003c\/strong\u003e, not an original Edo-period impression. It offers an accessible way to live with one of the world’s great masterpieces while enjoying the distinctive texture and character of traditional Japanese woodblock printing.\u003c\/p\u003e\n\n\u003ch2\u003eArtist\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003e葛飾北斎 (Katsushika Hokusai, 1760–1849)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eHokusai was one of Japan’s most influential artists and a master of ukiyo-e. His bold compositions had a profound influence on Western art and helped inspire the European fascination with Japanese aesthetics known as Japonisme.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOriginal design:\u003c\/strong\u003e c. 1831\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e \u003cem\u003eThirty-six Views of Mount Fuji\u003c\/em\u003e\u003cbr\u003e\u003cstrong\u003eJapanese title:\u003c\/strong\u003e 神奈川沖浪裏 (\u003cem\u003eKanagawa-oki Nami Ura\u003c\/em\u003e)\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Reproduction woodblock print\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. \u003cstrong\u003e39.6 × 26.5 cm (15.6 × 10.4 in)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\n\u003cp\u003eThis is a vintage reproduction and shows signs of age and previous handling.\u003c\/p\u003e\n\n\u003cp\u003eThere are visible small areas of wear and damage along the upper edge, as shown in the photographs. Minor toning, marks, creases, or other age-related imperfections may also be present.\u003c\/p\u003e\n\u003c!--nl--\"\u003e\u003cp\u003ePlease review all photographs carefully, including images of the reverse, as they form an important part of the condition description.\u003c\/p\u003e\n\u003ch2\u003eAs a Gift\u003c\/h2\u003e\n\n\u003cp\u003eA meaningful gift for someone \u003cstrong\u003estarting a new chapter, taking on a major challenge, or moving forward through uncertainty.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe Great Wave is a powerful symbol of \u003cstrong\u003eresilience — continuing forward even when something greater than yourself stands in your way.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch2\u003eShipping\u003c\/h2\u003e\n\n\u003cp\u003eShips from \u003cstrong\u003eTokyo, Japan\u003c\/strong\u003e, carefully packaged for international delivery.\u003c\/p\u003e\n\n\u003ch3\u003eInternational Orders\u003c\/h3\u003e\n\n\u003cp\u003eImport duties, taxes, customs charges, and other fees are \u003cstrong\u003enot included in the item price or shipping cost\u003c\/strong\u003e and are the responsibility of the buyer. Please check your country’s import regulations before purchasing.\u003c\/p\u003e\n\n\u003ch1\u003eJapanese Translation\u003c\/h1\u003e\n\n\u003ch2\u003eThe Masterpiece \"Mt. Fuji and The Great Wave\" - Katsushika Hokusai (c. 1831) | Reproduction Woodblock Print\u003c\/h2\u003e\n\n\u003ch2\u003eProduct Description\u003c\/h2\u003e\n\n\u003cp\u003eOne of the most famous artworks from Japan, known worldwide.\u003cbr\u003eIt is the legendary \u003cstrong\u003e\"Great Wave\" and Mt. Fuji.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThis is a woodblock print reproducing Katsushika Hokusai's masterpiece \"The Great Wave off Kanagawa.\" The original was created around 1831 as one of the \"Thirty-six Views of Mount Fuji\" series.\u003c\/p\u003e\n\n\u003cp\u003eSmall boats tossed by a colossal wave. Far in the distance, Mt. Fuji stands serenely.\u003c\/p\u003e\n\n\u003cp\u003eThe allure of this work lies in the way it condenses \u003cstrong\u003echaos and stillness, fear and courage, human insignificance and the overwhelming power of nature\u003c\/strong\u003e into a single image.\u003c\/p\u003e\n\n\u003cp\u003eNearly 200 years after its creation, the Great Wave has become a global icon, recognized far beyond the realm of Japanese art.\u003c\/p\u003e\n\n\u003cp\u003eIts bold composition, deep blues, and graphic beauty that resonates with modern design make it surprisingly adaptable to contemporary spaces, blending well with minimalist, modern, and Japandi interiors.\u003c\/p\u003e\n\n\u003cp\u003eThis is \u003cstrong\u003enot an original Edo period print but a reproduction woodblock print created in later times.\u003c\/strong\u003e It offers an opportunity to enjoy a world-renowned masterpiece with the unique texture of woodblock printing.\u003c\/p\u003e\n\n\u003ch2\u003eArtist\u003c\/h2\u003e\n\n\u003cp\u003e\u003cstrong\u003eKatsushika Hokusai (1760–1849)\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eOne of the most prominent ukiyo-e artists. Hokusai's bold compositions and expressions greatly influenced Western art and played a significant role in the spread of Japonisme in Europe.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eOriginal artwork:\u003c\/strong\u003e c. 1831\u003cbr\u003e\u003cstrong\u003eSeries:\u003c\/strong\u003e Thirty-six Views of Mount Fuji\u003cbr\u003e\u003cstrong\u003eTitle:\u003c\/strong\u003e Kanagawa-oki Nami Ura\u003cbr\u003e\u003cstrong\u003eType:\u003c\/strong\u003e Reproduction woodblock print\u003cbr\u003e\u003cstrong\u003eSize:\u003c\/strong\u003e Approx. \u003cstrong\u003e39.6 × 26.5 cm\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch2\u003eCondition\u003c\/h2\u003e\n\n\u003cp\u003eAs a vintage reproduction print, it shows signs of age and storage over time.\u003c\/p\u003e\n\n\u003cp\u003eSmall areas of damage are visible along the upper edge. Additionally, minor discoloration, subtle marks, creases, and other age-related imperfections may be present.\u003c\/p\u003e\n\n\u003cp\u003ePlease carefully review all photographs, including images of the reverse side, as they form an important part of the condition description.\u003c\/p\u003e\n\n\u003ch2\u003eAs a Gift\u003c\/h2\u003e\n\n\u003cp\u003eA meaningful gift for someone \u003cstrong\u003estarting a new chapter, taking on a major challenge, or moving forward through uncertainty.\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eThe image of pushing forward despite the colossal wave evokes a powerful message of \u003cstrong\u003e\"persevering even when faced with difficulties greater than oneself.\"\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003ch2\u003eShipping\u003c\/h2\u003e\n\n\u003cp\u003eShips from \u003cstrong\u003eTokyo, Japan\u003c\/strong\u003e, carefully packaged for international delivery.\u003c\/p\u003e\n\n\u003ch3\u003eInternational Orders\u003c\/h3\u003e\n\n\u003cp\u003eImport duties, taxes, customs charges, and other fees are \u003cstrong\u003enot included in the item price or shipping cost\u003c\/strong\u003e and are the responsibility of the buyer. Please check your country's import regulations before purchasing.\u003c\/p\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"z-0 flex min-h-[46px] justify-start\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\u003cdiv class=\"[--thread-content-max-width:40rem] @w-lg\/main:[--thread-content-max-width:48rem] mx-auto max-w-(--thread-content-max-width) flex-1\"\u003e\n\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\u003c\/div\u003e\n\n\n\n\u003c\/div\u003e\n\n\u003c\/section\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49064918122666,"sku":null,"price":100.0,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/S__88514569_049.jpg?v=1786889811"},{"product_id":"quiet-living-in-old-japan-three-women-sharing-an-everyday-moment-鈴木春信-suzuki-harunobu-c-1725-1770","title":"Quiet Living in Old Japan – Three Women Sharing an Everyday Moment | Suzuki Harunobu (c. 1725–1770)","description":"\u003cp\u003eQuiet Living in Old Japan – Three Women Sharing an Everyday Moment | 鈴木春信 Suzuki Harunobu (c. 1725–1770)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA quiet moment from everyday life in old Japan.\u003c\/p\u003e\n\u003cp\u003eThree women gather together indoors.\u003cbr\u003eOne reaches toward a small ball, another watches, while the third quietly works with her hands.\u003c\/p\u003e\n\u003cp\u003eNothing dramatic is happening — and that is exactly what makes this scene beautiful.\u003c\/p\u003e\n\u003cp\u003eThe original design is by 鈴木春信 (Suzuki Harunobu, c. 1725–1770), one of the great masters of 18th-century Japanese ukiyo-e.\u003c\/p\u003e\n\u003cp\u003eHarunobu was known for capturing intimate moments of daily life — friendship, conversation, leisure, and the quiet beauty found in ordinary time.\u003c\/p\u003e\n\u003cp\u003eSoft greens, muted reds, deep blacks, patterned kimono, and the simple Japanese interior give the composition a calm atmosphere that feels surprisingly modern.\u003c\/p\u003e\n\u003cp\u003eMore than two centuries later, the idea behind the image still feels familiar:\u003c\/p\u003e\n\u003cp\u003eA beautiful life does not always need to be a busy one.\u003c\/p\u003e\n\u003cp\u003eThe quiet composition and restrained colors also work beautifully in modern, minimalist, and Japandi-inspired interiors.\u003c\/p\u003e\n\u003cp\u003eThis is a later reproduction print, not an original Edo-period impression.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\n\u003cp\u003e鈴木春信 (Suzuki Harunobu, c. 1725–1770)\u003c\/p\u003e\n\u003cp\u003eSuzuki Harunobu was one of the most influential artists of the Edo period and a pioneer of nishiki-e, the richly colored prints that transformed Japanese printmaking in the 18th century.\u003c\/p\u003e\n\u003cp\u003eHis works are especially admired for their graceful figures, delicate colors, and intimate scenes of everyday life.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDetails\u003c\/p\u003e\n\u003cp\u003eArtist: 鈴木春信 \/ Suzuki Harunobu (c. 1725–1770)\u003c\/p\u003e\n\u003cp\u003eOriginal Period: 18th century\u003c\/p\u003e\n\u003cp\u003eSubject: Women \/ Quiet Living \/ Everyday Life\u003c\/p\u003e\n\u003cp\u003eType: Reproduction Print\u003c\/p\u003e\n\u003cp\u003eOrigin: Japan\u003c\/p\u003e\n\u003cp\u003eSize: Approx. 39.6 × 26.5 cm (15.6 × 10.4 in)\u003c\/p\u003e\n\u003cp\u003ePlease note: This is a later reproduction based on an original Edo-period design. It is not being offered as an original 18th-century impression.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is a vintage reproduction and may show minor signs of age, storage, and previous handling.\u003c\/p\u003e\n\u003cp\u003eCondition is as shown in the photographs.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs carefully, including the reverse side, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eA meaningful gift for someone beginning a quieter chapter in life or creating a home of their own.\u003c\/p\u003e\n\u003cp\u003eAlso for someone you wish could slow down a little — and remember that some of life’s most beautiful moments are the ordinary ones.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eEach artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e静かな暮らし ― 昔の日本、三人の女性の日常 | 鈴木春信 Suzuki Harunobu (c. 1725–1770)\u003c\/p\u003e\n\u003cp\u003e商品説明\u003c\/p\u003e\n\u003cp\u003e昔の日本にあった、静かな日常のひととき。\u003c\/p\u003e\n\u003cp\u003e室内に集まる三人の女性。\u003cbr\u003e一人は小さな毬に手を伸ばし、一人はその様子を眺め、もう一人は静かに手元の作業をしています。\u003c\/p\u003e\n\u003cp\u003e大きな事件が起きているわけではありません。\u003c\/p\u003e\n\u003cp\u003eだからこそ、この作品には美しさがあります。\u003c\/p\u003e\n\u003cp\u003e原画を手がけたのは、18世紀を代表する浮世絵師の一人、鈴木春信（1725年頃–1770年）。\u003c\/p\u003e\n\u003cp\u003e春信は、友情や会話、遊び、何気ない時間など、人々の日常に存在する小さな美しさを描くことに長けた絵師でした。\u003c\/p\u003e\n\u003cp\u003e柔らかな緑、落ち着いた赤、深い黒。\u003cbr\u003e着物の文様や簡素な日本の室内風景も相まって、200年以上前のデザインとは思えないほど現代的な空気を感じさせます。\u003c\/p\u003e\n\u003cp\u003eこの作品が描いていることは、今の時代にも通じます。\u003c\/p\u003e\n\u003cp\u003e「美しい人生は、いつも忙しくある必要はない。」\u003c\/p\u003e\n\u003cp\u003e静かな構図と抑制された色彩は、モダン、ミニマル、Japandiなど、現代のインテリアにも自然に馴染みます。\u003c\/p\u003e\n\u003cp\u003eこちらは江戸時代に摺られた当時物ではなく、後世に制作された複製版画です。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e作者\u003c\/p\u003e\n\u003cp\u003e鈴木春信 \/ Suzuki Harunobu（1725年頃–1770年）\u003c\/p\u003e\n\u003cp\u003e鈴木春信は江戸時代を代表する浮世絵師の一人で、多色摺による「錦絵」の発展に大きく貢献した人物です。\u003c\/p\u003e\n\u003cp\u003e優美な人物表現、繊細な色彩、そして人々の日常の何気ない瞬間を切り取った作品で知られています。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e作品情報\u003c\/p\u003e\n\u003cp\u003e作者：鈴木春信 \/ Suzuki Harunobu（1725年頃–1770年）\u003c\/p\u003e\n\u003cp\u003e原画制作時期：18世紀\u003c\/p\u003e\n\u003cp\u003e題材：女性 \/ 静かな暮らし \/ 日常\u003c\/p\u003e\n\u003cp\u003e種類：複製版画\u003c\/p\u003e\n\u003cp\u003e制作国：日本\u003c\/p\u003e\n\u003cp\u003eサイズ：約39.6 × 26.5cm\u003c\/p\u003e\n\u003cp\u003eご注意：本作品は江戸時代の原画をもとに後世に制作された複製版です。18世紀に制作されたオリジナルの当時摺として販売するものではありません。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e状態\u003c\/p\u003e\n\u003cp\u003eヴィンテージの複製版画のため、経年、保管、取り扱いに伴う細かな状態変化がある場合があります。\u003c\/p\u003e\n\u003cp\u003e状態は掲載写真の通りです。\u003c\/p\u003e\n\u003cp\u003e裏面を含め、掲載写真も商品の状態説明の重要な一部となりますので、ご購入前に十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003eモニターや画面の設定によって、実物と色味が多少異なって見える場合があります。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eギフトとして\u003c\/p\u003e\n\u003cp\u003e新しい、少し穏やかな人生を歩み始める方や、自分らしい暮らしをつくり始めた方へ。\u003c\/p\u003e\n\u003cp\u003eそして「もう少しゆっくり生きていい」と伝えたい大切な人へ。何気ない時間こそ美しいことを思い出させてくれる一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e配送について\u003c\/p\u003e\n\u003cp\u003e東京、日本より発送いたします。\u003c\/p\u003e\n\u003cp\u003e作品は一点ずつ丁寧に梱包し、追跡可能な方法で発送いたします。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e海外からのご注文について\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。\u003c\/p\u003e\n\u003cp\u003eこれらの費用が発生する場合、金額はお届け先の国の税関当局によって決定され、お客様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49064963768490,"sku":null,"price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/S__88514569_1.jpg?v=1786890424"},{"product_id":"walking-through-the-silence-snowy-night-in-old-japan-歌川広重-utagawa-hiroshige-1797-1858","title":"Walking Through the Silence – Snowy Night in Old Japan | Utagawa Hiroshige (1797–1858)","description":"\u003cp\u003eWalking Through the Silence – Snowy Night in Old Japan | 歌川広重 Utagawa Hiroshige (1797–1858)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThree travelers walk quietly through a village buried in snow.\u003c\/p\u003e\n\u003cp\u003eNo crowds.\u003cbr\u003eNo noise.\u003cbr\u003eJust falling snow, distant mountains, and footprints disappearing into the night.\u003c\/p\u003e\n\u003cp\u003eThis celebrated composition is “Kanbara: Night Snow” from The Fifty-three Stations of the Tōkaidō, originally designed by 歌川広重 (Utagawa Hiroshige, 1797–1858).\u003c\/p\u003e\n\u003cp\u003eHiroshige transforms an ordinary journey into something almost meditative.\u003c\/p\u003e\n\u003cp\u003eThe vast grey sky, white mountains, dark wooden houses, and three small human figures create a powerful sense of silence and solitude.\u003c\/p\u003e\n\u003cp\u003eIt is a winter landscape, but also an image about moving forward.\u003c\/p\u003e\n\u003cp\u003eStep by step, the travelers continue through the snow.\u003c\/p\u003e\n\u003cp\u003eThat quiet feeling makes this work especially beautiful in modern interiors — minimalist, Japandi, monochrome, or simply a room that needs a little more stillness.\u003c\/p\u003e\n\u003cp\u003eThis is a later reproduction print, not an original Edo-period impression.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eArtist\u003c\/p\u003e\n\u003cp\u003e歌川広重 \/ Utagawa Hiroshige (1797–1858)\u003c\/p\u003e\n\u003cp\u003eUtagawa Hiroshige was one of the great masters of Japanese ukiyo-e and is celebrated worldwide for his poetic landscapes.\u003c\/p\u003e\n\u003cp\u003eHis works captured rain, snow, seasons, roads, travelers, and fleeting moments of everyday life with extraordinary sensitivity.\u003c\/p\u003e\n\u003cp\u003eHis compositions later became an important influence on Western artists, particularly the Impressionists.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eDetails\u003c\/p\u003e\n\u003cp\u003eArtist: 歌川広重 \/ Utagawa Hiroshige (1797–1858)\u003c\/p\u003e\n\u003cp\u003eTitle: Kanbara: Night Snow\u003c\/p\u003e\n\u003cp\u003eSeries: The Fifty-three Stations of the Tōkaidō\u003c\/p\u003e\n\u003cp\u003eOriginal Period: Edo period, c. 1833–1834\u003c\/p\u003e\n\u003cp\u003eSubject: Snow \/ Winter \/ Travelers \/ Japanese Landscape\u003c\/p\u003e\n\u003cp\u003eType: Reproduction Print\u003c\/p\u003e\n\u003cp\u003eOrigin: Japan\u003c\/p\u003e\n\u003cp\u003eSize: Approx. 39.6 × 26.5 cm (15.6 × 10.4 in)\u003c\/p\u003e\n\u003cp\u003ePlease note: This is a later reproduction based on Hiroshige’s original Edo-period design. It is not being offered as an original 19th-century impression.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is a vintage reproduction and may show minor signs of age, storage, and previous handling.\u003c\/p\u003e\n\u003cp\u003eCondition is as shown in the photographs.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs carefully, including the reverse side, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eFor someone beginning a new journey, moving to a new place, or quietly choosing their own path in life.\u003c\/p\u003e\n\u003cp\u003eA meaningful reminder that even through the coldest seasons, we keep moving forward.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eEach artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e静寂の中を歩く ― 雪降る昔の日本 | 歌川広重 Utagawa Hiroshige (1797–1858)\u003c\/p\u003e\n\u003cp\u003e商品説明\u003c\/p\u003e\n\u003cp\u003e雪に埋もれた村を、静かに歩く三人の旅人。\u003c\/p\u003e\n\u003cp\u003e人混みもない。\u003cbr\u003e騒音もない。\u003c\/p\u003e\n\u003cp\u003eただ降り続ける雪と、遠くの山々、そして夜の中へ続いていく足跡。\u003c\/p\u003e\n\u003cp\u003e歌川広重（1797–1858）の代表作「東海道五拾三次」の一図、「蒲原 夜之雪」をもとにした作品です。\u003c\/p\u003e\n\u003cp\u003e広重は、何気ない旅の風景を、まるで瞑想するような静かな世界へと変えました。\u003c\/p\u003e\n\u003cp\u003e広大な灰色の空。\u003cbr\u003e雪に覆われた山々。\u003cbr\u003e黒く沈む木造家屋。\u003cbr\u003eそして、その中を歩く三人の小さな人間。\u003c\/p\u003e\n\u003cp\u003eそこには圧倒的な静寂と孤独があります。\u003c\/p\u003e\n\u003cp\u003eしかし、この作品は単なる冬景色ではありません。\u003c\/p\u003e\n\u003cp\u003e雪の中でも、旅人たちは一歩ずつ前へ進んでいきます。\u003c\/p\u003e\n\u003cp\u003eそんな静かな力を持つ一枚だからこそ、ミニマル、Japandi、モノトーンなどの現代的な空間にも美しく馴染みます。\u003c\/p\u003e\n\u003cp\u003eこちらは江戸時代に摺られた当時物ではなく、後世に制作された複製版画です。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e作者\u003c\/p\u003e\n\u003cp\u003e歌川広重 \/ Utagawa Hiroshige（1797–1858）\u003c\/p\u003e\n\u003cp\u003e江戸時代を代表する浮世絵師の一人。\u003c\/p\u003e\n\u003cp\u003e雨、雪、四季、旅人、街道など、日本の風景と人々の日常を詩的に描いたことで世界的に知られています。\u003c\/p\u003e\n\u003cp\u003eその大胆な構図や自然表現は、後の西洋美術、特に印象派の画家たちにも大きな影響を与えました。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e作品情報\u003c\/p\u003e\n\u003cp\u003e作者：歌川広重 \/ Utagawa Hiroshige（1797–1858）\u003c\/p\u003e\n\u003cp\u003e作品：蒲原 夜之雪\u003c\/p\u003e\n\u003cp\u003eシリーズ：東海道五拾三次之内\u003c\/p\u003e\n\u003cp\u003e原画制作時期：江戸時代・1833〜1834年頃\u003c\/p\u003e\n\u003cp\u003e題材：雪 \/ 冬 \/ 旅人 \/ 日本の風景\u003c\/p\u003e\n\u003cp\u003e種類：複製版画\u003c\/p\u003e\n\u003cp\u003e制作国：日本\u003c\/p\u003e\n\u003cp\u003eサイズ：約39.6 × 26.5cm\u003c\/p\u003e\n\u003cp\u003eご注意：本作品は歌川広重の江戸時代の作品をもとに、後世に制作された複製版です。19世紀に制作されたオリジナルの当時摺として販売するものではありません。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e状態\u003c\/p\u003e\n\u003cp\u003eヴィンテージの複製版画のため、経年、保管、取り扱いに伴う細かな状態変化がある場合があります。\u003c\/p\u003e\n\u003cp\u003e状態は掲載写真の通りです。\u003c\/p\u003e\n\u003cp\u003e裏面を含め、掲載写真も商品の状態説明の重要な一部となりますので、ご購入前に十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003eモニターや画面の設定によって、実物と色味が多少異なって見える場合があります。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003eギフトとして\u003c\/p\u003e\n\u003cp\u003e新しい旅を始める方、新しい土地で暮らし始める方、自分自身の道を静かに歩み始める方へ。\u003c\/p\u003e\n\u003cp\u003e「どんなに寒い季節でも、人は前へ進んでいく。」そんな想いを贈れる一枚です。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e配送について\u003c\/p\u003e\n\u003cp\u003e東京、日本より発送いたします。\u003c\/p\u003e\n\u003cp\u003e作品は一点ずつ丁寧に梱包し、追跡可能な方法で発送いたします。\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e海外からのご注文について\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。\u003c\/p\u003e\n\u003cp\u003eこれらの費用が発生する場合、金額はお届け先の国の税関当局によって決定され、お客様のご負担となります。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49064975597738,"sku":null,"price":80.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/S__88514569_058.jpg?v=1786890905"},{"product_id":"the-face-of-kabuki-a-bold-portrait-from-traditional-japan-東洲斎写楽-toshusai-sharaku-active-1794-1795","title":"The Face of Kabuki – A Bold Portrait from Traditional Japan | Tōshūsai Sharaku (active 1794–1795)","description":"\u003cp\u003eThe Face of Kabuki – A Bold Portrait from Traditional Japan | 東洲斎写楽 Tōshūsai Sharaku (active 1794–1795)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThe face of Kabuki.\u003c\/p\u003e\n\u003cp\u003eA powerful portrait from the world of traditional Japanese theater, based on one of the iconic actor portraits associated with 東洲斎写楽 (Tōshūsai Sharaku).\u003c\/p\u003e\n\u003cp\u003eWith exaggerated eyebrows, an intense expression, and a striking close-up composition, the image captures the drama and personality of Kabuki in a way that still feels surprisingly modern today.\u003c\/p\u003e\n\u003cp\u003eMore than decoration, it is a bold piece of traditional Japanese visual culture — perfect for interiors that need character, history, and a unmistakable touch of Japan.\u003c\/p\u003e\n\u003cp\u003eThis is a reproduction print, making Sharaku’s legendary Kabuki imagery accessible for contemporary interiors and collectors of Japanese culture.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e東洲斎写楽 Tōshūsai Sharaku (active 1794–1795)\u003c\/p\u003e\n\u003cp\u003eSharaku is one of the most mysterious and celebrated artists in Japanese art history. Active for only a brief period during the Edo era, he became famous for his unforgettable portraits of Kabuki actors, emphasizing their expressions and individual personalities rather than idealizing them.\u003c\/p\u003e\n\u003cp\u003eType\u003c\/p\u003e\n\u003cp\u003eReproduction print\u003cbr\u003eTraditional Japanese Kabuki actor portrait\u003c\/p\u003e\n\u003cp\u003eSize\u003c\/p\u003e\n\u003cp\u003eApprox. 39 × 27 cm\u003cbr\u003eApprox. 15.4 × 10.6 in\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003ePlease carefully review all photographs for the actual condition of the artwork.\u003c\/p\u003e\n\u003cp\u003eAs this is a reproduction print, it is not an original Edo-period impression.\u003c\/p\u003e\n\u003cp\u003eMinor variations, marks, or signs of storage may be present.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packed to protect it during international transportation.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eImport duties, taxes, customs fees, and other charges are not included in the item price or shipping cost. These charges, if applicable, are the buyer’s responsibility.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Face of Kabuki – A Bold Portrait from Traditional Japan | 東洲斎写楽（active 1794–1795）\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThe face of Kabuki.\u003c\/p\u003e\n\u003cp\u003eThis is a piece based on an iconic actor portrait by Toshusai Sharaku, depicting the world of traditional Japanese performing art, Kabuki.\u003c\/p\u003e\n\u003cp\u003eWith exaggerated eyebrows, an intense expression, and a bold composition that captures the face in close-up.\u003c\/p\u003e\n\u003cp\u003eIts depiction, which captures the individuality of Kabuki actors and the tension of the stage, feels surprisingly modern even after more than 200 years.\u003c\/p\u003e\n\u003cp\u003eMore than just a decoration, it's a piece that incorporates Japanese history and traditional beauty into your space.\u003cbr\u003eIt's perfect for Japanese interiors, and also adds a strong presence to minimalist, JAPANDI, and modern spaces.\u003c\/p\u003e\n\u003cp\u003eThis is a reproduction print.\u003cbr\u003eYou can easily enjoy Sharaku's iconic Kabuki actor prints in contemporary living spaces.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e東洲斎写楽 Tōshūsai Sharaku (active 1794–1795)\u003c\/p\u003e\n\u003cp\u003eOne of the most enigmatic artists in Japanese art history.\u003cbr\u003eActive for only a brief period during the Edo era, he is known for his actor portraits that boldly capture the expressions and individuality of Kabuki actors.\u003c\/p\u003e\n\u003cp\u003eType\u003c\/p\u003e\n\u003cp\u003eReproduction print\u003cbr\u003eTraditional Japanese Kabuki actor portrait\u003c\/p\u003e\n\u003cp\u003eSize\u003c\/p\u003e\n\u003cp\u003eApprox. 39 × 27 cm\u003cbr\u003eApprox. 15.4 × 10.6 in\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003ePlease carefully review all photographs for the actual condition of the artwork.\u003c\/p\u003e\n\u003cp\u003eThis is a reproduction print, not an original impression from the Edo period.\u003c\/p\u003e\n\u003cp\u003eMinor marks or signs of age may be present due to storage.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packed to prevent damage during international transportation.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eImport duties, taxes, customs fees, and other charges are not included in the item price or shipping cost. These charges, if applicable, are the buyer’s responsibility.\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49064976482474,"sku":null,"price":12000.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/S__88514569_039.jpg?v=1786891195"},{"product_id":"beauty-of-kabuki-an-iconic-woman-of-traditional-japan-東洲斎写楽-toshusai-sharaku-active-1794-1795","title":"Beauty of Kabuki – An Iconic Woman of Traditional Japan | Tōshūsai Sharaku (active 1794–1795)","description":"\u003cp\u003eBeauty of Kabuki – An Iconic Woman of Traditional Japan | Tōshūsai Sharaku (active 1794–1795)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eBeauty, drama, and the world of Kabuki.\u003c\/p\u003e\n\u003cp\u003eA striking portrait based on the celebrated actor imagery of Tōshūsai Sharaku, one of the most mysterious artists in Japanese art history.\u003c\/p\u003e\n\u003cp\u003eThe elaborate hairstyle, delicate expression, patterned kimono, and dramatic close-up composition capture the visual beauty of traditional Japanese theater.\u003c\/p\u003e\n\u003cp\u003eWhat makes the image especially fascinating is that in Edo-period Kabuki, female roles were traditionally performed by male actors known as onnagata.\u003c\/p\u003e\n\u003cp\u003eIt is not simply a portrait of beauty — it is a glimpse into the theatrical culture of old Japan.\u003c\/p\u003e\n\u003cp\u003eWith its deep gray background, elegant black hair, soft red accents, and graphic kimono patterns, the composition still feels remarkably modern more than two centuries later.\u003c\/p\u003e\n\u003cp\u003eA beautiful statement piece for Japanese, Japandi, minimalist, or contemporary interiors.\u003c\/p\u003e\n\u003cp\u003eThis is a reproduction print, created for enjoying the beauty of historic Japanese art in a modern space.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003eTōshūsai Sharaku (active 1794–1795)\u003c\/p\u003e\n\u003cp\u003eSharaku is one of the most enigmatic artists of the Edo period.\u003c\/p\u003e\n\u003cp\u003eActive for only a brief period in the 1790s, he became famous for his bold portraits of Kabuki actors. Rather than idealizing his subjects, Sharaku emphasized distinctive expressions, gestures, and personalities, creating some of the most unforgettable faces in Japanese art.\u003c\/p\u003e\n\u003cp\u003eType\u003c\/p\u003e\n\u003cp\u003eReproduction print\u003cbr\u003eTraditional Japanese Kabuki actor portrait\u003c\/p\u003e\n\u003cp\u003eSize\u003c\/p\u003e\n\u003cp\u003eApprox. 39 × 27 cm\u003cbr\u003eApprox. 15.4 × 10.6 in\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003ePlease carefully review all photographs for the actual condition of the artwork.\u003c\/p\u003e\n\u003cp\u003eThis is a reproduction print and not an original Edo-period impression.\u003c\/p\u003e\n\u003cp\u003eMinor variations, marks, or signs of storage may be present.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packed to protect it during international transportation.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eImport duties, taxes, customs fees, and other charges are not included in the item price or shipping cost. These charges, if applicable, are the buyer’s responsibility.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e歌舞伎の美 ― 日本の伝統美を象徴する女性像 | 東洲斎写楽（活動期 1794–1795）\u003c\/p\u003e\n\u003cp\u003e商品説明\u003c\/p\u003e\n\u003cp\u003e美しさ、ドラマ、そして歌舞伎の世界。\u003c\/p\u003e\n\u003cp\u003e日本美術史でもっとも謎に包まれた絵師のひとり、東洲斎写楽の役者絵をもとにした印象的な一枚です。\u003c\/p\u003e\n\u003cp\u003e大きく結い上げられた髪、繊細な表情、華やかな着物、そして人物を大胆に切り取った構図。\u003c\/p\u003e\n\u003cp\u003e日本の伝統芸能・歌舞伎が持つ独特の美しさを感じさせます。\u003c\/p\u003e\n\u003cp\u003eさらに興味深いのは、江戸時代の歌舞伎では女性の役も「女形」と呼ばれる男性の役者が演じていたこと。\u003c\/p\u003e\n\u003cp\u003e単なる美人画ではなく、かつての日本の舞台文化を覗き見るような一枚です。\u003c\/p\u003e\n\u003cp\u003e深いグレーの背景、黒髪、柔らかな赤、幾何学的な着物の模様。\u003cbr\u003e200年以上前に生まれたデザインでありながら、現代の空間にも驚くほど自然に馴染みます。\u003c\/p\u003e\n\u003cp\u003e和のインテリアはもちろん、JAPANDI、ミニマル、モダンな空間にもおすすめです。\u003c\/p\u003e\n\u003cp\u003eこちらは複製版画です。\u003cbr\u003e歴史ある日本美術の美しさを、現代の暮らしの中で楽しんでいただけます。\u003c\/p\u003e\n\u003cp\u003e作者\u003c\/p\u003e\n\u003cp\u003e東洲斎写楽 Tōshūsai Sharaku（活動期 1794–1795）\u003c\/p\u003e\n\u003cp\u003e江戸時代を代表する、謎多き浮世絵師。\u003c\/p\u003e\n\u003cp\u003e1790年代のごく短期間だけ活動し、歌舞伎役者の大胆な肖像画で知られています。\u003c\/p\u003e\n\u003cp\u003e人物を理想化するのではなく、表情や仕草、個性まで強調して描いたことで、日本美術史に残る強烈な「顔」を数多く生み出しました。\u003c\/p\u003e\n\u003cp\u003e種類\u003c\/p\u003e\n\u003cp\u003e複製版画\u003cbr\u003e日本伝統芸能・歌舞伎役者絵\u003c\/p\u003e\n\u003cp\u003eサイズ\u003c\/p\u003e\n\u003cp\u003e約39 × 27cm\u003cbr\u003e約15.4 × 10.6インチ\u003c\/p\u003e\n\u003cp\u003e状態\u003c\/p\u003e\n\u003cp\u003e実際の状態については、掲載写真をよくご確認ください。\u003c\/p\u003e\n\u003cp\u003eこちらは江戸時代に摺られたオリジナルではなく、複製版画です。\u003c\/p\u003e\n\u003cp\u003e保管に伴う軽微な跡や経年変化等が見られる場合があります。\u003c\/p\u003e\n\u003cp\u003e発送\u003c\/p\u003e\n\u003cp\u003e東京、日本より発送いたします。\u003c\/p\u003e\n\u003cp\u003e海外輸送中に作品を傷めないよう、丁寧に梱包して発送いたします。\u003c\/p\u003e\n\u003cp\u003e海外からのご注文について：\u003cbr\u003e輸入関税、税金、通関手数料その他の費用は、商品価格および送料には含まれておりません。発生する場合は購入者様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49064977465514,"sku":null,"price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/S__88514569_025.jpg?v=1786891382"},{"product_id":"rainy-day-in-old-tokyo-edo-elegance-under-umbrellas-鳥居清長-torii-kiyonaga-1752-1815","title":"Rainy Day in Old Tokyo – Edo Elegance Under Umbrellas | Torii Kiyonaga (1752–1815)","description":"\u003cp\u003eRainy Day in Old Tokyo – Edo Elegance Under Umbrellas | 鳥居清長 Torii Kiyonaga (1752–1815)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThree women. Two umbrellas. A rainy day in Tokyo nearly 250 years ago.\u003c\/p\u003e\n\u003cp\u003eThis traditional Japanese woodblock reproduction is based on “Three Women in the Rain,” one of the elegant designs from Torii Kiyonaga’s celebrated series Current Manners in Eastern Brocade (Fūzoku Azuma no Nishiki), originally created around 1783.\u003c\/p\u003e\n\u003cp\u003eThere is no famous battle or grand monument here.\u003c\/p\u003e\n\u003cp\u003eInstead, Kiyonaga captures something more intimate: three women walking together through the rain in Edo — present-day Tokyo.\u003c\/p\u003e\n\u003cp\u003eLong diagonal lines of rain fall across the composition while traditional Japanese umbrellas open above the women. Their layered kimono bring together deep indigo, black, red, green, and pale blue, creating an intricate balance of color and pattern.\u003c\/p\u003e\n\u003cp\u003eKiyonaga was renowned for depicting tall, graceful women with a natural sense of movement. Here, their slightly exposed feet, flowing robes, and overlapping umbrellas give the scene the feeling of a moment caught in motion.\u003c\/p\u003e\n\u003cp\u003eNearly 250 years later, the image still feels remarkably modern.\u003c\/p\u003e\n\u003cp\u003eThe restrained background, graphic lines, and sophisticated color palette make it especially striking in Japandi, minimalist, modern, and contemporary interiors.\u003c\/p\u003e\n\u003cp\u003eIt is a quiet image, but not a passive one.\u003c\/p\u003e\n\u003cp\u003eThree women continue forward despite the rain.\u003c\/p\u003e\n\u003cp\u003eA small moment from everyday Edo, transformed into something timeless.\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eA meaningful gift for someone moving through change, beginning a new chapter, or continuing forward through a difficult season.\u003c\/p\u003e\n\u003cp\u003eA reminder that even when the weather changes, there is beauty in continuing the journey.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e鳥居清長 Torii Kiyonaga (1752–1815)\u003c\/p\u003e\n\u003cp\u003eTorii Kiyonaga was one of the leading ukiyo-e artists of the late Edo period’s 18th-century print culture and is particularly celebrated for his elegant depictions of women.\u003c\/p\u003e\n\u003cp\u003eHis tall, graceful figures, refined compositions, and sophisticated use of color helped define the ideal of beauty in ukiyo-e during the 1780s.\u003c\/p\u003e\n\u003cp\u003eOriginal Work\u003c\/p\u003e\n\u003cp\u003eTitle: Three Women in the Rain \/ 雨中湯帰り\u003c\/p\u003e\n\u003cp\u003eSeries: Current Manners in Eastern Brocade \/ 風俗東之錦\u003c\/p\u003e\n\u003cp\u003eOriginal Design: c. 1783\u003c\/p\u003e\n\u003cp\u003ePeriod: Edo Period\u003c\/p\u003e\n\u003cp\u003eThe original composition depicts three elegantly dressed women returning through the rain, sheltered beneath traditional Japanese umbrellas.\u003c\/p\u003e\n\u003cp\u003eType\u003c\/p\u003e\n\u003cp\u003eTraditional Japanese Woodblock Reproduction\u003c\/p\u003e\n\u003cp\u003eThis is a later reproduction based on Kiyonaga’s Edo-period design.\u003c\/p\u003e\n\u003cp\u003eIt is not an original 18th-century impression.\u003c\/p\u003e\n\u003cp\u003eThe margins identify the traditional craftsmen and publisher associated with this reproduction:\u003c\/p\u003e\n\u003cp\u003eCarver: 池田兼吉 Ikeda Kenkichi\u003cbr\u003ePrinter: 佐藤勘次郎 Sato Kanjiro\u003cbr\u003ePublisher: 集版社 Shuhansha\u003c\/p\u003e\n\u003cp\u003eUnlike a modern digital poster, this reproduction was produced using traditional Japanese woodblock-printing techniques.\u003c\/p\u003e\n\u003cp\u003eSize\u003c\/p\u003e\n\u003cp\u003eApprox. 39.6 × 26.5 cm\u003cbr\u003eApprox. 15.6 × 10.4 in\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is a vintage reproduction and may show minor age-related toning, marks, or signs of previous handling and storage.\u003c\/p\u003e\n\u003cp\u003eCondition is as shown in the photographs.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs carefully, including the reverse, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRainy Day in Old Tokyo – Edo Elegance Under Umbrellas | Torii Kiyonaga (1752–1815)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eThree women. Two Japanese umbrellas. A rainy day in Tokyo nearly 250 years ago.\u003c\/p\u003e\n\u003cp\u003eThis traditional woodblock reproduction is based on “Three Women in the Rain,” one of the elegant designs from Torii Kiyonaga’s celebrated series Current Manners in Eastern Brocade (Fūzoku Azuma no Nishiki), originally created around 1783.\u003c\/p\u003e\n\u003cp\u003eThis piece does not depict a famous battle or a magnificent landmark.\u003c\/p\u003e\n\u003cp\u003eInstead, it captures an intimate moment: three women walking together through the rain in Edo, present-day Tokyo.\u003c\/p\u003e\n\u003cp\u003eNumerous diagonal lines of rain fall across the composition, while traditional Japanese umbrellas open wide above them.\u003c\/p\u003e\n\u003cp\u003eThe three women's layered kimonos, in indigo, black, red, green, and pale blue, feature different patterns, creating a highly sophisticated rhythm of color and design.\u003c\/p\u003e\n\u003cp\u003eTorii Kiyonaga was an ukiyo-e artist known for depicting tall, slender women with a natural sense of movement.\u003c\/p\u003e\n\u003cp\u003eTheir slightly visible feet from beneath their robes, the swaying kimonos in the rain, and the overlapping umbrellas.\u003c\/p\u003e\n\u003cp\u003eIt feels as if a moment from a rainy day has been captured.\u003c\/p\u003e\n\u003cp\u003eAlthough created approximately 250 years ago, its composition possesses a surprisingly modern beauty.\u003c\/p\u003e\n\u003cp\u003eThe background, which makes good use of empty space, the linear rain, and the refined color palette make it a beautiful fit for Japandi, minimalist, modern, and contemporary interiors.\u003c\/p\u003e\n\u003cp\u003eIt is a quiet piece.\u003c\/p\u003e\n\u003cp\u003eYet, it doesn't stand still.\u003c\/p\u003e\n\u003cp\u003eEven in the rain, the three women continue to move forward.\u003c\/p\u003e\n\u003cp\u003eA small, everyday moment from Edo transformed into a timeless beauty.\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eThis piece is also recommended as a gift for those undergoing changes, starting a new chapter in life, or quietly moving forward through a difficult period.\u003c\/p\u003e\n\u003cp\u003eIt's a piece that can convey the message that even when the weather changes, one can continue their journey beautifully.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003eTorii Kiyonaga (1752–1815)\u003c\/p\u003e\n\u003cp\u003eHe was one of the leading ukiyo-e artists of the late 18th century, particularly highly regarded for his elegant depictions of women in bijinga (pictures of beautiful women).\u003c\/p\u003e\n\u003cp\u003eHis style, characterized by tall, slender female figures, refined compositions, and sophisticated color combinations, became representative of the ideal of female beauty in ukiyo-e during the 1780s.\u003c\/p\u003e\n\u003cp\u003eOriginal Work\u003c\/p\u003e\n\u003cp\u003eTitle: Three Women in the Rain \/ 雨中湯帰り\u003c\/p\u003e\n\u003cp\u003eSeries: Current Manners in Eastern Brocade \/ 風俗東之錦\u003c\/p\u003e\n\u003cp\u003eOriginal Design: circa 1783\u003c\/p\u003e\n\u003cp\u003ePeriod: Edo Period\u003c\/p\u003e\n\u003cp\u003eThis work depicts three women returning through the rain, sheltered by traditional Japanese umbrellas.\u003c\/p\u003e\n\u003cp\u003eType\u003c\/p\u003e\n\u003cp\u003eTraditional Woodblock Reproduction\u003c\/p\u003e\n\u003cp\u003eThis is a reproduction created in later years, based on Torii Kiyonaga's original design from the Edo period.\u003c\/p\u003e\n\u003cp\u003eIt is not an original impression printed in the 18th century.\u003c\/p\u003e\n\u003cp\u003eThe margins indicate the craftsmen and publisher involved in the production of this reproduction:\u003c\/p\u003e\n\u003cp\u003eCarver: Ikeda Kenkichi (池田兼吉)\u003cbr\u003ePrinter: Sato Kanjiro (佐藤勘次郎)\u003cbr\u003ePublisher: Shuhansha (集版社)\u003c\/p\u003e\n\u003cp\u003eUnlike modern digital prints or posters, this reproduction was produced using traditional Japanese woodblock printing techniques.\u003c\/p\u003e\n\u003cp\u003eSize\u003c\/p\u003e\n\u003cp\u003eApprox. 39.6 × 26.5 cm\u003cbr\u003eApprox. 15.6 × 10.4 inches\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eAs a vintage reproduction, it may show age-related toning, minor stains, or signs of previous handling and storage.\u003c\/p\u003e\n\u003cp\u003eThe condition is as shown in the photographs.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs carefully, including the reverse side, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49064982511786,"sku":null,"price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/S__88514569_010.jpg?v=1786892429"},{"product_id":"mount-fuji-amp-lightning-unshaken-in-the-storm-葛飾北斎-katsushika-hokusai-1760-1849","title":"Mount Fuji \u0026amp; Lightning – Unshaken in the Storm | 葛飾北斎 Katsushika Hokusai (1760–1849)","description":"\u003cp\u003eMount Fuji \u0026amp; Lightning – Unshaken in the Storm | 葛飾北斎 Katsushika Hokusai (1760–1849)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eMount Fuji. A flash of lightning. Everything else is temporary.\u003c\/p\u003e\n\u003cp\u003eThis reproduction is based on one of Katsushika Hokusai’s most powerful views of Japan’s sacred mountain: “Rainstorm Beneath the Summit” (Sanka Hakuu \/ 山下白雨), from the legendary series Thirty-six Views of Mount Fuji.\u003c\/p\u003e\n\u003cp\u003eCreated around 1831, the composition presents Mount Fuji rising almost immovably across the entire image.\u003c\/p\u003e\n\u003cp\u003eAbove, the summit stands calm beneath an open sky.\u003c\/p\u003e\n\u003cp\u003eBelow, dark clouds gather around the mountain and a single bolt of lightning cuts violently across its base.\u003c\/p\u003e\n\u003cp\u003eThe contrast is simple — and unforgettable.\u003c\/p\u003e\n\u003cp\u003eThe storm lasts only a moment.\u003cbr\u003eThe mountain remains.\u003c\/p\u003e\n\u003cp\u003eHokusai turns a landscape into something almost symbolic: permanence against change, stillness against chaos, strength against uncertainty.\u003c\/p\u003e\n\u003cp\u003eThe deep black-brown mass of Mount Fuji, touches of warm red across its slopes, white snow at the summit, blue clouds, and the sharp line of lightning create a composition that feels remarkably bold even nearly two centuries later.\u003c\/p\u003e\n\u003cp\u003eWith almost no human presence and a powerful geometric structure, the image also works beautifully in minimalist, Japandi, modern, and contemporary interiors.\u003c\/p\u003e\n\u003cp\u003eThis is more than an image of Mount Fuji.\u003c\/p\u003e\n\u003cp\u003eIt is an image of standing firm while the world around you changes.\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eA meaningful gift for someone facing a challenge, beginning a new chapter, building something of their own, or refusing to be shaken by difficult circumstances.\u003c\/p\u003e\n\u003cp\u003eA reminder that storms pass. What is strong remains.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e葛飾北斎 Katsushika Hokusai (1760–1849)\u003c\/p\u003e\n\u003cp\u003eKatsushika Hokusai was one of the most influential artists of the Edo period and one of the most internationally recognized figures in Japanese art.\u003c\/p\u003e\n\u003cp\u003eHis revolutionary landscapes, particularly the Thirty-six Views of Mount Fuji, transformed ukiyo-e landscape design and later had a major impact on Western artists and the development of Japonisme.\u003c\/p\u003e\n\u003cp\u003eOriginal Work\u003c\/p\u003e\n\u003cp\u003eTitle: Rainstorm Beneath the Summit \/ 山下白雨\u003cbr\u003eRomanized Title: Sanka Hakuu\u003c\/p\u003e\n\u003cp\u003eSeries: Thirty-six Views of Mount Fuji \/ 富嶽三十六景\u003c\/p\u003e\n\u003cp\u003eOriginal Design: c. 1831\u003c\/p\u003e\n\u003cp\u003ePeriod: Edo Period\u003c\/p\u003e\n\u003cp\u003eIn this composition, a violent thunderstorm erupts around the lower slopes of Mount Fuji while the summit rises calmly above the clouds.\u003c\/p\u003e\n\u003cp\u003eA single bolt of lightning emphasizes the contrast between the temporary violence of the storm and the enduring presence of the mountain.\u003c\/p\u003e\n\u003cp\u003eType\u003c\/p\u003e\n\u003cp\u003eReproduction Print\u003c\/p\u003e\n\u003cp\u003eThis is a later reproduction based on Hokusai’s Edo-period design.\u003c\/p\u003e\n\u003cp\u003eIt is not an original 19th-century impression.\u003c\/p\u003e\n\u003cp\u003eSize\u003c\/p\u003e\n\u003cp\u003eApprox. 39.6 × 26.5 cm\u003cbr\u003eApprox. 15.6 × 10.4 in\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is a vintage reproduction and may show minor age-related toning, marks, or signs of previous handling and storage.\u003c\/p\u003e\n\u003cp\u003eCondition is as shown in the photographs.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs carefully, including the reverse, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e富士と稲妻 ― 嵐の中でも揺るがないもの | 葛飾北斎 Katsushika Hokusai（1760–1849）\u003c\/p\u003e\n\u003cp\u003e商品説明\u003c\/p\u003e\n\u003cp\u003e富士山。一筋の稲妻。そして、それ以外のすべては過ぎ去っていく。\u003c\/p\u003e\n\u003cp\u003e葛飾北斎の代表作『富嶽三十六景』の中でも、特に力強い一図として知られる「山下白雨」をもとにした複製版画です。\u003c\/p\u003e\n\u003cp\u003e1831年頃に制作された原画では、巨大な富士山が画面いっぱいにそびえています。\u003c\/p\u003e\n\u003cp\u003e山頂には静かな空。\u003c\/p\u003e\n\u003cp\u003eその一方、山の下部には暗い雲が広がり、一筋の稲妻が鋭く走っています。\u003c\/p\u003e\n\u003cp\u003eその対比は、とても単純です。\u003c\/p\u003e\n\u003cp\u003eそして、だからこそ強い。\u003c\/p\u003e\n\u003cp\u003e嵐は一瞬。\u003cbr\u003e富士は残る。\u003c\/p\u003e\n\u003cp\u003e北斎はこの作品で、単なる風景を超えたものを描いています。\u003c\/p\u003e\n\u003cp\u003e変化するものと、変わらないもの。\u003cbr\u003e混乱と静寂。\u003cbr\u003e不安定さと、揺るがない強さ。\u003c\/p\u003e\n\u003cp\u003e黒褐色の巨大な富士、山肌に走る赤褐色、白い雪を残した山頂、青い雲、そして鋭い稲妻。\u003c\/p\u003e\n\u003cp\u003e約200年前の作品でありながら、極めて大胆で現代的な構図です。\u003c\/p\u003e\n\u003cp\u003e人物をほとんど描かず、山そのものを圧倒的な存在として配置した構成は、JAPANDI、ミニマル、モダン、コンテンポラリーな空間にも非常によく馴染みます。\u003c\/p\u003e\n\u003cp\u003eこれは単なる「富士山の絵」ではありません。\u003c\/p\u003e\n\u003cp\u003e周囲の世界が変わっても、自分自身は揺るがない。\u003c\/p\u003e\n\u003cp\u003eそんな強さを感じさせる一枚です。\u003c\/p\u003e\n\u003cp\u003eギフトとして\u003c\/p\u003e\n\u003cp\u003e大きな挑戦に向かっている方、新しい人生を始める方、自分の力で何かを築こうとしている方、困難の中でも前へ進んでいる方への贈り物にもおすすめです。\u003c\/p\u003e\n\u003cp\u003e嵐は過ぎ去る。強いものは残る。そんな意味を込めて贈れる一枚です。\u003c\/p\u003e\n\u003cp\u003e作者\u003c\/p\u003e\n\u003cp\u003e葛飾北斎 Katsushika Hokusai（1760–1849）\u003c\/p\u003e\n\u003cp\u003e江戸時代を代表する浮世絵師であり、日本美術史上もっとも世界的に知られる芸術家の一人です。\u003c\/p\u003e\n\u003cp\u003e特に『富嶽三十六景』に代表される革新的な風景表現によって浮世絵の可能性を大きく広げ、後には西洋美術やジャポニスムにも大きな影響を与えました。\u003c\/p\u003e\n\u003cp\u003e原画\u003c\/p\u003e\n\u003cp\u003e作品名：山下白雨 \/ Rainstorm Beneath the Summit\u003c\/p\u003e\n\u003cp\u003eローマ字表記：Sanka Hakuu\u003c\/p\u003e\n\u003cp\u003eシリーズ：富嶽三十六景 \/ Thirty-six Views of Mount Fuji\u003c\/p\u003e\n\u003cp\u003e原画制作：1831年頃\u003c\/p\u003e\n\u003cp\u003e時代：江戸時代\u003c\/p\u003e\n\u003cp\u003e富士山の下部では激しい雷雨が起こる一方、その山頂は雲の上に静かにそびえています。\u003c\/p\u003e\n\u003cp\u003e画面を走る一筋の稲妻によって、一瞬で過ぎ去る嵐と、長い時間そこにあり続ける富士山との対比が強調されています。\u003c\/p\u003e\n\u003cp\u003e種類\u003c\/p\u003e\n\u003cp\u003e複製版画\u003c\/p\u003e\n\u003cp\u003e葛飾北斎の江戸時代の原画をもとに、後世に制作された複製版です。\u003c\/p\u003e\n\u003cp\u003e19世紀に摺られたオリジナルの当時摺ではありません。\u003c\/p\u003e\n\u003cp\u003eサイズ\u003c\/p\u003e\n\u003cp\u003e約39.6 × 26.5cm\u003cbr\u003e約15.6 × 10.4インチ\u003c\/p\u003e\n\u003cp\u003e状態\u003c\/p\u003e\n\u003cp\u003eヴィンテージの複製版画のため、経年による色調の変化、細かな汚れ、保管・取り扱いに伴う跡などが見られる場合があります。\u003c\/p\u003e\n\u003cp\u003e状態は掲載写真の通りです。\u003c\/p\u003e\n\u003cp\u003e裏面を含め、掲載写真も商品の状態説明の重要な一部となりますので、ご購入前に十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003eモニターや画面の設定により、実物と色味が多少異なって見える場合があります。\u003c\/p\u003e\n\u003cp\u003e配送\u003c\/p\u003e\n\u003cp\u003e東京、日本より発送いたします。\u003c\/p\u003e\n\u003cp\u003e作品は丁寧に梱包し、追跡可能な方法で発送いたします。\u003c\/p\u003e\n\u003cp\u003e海外からのご注文について\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。\u003c\/p\u003e\n\u003cp\u003eこれらの費用が発生する場合、金額はお届け先の国の税関当局によって決定され、お客様のご負担となります。\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49079981637802,"sku":null,"price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260818_126.jpg?v=1787160514"},{"product_id":"a-giant-older-than-generations-mount-fuji-amp-the-ancient-cedar-葛飾北斎-katsushika-hokusai-1760-1849","title":"A Giant Older Than Generations – Mount Fuji \u0026amp; the Ancient Cedar | 葛飾北斎 Katsushika Hokusai (1760–1849)","description":"\u003cp\u003eA Giant Older Than Generations – Mount Fuji \u0026amp; the Ancient Cedar | 葛飾北斎 Katsushika Hokusai (1760–1849)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eSome things are built to outlast us.\u003c\/p\u003e\n\u003cp\u003eA monumental cedar rises through the center of the composition. Travelers gather around its enormous trunk, stretching their arms in an attempt to measure something far larger than themselves.\u003c\/p\u003e\n\u003cp\u003eAnd behind it stands Mount Fuji.\u003c\/p\u003e\n\u003cp\u003eThis striking composition is based on “Mishima Pass in Kai Province” (Kōshū Mishima-goe \/ 甲州三島越), from Katsushika Hokusai’s legendary series Thirty-six Views of Mount Fuji.\u003c\/p\u003e\n\u003cp\u003eCreated around 1830–32, the original is one of Hokusai’s most powerful experiments with scale.\u003c\/p\u003e\n\u003cp\u003eThe human figures appear tiny.\u003cbr\u003eMount Fuji itself seems almost secondary.\u003cbr\u003eThe ancient tree dominates everything.\u003c\/p\u003e\n\u003cp\u003eIt transforms a landscape into an image of endurance, time, strength, and humility before nature.\u003c\/p\u003e\n\u003cp\u003eThe massive vertical trunk gives the composition an almost architectural presence, while the distant Fuji, drifting clouds, travelers, and quiet countryside create a remarkable sense of depth.\u003c\/p\u003e\n\u003cp\u003eDespite being designed nearly two centuries ago, its restrained palette and bold composition feel surprisingly modern.\u003c\/p\u003e\n\u003cp\u003eAn exceptional piece for minimalist, Japandi, contemporary, or natural interiors — especially spaces built around quietness, permanence, and simplicity.\u003c\/p\u003e\n\u003cp\u003eThis is not simply a picture of Mount Fuji.\u003c\/p\u003e\n\u003cp\u003eIt is a reminder that the strongest things are often built slowly, over time.\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eA meaningful gift for someone building a new life, beginning a long journey, creating a family, or working patiently toward something that will last.\u003c\/p\u003e\n\u003cp\u003eFor someone you wish strength, growth, stability, and a long future.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e葛飾北斎 Katsushika Hokusai (1760–1849)\u003c\/p\u003e\n\u003cp\u003eOne of the most influential artists of the Edo period and one of the most internationally recognized figures in Japanese art.\u003c\/p\u003e\n\u003cp\u003eHokusai transformed landscape imagery through bold composition, dramatic perspective, and an extraordinary sensitivity to the relationship between people and nature.\u003c\/p\u003e\n\u003cp\u003eOriginal Work\u003c\/p\u003e\n\u003cp\u003eTitle: Mishima Pass in Kai Province \/ 甲州三島越\u003c\/p\u003e\n\u003cp\u003eRomanized Title: Kōshū Mishima-goe\u003c\/p\u003e\n\u003cp\u003eSeries: Thirty-six Views of Mount Fuji \/ 富嶽三十六景\u003c\/p\u003e\n\u003cp\u003eOriginal Design: c. 1830–32\u003c\/p\u003e\n\u003cp\u003ePeriod: Edo Period\u003c\/p\u003e\n\u003cp\u003eThe scene depicts travelers at Mishima Pass attempting to encircle a monumental cedar tree with their arms.\u003c\/p\u003e\n\u003cp\u003eHokusai deliberately plays with scale: the travelers appear tiny beside the enormous trunk, while even Mount Fuji in the distance seems diminished by the tree.\u003c\/p\u003e\n\u003cp\u003eType\u003c\/p\u003e\n\u003cp\u003eReproduction Print\u003c\/p\u003e\n\u003cp\u003eThis is a later reproduction based on Hokusai’s Edo-period design.\u003c\/p\u003e\n\u003cp\u003eIt is not an original 19th-century impression.\u003c\/p\u003e\n\u003cp\u003eSize\u003c\/p\u003e\n\u003cp\u003eApprox. 39.6 × 26.5 cm\u003cbr\u003eApprox. 15.6 × 10.4 in\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is a vintage reproduction and may show minor age-related toning, marks, or signs of previous handling and storage.\u003c\/p\u003e\n\u003cp\u003eCondition is as shown in the photographs.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs carefully, including the reverse, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eActual colors may vary slightly depending on your monitor or screen settings.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packaged and shipped with tracking.\u003c\/p\u003e\n\u003cp\u003eInternational Orders\u003c\/p\u003e\n\u003cp\u003eImport duties, taxes, and customs clearance fees are not included in the product price or shipping cost.\u003c\/p\u003e\n\u003cp\u003eIf applicable, these charges are determined by your country's customs authority and are the responsibility of the customer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e世代を越えて立ち続ける巨木 ― 富士と大杉 | 葛飾北斎 Katsushika Hokusai（1760–1849）\u003c\/p\u003e\n\u003cp\u003e商品説明\u003c\/p\u003e\n\u003cp\u003e長い時間をかけて残るものには、強さがある。\u003c\/p\u003e\n\u003cp\u003e画面中央を貫く、巨大な杉。\u003c\/p\u003e\n\u003cp\u003e旅人たちはその幹を測ろうと腕をいっぱいに広げますが、その大きさには到底及びません。\u003c\/p\u003e\n\u003cp\u003eそして、その遥か奥に富士山がそびえています。\u003c\/p\u003e\n\u003cp\u003e葛飾北斎の代表作『富嶽三十六景』の一図「甲州三島越」をもとにした複製版画です。\u003c\/p\u003e\n\u003cp\u003e原画は1830〜32年頃に制作されたとされ、北斎による「大きさ」の表現が特に印象的な作品です。\u003c\/p\u003e\n\u003cp\u003e人間は、小さい。\u003c\/p\u003e\n\u003cp\u003e富士山さえ、遠く小さく見える。\u003c\/p\u003e\n\u003cp\u003eそして巨大な杉だけが、圧倒的な存在として画面を貫いています。\u003c\/p\u003e\n\u003cp\u003e単なる風景ではありません。\u003c\/p\u003e\n\u003cp\u003e長い時間。\u003cbr\u003e忍耐。\u003cbr\u003e成長。\u003cbr\u003e自然の前での人間の小ささ。\u003cbr\u003eそして、簡単には揺らがない強さ。\u003c\/p\u003e\n\u003cp\u003eそんなものまで感じさせる一枚です。\u003c\/p\u003e\n\u003cp\u003e巨大な杉の垂直線と、遠くの富士、漂う雲、旅人たちが生み出す構図は非常に大胆で、約200年前のデザインとは思えないほど現代的です。\u003c\/p\u003e\n\u003cp\u003e落ち着いた色彩も美しく、JAPANDI、ミニマル、モダン、ナチュラルなインテリアにもよく馴染みます。\u003c\/p\u003e\n\u003cp\u003eこれは、ただの富士山の絵ではありません。\u003c\/p\u003e\n\u003cp\u003e強いものは、時間をかけてつくられる。\u003c\/p\u003e\n\u003cp\u003eそんなことを思わせてくれる作品です。\u003c\/p\u003e\n\u003cp\u003eギフトとして\u003c\/p\u003e\n\u003cp\u003e新しい人生を築き始める方、長い挑戦を始める方、家族を築く方、時間をかけて大きな目標へ向かっている方への贈り物にもおすすめです。\u003c\/p\u003e\n\u003cp\u003e「強く、長く、着実に育ってほしい」という願いを込めて贈れる一枚です。\u003c\/p\u003e\n\u003cp\u003e作者\u003c\/p\u003e\n\u003cp\u003e葛飾北斎 Katsushika Hokusai（1760–1849）\u003c\/p\u003e\n\u003cp\u003e江戸時代を代表する浮世絵師であり、日本美術史上もっとも世界的に知られる芸術家の一人です。\u003c\/p\u003e\n\u003cp\u003e大胆な構図や独自の遠近表現、そして人間と自然との関係を捉えた風景表現によって、浮世絵の可能性を大きく広げました。\u003c\/p\u003e\n\u003cp\u003e原画\u003c\/p\u003e\n\u003cp\u003e作品名：甲州三島越 \/ Mishima Pass in Kai Province\u003c\/p\u003e\n\u003cp\u003eローマ字表記：Kōshū Mishima-goe\u003c\/p\u003e\n\u003cp\u003eシリーズ：富嶽三十六景 \/ Thirty-six Views of Mount Fuji\u003c\/p\u003e\n\u003cp\u003e原画制作：1830〜32年頃\u003c\/p\u003e\n\u003cp\u003e時代：江戸時代\u003c\/p\u003e\n\u003cp\u003e三島越の巨大な杉を前に、旅人たちが腕を広げてその幹を囲もうとする場面が描かれています。\u003c\/p\u003e\n\u003cp\u003e北斎は意図的にスケールを操り、人間を極めて小さく描き、遠くの富士山さえ巨大な杉に比べて小さく感じさせる大胆な構図を作り上げています。\u003c\/p\u003e\n\u003cp\u003e種類\u003c\/p\u003e\n\u003cp\u003e複製版画\u003c\/p\u003e\n\u003cp\u003e葛飾北斎の江戸時代の原画をもとに、後世に制作された複製版です。\u003c\/p\u003e\n\u003cp\u003e19世紀に摺られたオリジナルの当時摺ではありません。\u003c\/p\u003e\n\u003cp\u003eサイズ\u003c\/p\u003e\n\u003cp\u003e約39.6 × 26.5cm\u003cbr\u003e約15.6 × 10.4インチ\u003c\/p\u003e\n\u003cp\u003e状態\u003c\/p\u003e\n\u003cp\u003eヴィンテージの複製版画のため、経年による色調の変化、細かな汚れ、保管・取り扱いに伴う跡などが見られる場合があります。\u003c\/p\u003e\n\u003cp\u003e状態は掲載写真の通りです。\u003c\/p\u003e\n\u003cp\u003e裏面を含め、掲載写真も商品の状態説明の重要な一部となりますので、ご購入前に十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003eモニターや画面の設定により、実物と色味が多少異なって見える場合があります。\u003c\/p\u003e\n\u003cp\u003e配送\u003c\/p\u003e\n\u003cp\u003e東京、日本より発送いたします。\u003c\/p\u003e\n\u003cp\u003e作品は丁寧に梱包し、追跡可能な方法で発送いたします。\u003c\/p\u003e\n\u003cp\u003e海外からのご注文について\u003c\/p\u003e\n\u003cp\u003e商品価格および送料には、輸入関税・税金・通関手数料は含まれておりません。\u003c\/p\u003e\n\u003cp\u003eこれらの費用が発生する場合、金額はお届け先の国の税関当局によって決定され、お客様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49079988388010,"sku":null,"price":120.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260818_129.jpg?v=1787160667"},{"product_id":"edo-power-kabuki-warriors-swords-amp-cherry-blossoms-歌川国貞-三代豊国-utagawa-kunisada-toyokuni-iii-1786-1865","title":"EDO POWER – Kabuki Warriors, Swords \u0026amp; Cherry Blossoms | 歌川国貞（三代豊国） Utagawa Kunisada \/ Toyokuni III (1786–1865)","description":"\u003cp\u003eEDO POWER – Kabuki Warriors, Swords \u0026amp; Cherry Blossoms | 歌川国貞（三代豊国） Utagawa Kunisada \/ Toyokuni III (1786–1865)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eTwo commanding figures. Two swords. Cherry blossoms overhead.\u003c\/p\u003e\n\u003cp\u003eThis authentic Edo-period ukiyo-e captures the visual power of Kabuki at its most dramatic.\u003c\/p\u003e\n\u003cp\u003eTwo larger-than-life characters stand beneath traditional umbrellas, dressed in richly patterned robes and carrying swords. Their intense expressions, bold silhouettes, and elaborate costumes create a scene filled with confidence, tension, and theatrical energy.\u003c\/p\u003e\n\u003cp\u003eThe combination of Kabuki, sword culture, cherry blossoms, and extraordinary textile patterns makes this a particularly striking example of 19th-century Japanese visual culture.\u003c\/p\u003e\n\u003cp\u003eMore than an antique, it works beautifully as a statement piece in a modern interior — powerful enough to command a wall, yet detailed enough to reward a closer look.\u003c\/p\u003e\n\u003cp\u003eThis is an authentic antique ukiyo-e from the Edo period, not a modern reproduction.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e歌川国貞（三代豊国）\u003cbr\u003eUtagawa Kunisada \/ Toyokuni III (1786–1865)\u003c\/p\u003e\n\u003cp\u003ePeriod: Edo period, mid-19th century\u003cbr\u003eGenre: Yakusha-e \/ Kabuki actor print\u003cbr\u003eFormat: Ōban (large format)\u003cbr\u003eApprox. Size: 25 × 37 cm\u003cbr\u003eTechnique: Multicolor woodblock printing \/ Nishiki-e\u003cbr\u003eOriginal antique print\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eFor someone stepping into a new chapter with courage and conviction.\u003cbr\u003eFor someone who values strength, individuality, and the confidence to stand apart.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is an authentic antique print and shows natural signs of age, including toning, fading, minor stains, creases, and edge wear.\u003c\/p\u003e\n\u003cp\u003eThe reverse also shows age-related discoloration consistent with an antique work on paper.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs carefully, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packed for international shipping.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eImport duties, taxes, VAT, and customs fees are not included in the item price or shipping cost. These charges, if applicable, are the responsibility of the buyer and are determined by the destination country.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e江戸の迫力 ― 歌舞伎の侠客、刀、桜 | 歌川国貞（三代豊国） Utagawa Kunisada \/ Toyokuni III (1786–1865)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e二人の男。\u003cbr\u003e二本の刀。\u003cbr\u003eそして、満開の桜。\u003c\/p\u003e\n\u003cp\u003e江戸の歌舞伎が持つ圧倒的な迫力を、一枚に閉じ込めた真作浮世絵です。\u003c\/p\u003e\n\u003cp\u003e大きな傘を背景に、豪華な衣装をまとい、刀を携えた二人の人物。\u003cbr\u003e鋭い表情、力強い立ち姿、緻密に描き込まれた着物の文様が、画面全体に緊張感と芝居の熱を生み出しています。\u003c\/p\u003e\n\u003cp\u003e歌舞伎、刀、桜、そして大胆なファッション。\u003cbr\u003e19世紀の日本が持っていた圧倒的な美意識を感じられる一枚です。\u003c\/p\u003e\n\u003cp\u003e骨董品として楽しむだけでなく、現代の空間に飾っても強い存在感を放ちます。\u003cbr\u003e遠くから見れば大胆に、近くで見れば細部まで楽しめる作品です。\u003c\/p\u003e\n\u003cp\u003e現代の複製版画ではなく、江戸期の真作浮世絵です。\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e歌川国貞（三代豊国）\u003cbr\u003eUtagawa Kunisada \/ Toyokuni III (1786–1865)\u003c\/p\u003e\n\u003cp\u003e時代：江戸時代・19世紀中頃\u003cbr\u003eジャンル：役者絵・歌舞伎\u003cbr\u003e判型：大判\u003cbr\u003eサイズ：約25 × 37cm\u003cbr\u003e技法：多色摺木版・錦絵\u003cbr\u003e真作・古版浮世絵\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003e勇気と覚悟を持って、新しい人生を歩み始める方へ。\u003cbr\u003e自分らしく、力強く生きる人への贈り物としておすすめです。\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003e古い時代の真作浮世絵のため、経年によるヤケ、退色、薄いシミ、シワ、縁部分の傷みなどが見られます。\u003c\/p\u003e\n\u003cp\u003e裏面にも古い紙作品特有の経年変化がございます。\u003c\/p\u003e\n\u003cp\u003e状態については掲載写真をよくご確認の上、ご購入ください。\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003e東京、日本より発送いたします。\u003c\/p\u003e\n\u003cp\u003e海外発送に適した形で丁寧に梱包いたします。\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003e輸入時に関税・輸入税・VAT・通関手数料等が発生する場合があります。\u003cbr\u003eこれらは商品代金・送料には含まれておらず、発生した場合は購入者様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49079990714538,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260818_161.jpg?v=1787160821"},{"product_id":"yokai-horror-the-shape-shifting-demon-ibaraki-doji-守川周重-morikawa-chikashige-dates-unknown-authentic-1883-diptych","title":"YOKAI HORROR – The Shape-Shifting Demon Ibaraki-dōji | 守川周重 Morikawa Chikashige (dates unknown) | Authentic 1883 Diptych","description":"\u003cp\u003eBAKENEKO \u0026amp; YOKAI HORROR – The Shape-Shifting Demon Ibaraki-dōji | 守川周重 Morikawa Chikashige (dates unknown) | Authentic 1883 Diptych\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA white-haired monster.\u003cbr\u003eA drawn sword.\u003cbr\u003eOne of Japan’s most famous supernatural legends.\u003c\/p\u003e\n\u003cp\u003eThis extraordinary two-sheet ukiyo-e depicts Ibaraki-dōji, the legendary demon of Japanese folklore, appearing in disguise before the warrior Watanabe no Tsuna.\u003c\/p\u003e\n\u003cp\u003eAt first glance, the wild white hair, animal-like features and supernatural presence evoke the terrifying world of bakeneko, yōkai and Japanese ghost stories.\u003c\/p\u003e\n\u003cp\u003eBut this is the story of Ibaraki-dōji — a powerful oni said to have returned in disguise to recover the arm that Tsuna had once severed.\u003c\/p\u003e\n\u003cp\u003eThe raised sword, flowing white hair, theatrical costumes and dark gray background create an exceptionally dramatic composition.\u003c\/p\u003e\n\u003cp\u003eUnlike many decorative ukiyo-e scenes, this work feels almost cinematic:\u003cbr\u003ea single frozen moment just before violence, revelation and supernatural chaos.\u003c\/p\u003e\n\u003cp\u003eCreated in 1883 during the Meiji period, this is an authentic antique ukiyo-e diptych — not a modern reproduction.\u003c\/p\u003e\n\u003cp\u003eDisplayed together, the two original sheets form a powerful large-scale image with remarkable presence on the wall.\u003c\/p\u003e\n\u003cp\u003eA striking piece for collectors of yōkai, Japanese horror, supernatural art, samurai imagery, tattoo culture, dark interiors, and bold figurative art.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e守川周重\u003cbr\u003eMorikawa Chikashige (dates unknown)\u003c\/p\u003e\n\u003cp\u003eA Meiji-period ukiyo-e artist and pupil of Toyohara Kunichika, particularly known for Kabuki actor prints.\u003c\/p\u003e\n\u003cp\u003eWork \/ Subject\u003c\/p\u003e\n\u003cp\u003e綱母実は茨木童子\u003cbr\u003eTsuna’s Mother Revealed as Ibaraki-dōji\u003c\/p\u003e\n\u003cp\u003eActor: 尾上菊五郎 \/ Onoe Kikugorō\u003c\/p\u003e\n\u003cp\u003eDate: 1883\u003cbr\u003ePeriod: Meiji period\u003cbr\u003eGenre: Yakusha-e \/ Kabuki \/ Yōkai\u003cbr\u003eFormat: Ōban diptych — 2 original sheets\u003cbr\u003eTechnique: Multicolor woodblock printing \/ Nishiki-e\u003cbr\u003eAuthentic antique ukiyo-e\u003cbr\u003eNot a reproduction\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eFor someone fascinated by the mysterious, unconventional, and supernatural.\u003cbr\u003eFor someone who has the courage to face what others fear.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is an authentic antique print from the Meiji period and shows natural signs of age.\u003c\/p\u003e\n\u003cp\u003eVisible characteristics include toning, fading, minor stains, creases, edge wear, and age-related discoloration. The two sheets also show the individual aging expected of antique works on paper.\u003c\/p\u003e\n\u003cp\u003ePlease review all photographs carefully, including the reverse sides, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe two sheets will be carefully packed for international shipping.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eImport duties, taxes, VAT, and customs fees are not included in the item price or shipping cost. These charges, if applicable, are the responsibility of the buyer and are determined by the destination country.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e化け猫・妖怪の怪異美 ― 正体を現す茨木童子 | 守川周重 Morikawa Chikashige（生没年不詳）| 明治16年・真作二枚続\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e白い髪の妖怪。\u003cbr\u003e抜かれた刀。\u003cbr\u003eそして、正体が明らかになる瞬間。\u003c\/p\u003e\n\u003cp\u003e日本の怪異譚を、圧倒的な迫力で描いた二枚続の真作浮世絵です。\u003c\/p\u003e\n\u003cp\u003e描かれているのは、日本の伝説に登場する鬼「茨木童子」。\u003c\/p\u003e\n\u003cp\u003e獣のような姿、長く流れる白髪、異様な存在感は、化け猫や妖怪を思わせる強烈なビジュアルを持っています。\u003c\/p\u003e\n\u003cp\u003eしかし本作の物語は、渡辺綱と茨木童子。\u003c\/p\u003e\n\u003cp\u003eかつて渡辺綱に腕を斬り落とされた茨木童子が、綱の母に化けて現れ、失った腕を取り戻そうとする有名な怪異譚を題材としています。\u003c\/p\u003e\n\u003cp\u003e振り上げられた刀。\u003cbr\u003e風のように流れる白髪。\u003cbr\u003e鮮烈な着物。\u003cbr\u003eそして暗い背景。\u003c\/p\u003e\n\u003cp\u003eまるで映画のワンシーンのように、「何かが起こる直前」の緊張感が画面全体に漂います。\u003c\/p\u003e\n\u003cp\u003e1883年、明治16年に制作された真作浮世絵。\u003cbr\u003e現代の複製版画ではありません。\u003c\/p\u003e\n\u003cp\u003e二枚の大判を並べることで一つの大画面となる二枚続作品で、壁に飾った際の存在感も非常に強い一作です。\u003c\/p\u003e\n\u003cp\u003e妖怪、怪談、化け猫、侍、歌舞伎、タトゥーカルチャー、ダークアートなど、現代のカルチャーとも非常に相性の良い作品です。\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e守川周重\u003cbr\u003eMorikawa Chikashige（生没年不詳）\u003c\/p\u003e\n\u003cp\u003e豊原国周門下の明治期の浮世絵師。\u003cbr\u003e特に歌舞伎役者絵を多く手掛けました。\u003c\/p\u003e\n\u003cp\u003e作品・題材\u003c\/p\u003e\n\u003cp\u003e「綱母実は茨木童子」\u003c\/p\u003e\n\u003cp\u003e役者：尾上菊五郎\u003c\/p\u003e\n\u003cp\u003e制作年：明治16年（1883）\u003cbr\u003e時代：明治時代\u003cbr\u003eジャンル：役者絵・歌舞伎・妖怪\u003cbr\u003e判型：大判二枚続\u003cbr\u003e技法：多色摺木版・錦絵\u003cbr\u003e真作・古版浮世絵\u003cbr\u003e複製ではありません\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003e神秘的なものや、人とは違う美意識を持つ方へ。\u003cbr\u003e恐れに向き合い、自分の道を進む人への贈り物としておすすめです。\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003e明治期の真作浮世絵のため、経年によるヤケ、退色、薄いシミ、シワ、縁部分の傷みなどが見られます。\u003c\/p\u003e\n\u003cp\u003e二枚それぞれに古い紙作品特有の経年変化がございます。\u003c\/p\u003e\n\u003cp\u003e裏面を含め、掲載写真をよくご確認の上ご購入ください。\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003e東京、日本より発送いたします。\u003c\/p\u003e\n\u003cp\u003e二枚の作品を海外発送に適した形で丁寧に梱包いたします。\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003e輸入時に関税・輸入税・VAT・通関手数料等が発生する場合があります。\u003cbr\u003eこれらは商品代金・送料には含まれておらず、発生した場合は購入者様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49080011325610,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260818_169.jpg?v=1787161889"},{"product_id":"iconic-tokyo-in-snow-giant-lantern-amp-senso-ji-asakusa-歌川広重-utagawa-hiroshige-1797-1858","title":"ICONIC TOKYO IN SNOW – Giant Lantern \u0026amp; Sensō-ji, Asakusa | 歌川広重 Utagawa Hiroshige (1797–1858)","description":"\u003cp\u003eICONIC TOKYO IN SNOW – Giant Lantern \u0026amp; Sensō-ji, Asakusa | 歌川広重 Utagawa Hiroshige (1797–1858)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eOne of the most unforgettable winter scenes of old Tokyo.\u003c\/p\u003e\n\u003cp\u003eA monumental lantern fills the foreground as snow falls quietly over Sensō-ji in Asakusa. Beyond it, temple gates, a pagoda, snow-covered trees, and small figures walking beneath umbrellas create a remarkable sense of depth and stillness.\u003c\/p\u003e\n\u003cp\u003eThe contrast is what makes this image so powerful: the enormous lantern against the delicate snow, vivid red architecture against a pale winter landscape, and the energy of Tokyo held inside a moment of complete calm.\u003c\/p\u003e\n\u003cp\u003eThe original composition belongs to Hiroshige’s celebrated series “One Hundred Famous Views of Edo” and depicts Kinryūsan Temple at Asakusa.\u003c\/p\u003e\n\u003cp\u003eThis item is a reproduction print, not an original Edo-period impression.\u003c\/p\u003e\n\u003cp\u003eFormat: Ōban \/ large format\u003cbr\u003eOrientation: Vertical\u003cbr\u003eSubject: Asakusa, Sensō-ji, snow, giant lantern, temple landscape\u003cbr\u003eType: Reproduction print\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eA beautiful gift for someone beginning a new chapter and looking for calm, clarity, and a sense of renewal.\u003cbr\u003eAlso recommended for someone who finds beauty in quiet winter landscapes and peaceful moments.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e歌川広重\u003cbr\u003eUtagawa Hiroshige (1797–1858)\u003c\/p\u003e\n\u003cp\u003eOne of the great masters of Japanese landscape art, celebrated for his poetic depictions of weather, seasons, travel, and everyday life.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003ePre-owned reproduction print.\u003c\/p\u003e\n\u003cp\u003eMinor signs of age, storage, or handling may be present.\u003cbr\u003ePlease review all photographs carefully for the exact condition.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Tokyo, Japan.\u003c\/p\u003e\n\u003cp\u003eThe print will be carefully packed for international shipping.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eImport duties, taxes, VAT, and customs fees are not included in the item price or shipping cost and may be charged by the destination country.\u003cbr\u003eThese charges are the responsibility of the buyer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e雪の東京を象徴する一枚 — 浅草寺・巨大提灯と雪景色 | 歌川広重 Utagawa Hiroshige (1797–1858)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e古き東京の冬を象徴するような、印象的な一枚。\u003c\/p\u003e\n\u003cp\u003e画面上部を覆う巨大な提灯。その向こうには、雪に包まれた浅草寺の門、五重塔、木々、そして傘を差して歩く人々が描かれています。\u003c\/p\u003e\n\u003cp\u003e巨大な提灯と繊細な雪。\u003cbr\u003e鮮やかな朱色の建築と、静かな冬の白。\u003c\/p\u003e\n\u003cp\u003e力強さと静寂がひとつの画面に共存する、非常に完成度の高い構図です。\u003c\/p\u003e\n\u003cp\u003e原図は、歌川広重の代表的シリーズ『名所江戸百景』の一作「浅草金龍山」。\u003c\/p\u003e\n\u003cp\u003eこちらの商品は江戸時代のオリジナルではなく、複製版画です。\u003c\/p\u003e\n\u003cp\u003eサイズ区分：大判\u003cbr\u003e向き：縦\u003cbr\u003e題材：浅草・浅草寺・雪景色・巨大提灯・寺院風景\u003cbr\u003e種類：複製版画\u003c\/p\u003e\n\u003cp\u003eギフトとして\u003c\/p\u003e\n\u003cp\u003e新しい人生や新しい環境へ踏み出す方へ。静けさ、再出発、心を整える時間を象徴する贈り物としておすすめです。\u003cbr\u003eまた、冬の静かな風景や、穏やかな時間を大切にする方へのギフトにもおすすめです。\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e歌川広重\u003cbr\u003eUtagawa Hiroshige (1797–1858)\u003c\/p\u003e\n\u003cp\u003e季節、天候、旅、人々の日常を詩的に描いた、日本を代表する風景版画家の一人です。\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003e中古の複製版画です。\u003c\/p\u003e\n\u003cp\u003e経年・保管・取り扱いに伴う軽微な変化が見られる場合があります。\u003cbr\u003e正確な状態については掲載写真を十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003e東京、日本より発送いたします。\u003c\/p\u003e\n\u003cp\u003e海外発送に適した方法で丁寧に梱包して発送いたします。\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003e輸入関税、税金、VAT、通関手数料などは商品価格・送料には含まれておりません。\u003cbr\u003eお届け先の国・地域により別途請求される場合があり、これらの費用は購入者様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49080012177578,"sku":null,"price":190.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260818_145.jpg?v=1787161554"},{"product_id":"あ","title":"LEGENDARY SAMURAI HERO – Ushiwakamaru in Kabuki | 春梅斎北英 Shunbaisai Hokuei (Birth Unknown–1837)","description":"\u003cp\u003eLEGENDARY SAMURAI HERO – Ushiwakamaru in Kabuki | 春梅斎北英 Shunbaisai Hokuei (Birth Unknown–1837)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA young warrior who would become a legend.\u003c\/p\u003e\n\u003cp\u003eThis authentic Edo-period ukiyo-e depicts Ushiwakamaru, the legendary childhood name of Minamoto no Yoshitsune — one of the most celebrated warriors in Japanese history.\u003c\/p\u003e\n\u003cp\u003eThe figure is performed by Kabuki actor Iwai Shijaku in “Ushiwakamaru from Five Transformations” (五変化ノ内 牛若丸).\u003c\/p\u003e\n\u003cp\u003eRichly layered kimono patterns, a folding fan, sword, and the powerful pose of the actor create an image filled with movement, elegance, and determination.\u003c\/p\u003e\n\u003cp\u003eUnlike modern reproductions, this is an authentic ukiyo-e from the Edo period — a surviving piece of Japanese visual culture created more than a century ago.\u003c\/p\u003e\n\u003cp\u003eA striking work for interiors, especially for those drawn to samurai, Kabuki, traditional craftsmanship, and art with a powerful human presence.\u003c\/p\u003e\n\u003cp\u003eArtwork:\u003cbr\u003e五変化ノ内 牛若丸\u003cbr\u003eUshiwakamaru from Five Transformations\u003c\/p\u003e\n\u003cp\u003eActor:\u003cbr\u003e岩井紫若\u003cbr\u003eIwai Shijaku\u003c\/p\u003e\n\u003cp\u003eFormat:\u003cbr\u003eOriginal Ukiyo-e\u003cbr\u003eAuthentic Edo-period print\u003cbr\u003eOban format\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e春梅斎北英\u003cbr\u003eShunbaisai Hokuei\u003cbr\u003e(Birth Unknown–1837)\u003c\/p\u003e\n\u003cp\u003eHokuei was an Osaka-based ukiyo-e artist known particularly for Kabuki actor portraits. His works are recognized for their strong character, dramatic presence, and distinctive style associated with the Osaka school of ukiyo-e.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is an original antique work from the Edo period.\u003c\/p\u003e\n\u003cp\u003eAge-related toning, creases, rubbing, stains, small losses, and other signs of age may be present.\u003c\/p\u003e\n\u003cp\u003eThese traces are part of the history and character of an authentic antique ukiyo-e.\u003c\/p\u003e\n\u003cp\u003ePlease carefully review all photographs before purchasing, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eRecommended for someone beginning a new chapter in life.\u003cbr\u003eA meaningful gift for someone who values courage, resolve, and the strength to move forward.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packaged for international shipping.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eImport duties, taxes, customs fees, and other charges imposed by the destination country are the responsibility of the buyer.\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e伝説のSAMURAI HERO ― 歌舞伎に描かれた牛若丸 | 春梅斎北英 Shunbaisai Hokuei（生年不詳–1837）\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eやがて伝説となる、若き武者。\u003c\/p\u003e\n\u003cp\u003e本作は、日本史を代表する武将のひとり、源義経の幼名「牛若丸」を描いた江戸期の真作浮世絵です。\u003c\/p\u003e\n\u003cp\u003e作品は『五変化ノ内 牛若丸』。\u003cbr\u003e歌舞伎役者・岩井紫若が牛若丸を演じる姿が描かれています。\u003c\/p\u003e\n\u003cp\u003e重なり合う着物の文様、扇、刀、そして役者の力強い姿。\u003cbr\u003e画面全体から、華やかさと緊張感、そして強い意志が伝わってくる一枚です。\u003c\/p\u003e\n\u003cp\u003e現代の複製版画ではなく、江戸時代から残されてきた本物の浮世絵。\u003cbr\u003e100年以上の時間を越えて現代に残る、日本の視覚文化そのものです。\u003c\/p\u003e\n\u003cp\u003e侍、歌舞伎、伝統工芸はもちろん、強い人物像や物語性のあるアートをインテリアに取り入れたい方にもおすすめです。\u003c\/p\u003e\n\u003cp\u003e作品名：\u003cbr\u003e五変化ノ内 牛若丸\u003c\/p\u003e\n\u003cp\u003e役者：\u003cbr\u003e岩井紫若\u003cbr\u003eIwai Shijaku\u003c\/p\u003e\n\u003cp\u003e形式：\u003cbr\u003e真作浮世絵\u003cbr\u003e江戸期\u003cbr\u003e大判\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e春梅斎北英\u003cbr\u003eShunbaisai Hokuei\u003cbr\u003e（生年不詳–1837）\u003c\/p\u003e\n\u003cp\u003e大坂を中心に活躍した浮世絵師。\u003cbr\u003e特に歌舞伎役者絵を得意とし、人物の存在感や芝居の緊張感を強く表現した上方浮世絵の絵師として知られています。\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003e江戸期の真作・古美術品です。\u003c\/p\u003e\n\u003cp\u003e経年によるヤケ、折れ、擦れ、シミ、小傷、欠損などが見られる場合があります。\u003c\/p\u003e\n\u003cp\u003eこうした経年変化も、長い年月を経て残されてきた本物の浮世絵ならではの歴史と風合いです。\u003c\/p\u003e\n\u003cp\u003e状態については掲載写真を十分にご確認のうえ、ご購入ください。\u003c\/p\u003e\n\u003cp\u003eギフトとして\u003c\/p\u003e\n\u003cp\u003e新しい人生、新しい挑戦を始める方へ。\u003cbr\u003e勇気、覚悟、前へ進む強さを大切にする方への贈り物にもおすすめです。\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003e日本から海外発送いたします。\u003c\/p\u003e\n\u003cp\u003e作品は国際配送に適した形で丁寧に梱包して発送いたします。\u003c\/p\u003e\n\u003cp\u003e海外からのご注文について：\u003cbr\u003eお届け先の国で発生する関税、輸入税、通関手数料、その他の費用は購入者様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49080013324458,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260818_153.jpg?v=1787161640"},{"product_id":"edo-festival-bon-odori-dance-amp-celebration-三代歌川豊国-utagawa-kunisada-toyokuni-iii-1786-1865","title":"EDO FESTIVAL – Bon Odori, Dance \u0026amp; Celebration | 三代歌川豊国 Utagawa Kunisada \/ Toyokuni III (1786–1865)","description":"\u003cp\u003eEDO FESTIVAL – Bon Odori, Dance \u0026amp; Celebration | 三代歌川豊国 Utagawa Kunisada \/ Toyokuni III (1786–1865)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eDance. Rhythm. Celebration.\u003c\/p\u003e\n\u003cp\u003eAn authentic Edo-period ukiyo-e capturing the energy of Bon Odori — a scene of people gathering, dancing, and sharing a moment of celebration.\u003c\/p\u003e\n\u003cp\u003eThe work comes from “The Twelve Months of Genji: Beginning of Autumn” (源氏十二ヶ月之内 孟秋), created in 1856 by Utagawa Kunisada, also known as Toyokuni III.\u003c\/p\u003e\n\u003cp\u003eFigures move across the composition beneath dramatic festival decorations, creating a scene filled with rhythm, personality, and life.\u003c\/p\u003e\n\u003cp\u003eMore than 150 years later, the image still feels surprisingly immediate: people coming together, dressing beautifully, dancing, and enjoying the moment.\u003c\/p\u003e\n\u003cp\u003eThis listing is for ONE original panel from a three-panel triptych.\u003c\/p\u003e\n\u003cp\u003eIt is not a modern reproduction, but an authentic Edo-period ukiyo-e that has survived from 19th-century Japan.\u003c\/p\u003e\n\u003cp\u003eA powerful piece for interiors, especially for those drawn to movement, fashion, celebration, human connection, and art with a story.\u003c\/p\u003e\n\u003cp\u003eArtwork:\u003cbr\u003e源氏十二ヶ月之内 孟秋\u003cbr\u003eThe Twelve Months of Genji: Beginning of Autumn\u003c\/p\u003e\n\u003cp\u003eDate:\u003cbr\u003e1856\u003cbr\u003eLate Edo Period\u003c\/p\u003e\n\u003cp\u003eFormat:\u003cbr\u003eOriginal Ukiyo-e\u003cbr\u003eAuthentic Edo-period print\u003cbr\u003eOne panel from a three-panel triptych\u003cbr\u003eOban format\u003c\/p\u003e\n\u003cp\u003eSize:\u003cbr\u003eApprox. 36.7 × 25 cm\u003cbr\u003eApprox. 14.4 × 9.8 in\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e三代歌川豊国\u003cbr\u003eUtagawa Kunisada \/ Toyokuni III\u003cbr\u003e(1786–1865)\u003c\/p\u003e\n\u003cp\u003eOne of the most prolific and influential ukiyo-e artists of the Edo period, Kunisada was especially celebrated for portraits of Kabuki actors, beautiful women, fashion, and scenes of contemporary life.\u003c\/p\u003e\n\u003cp\u003eHis works offer a vivid window into the style, entertainment, and visual culture of 19th-century Edo.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is an original antique work from the Edo period.\u003c\/p\u003e\n\u003cp\u003eAge-related toning, creases, rubbing, stains, edge wear, and other traces of age may be present.\u003c\/p\u003e\n\u003cp\u003eThese imperfections are part of the history and character of an authentic antique ukiyo-e.\u003c\/p\u003e\n\u003cp\u003ePlease carefully review all photographs before purchasing, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eRecommended for someone celebrating a new beginning, milestone, or reunion.\u003cbr\u003eA meaningful gift for someone who values joy, connection, and sharing life with others.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packaged for international shipping.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eImport duties, taxes, customs fees, and other charges imposed by the destination country are the responsibility of the buyer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eEDO FESTIVAL ― 盆踊り、踊りと祝祭 | 三代歌川豊国 Utagawa Kunisada \/ Toyokuni III（1786–1865）\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e踊る。\u003cbr\u003e集まる。\u003cbr\u003e祝う。\u003c\/p\u003e\n\u003cp\u003e江戸時代の「盆踊り」の賑わいを描いた、真作浮世絵です。\u003c\/p\u003e\n\u003cp\u003e作品は三代歌川豊国による\u003cbr\u003e『源氏十二ヶ月之内 孟秋』。\u003c\/p\u003e\n\u003cp\u003e安政3年（1856）に制作された大判三枚続の作品で、本商品はそのうちの1枚です。\u003c\/p\u003e\n\u003cp\u003e大きな飾りの下で、人々が踊り、動き、祭りを楽しむ姿。\u003cbr\u003e人物それぞれの仕草や着物、構図から、江戸の街にあった熱気とリズムが伝わってきます。\u003c\/p\u003e\n\u003cp\u003e150年以上が経った現在でも、\u003cbr\u003e「人が集まり、着飾り、踊り、同じ時間を楽しむ」という感覚はほとんど変わりません。\u003c\/p\u003e\n\u003cp\u003e現代の複製版画ではなく、江戸時代から残されてきた本物の浮世絵です。\u003c\/p\u003e\n\u003cp\u003e日本文化という枠だけでなく、\u003cbr\u003e踊り、ファッション、祝祭、人とのつながり、そして物語を感じるアートとして現代の空間にも取り入れやすい一枚です。\u003c\/p\u003e\n\u003cp\u003e作品名：\u003cbr\u003e源氏十二ヶ月之内 孟秋\u003cbr\u003eThe Twelve Months of Genji: Beginning of Autumn\u003c\/p\u003e\n\u003cp\u003e制作年：\u003cbr\u003e安政3年（1856）\u003cbr\u003e江戸時代後期\u003c\/p\u003e\n\u003cp\u003e形式：\u003cbr\u003e真作浮世絵\u003cbr\u003e江戸期\u003cbr\u003e大判\u003cbr\u003e三枚続のうち1枚\u003c\/p\u003e\n\u003cp\u003eサイズ：\u003cbr\u003e約36.7 × 25 cm\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e三代歌川豊国\u003cbr\u003eUtagawa Kunisada \/ Toyokuni III\u003cbr\u003e（1786–1865）\u003c\/p\u003e\n\u003cp\u003e江戸時代を代表する浮世絵師のひとり。\u003c\/p\u003e\n\u003cp\u003e歌舞伎役者、美人画、当時のファッションや風俗などを数多く描き、19世紀の江戸の空気を現代に伝える作品を数多く残しました。\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003e江戸期の真作・古美術品です。\u003c\/p\u003e\n\u003cp\u003e経年によるヤケ、折れ、擦れ、シミ、縁の傷みなどが見られる場合があります。\u003c\/p\u003e\n\u003cp\u003eこうした経年変化も、150年以上の時間を越えて残されてきた本物の浮世絵ならではの歴史と風合いです。\u003c\/p\u003e\n\u003cp\u003e状態については掲載写真を十分にご確認のうえ、ご購入ください。\u003c\/p\u003e\n\u003cp\u003eギフトとして\u003c\/p\u003e\n\u003cp\u003e新しい始まり、節目、再会を迎える方へ。\u003cbr\u003e喜び、人とのつながり、人生をともに楽しむことを大切にする方への贈り物にもおすすめです。\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003e日本から海外発送いたします。\u003c\/p\u003e\n\u003cp\u003e作品は国際配送に適した形で丁寧に梱包して発送いたします。\u003c\/p\u003e\n\u003cp\u003e海外からのご注文について：\u003cbr\u003eお届け先の国で発生する関税、輸入税、通関手数料、その他の費用は購入者様のご負担となります。\u003c\/p\u003e","brand":"AUN selects","offers":[{"title":"Default Title","offer_id":49080017060010,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260818_203.jpg?v=1787162410"},{"product_id":"あ-1","title":"SAMURAI LAST STAND – Armor, Resolve \u0026amp; the Final Moment | 守川周重 Morikawa Chikashige (Dates Unknown \/ Active c.1869–1882)","description":"\u003cp\u003eSAMURAI LAST STAND – Armor, Resolve \u0026amp; the Final Moment | 守川周重 Morikawa Chikashige (Dates Unknown \/ Active c.1869–1882)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA warrior at the edge of fate.\u003c\/p\u003e\n\u003cp\u003eHeavy armor.\u003cbr\u003eA drawn sword.\u003cbr\u003eA face filled with tension and resolve.\u003c\/p\u003e\n\u003cp\u003eThis authentic 19th-century ukiyo-e captures the intensity of the samurai world at the moment when there is nowhere left to retreat.\u003c\/p\u003e\n\u003cp\u003eCreated by Morikawa Chikashige in 1876, the work comes from the dramatic triptych depicting the final moments surrounding Akechi Mitsuhide’s downfall.\u003c\/p\u003e\n\u003cp\u003eThis particular panel portrays the warrior Mizoo Shōbei, performed by the Kabuki actor Ichikawa Sadanji.\u003c\/p\u003e\n\u003cp\u003eBut you do not need to know the history to feel the power of the image.\u003c\/p\u003e\n\u003cp\u003eThe deep crimson background, elaborate samurai armor, sharp expression and theatrical composition create an immediate sense of courage, danger and determination.\u003c\/p\u003e\n\u003cp\u003eIt is an image about facing what comes next.\u003c\/p\u003e\n\u003cp\u003eAbout standing firm when the outcome is uncertain.\u003c\/p\u003e\n\u003cp\u003eAbout resolve.\u003c\/p\u003e\n\u003cp\u003eThis is an authentic Meiji-period ukiyo-e from 1876 — not a modern reproduction.\u003c\/p\u003e\n\u003cp\u003eThis listing is for ONE original panel from a three-panel triptych.\u003c\/p\u003e\n\u003cp\u003eArtwork:\u003cbr\u003eThe Taikō Chronicle: Akechi Mitsuhide Meets His Death at Ogurusu Village\u003cbr\u003e大功記ノ内 明智光秀小栗栖村おゐて落命之場\u003c\/p\u003e\n\u003cp\u003eSubject:\u003cbr\u003eMizoo Shōbei – Ichikawa Sadanji\u003cbr\u003e溝尾庄兵衛 市川左団次\u003c\/p\u003e\n\u003cp\u003eDate:\u003cbr\u003e1876\u003cbr\u003eMeiji Period\u003c\/p\u003e\n\u003cp\u003eFormat:\u003cbr\u003eAuthentic Ukiyo-e\u003cbr\u003eOriginal 19th-century print\u003cbr\u003eSamurai \/ Kabuki Actor Portrait\u003cbr\u003eOban format\u003cbr\u003eOne panel from a three-panel triptych\u003c\/p\u003e\n\u003cp\u003eSize:\u003cbr\u003eOban format\u003cbr\u003eApprox. 37 × 25 cm\u003cbr\u003eApprox. 14.6 × 9.8 in\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e守川周重\u003cbr\u003eMorikawa Chikashige\u003cbr\u003eDates unknown\u003cbr\u003eActive c.1869–1882\u003c\/p\u003e\n\u003cp\u003eMorikawa Chikashige was a Meiji-period ukiyo-e artist and a pupil of Toyohara Kunichika.\u003c\/p\u003e\n\u003cp\u003eHe became especially known for powerful Kabuki actor portraits and theatrical scenes, capturing dramatic expressions, elaborate costumes and the intensity of the Japanese stage.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eThis is an authentic antique ukiyo-e from the Meiji period.\u003c\/p\u003e\n\u003cp\u003eAge-related toning, wear, creases, stains, small marks, edge wear and other signs of age may be present.\u003c\/p\u003e\n\u003cp\u003eThese traces are part of the character and history of an original artwork that has survived for nearly 150 years.\u003c\/p\u003e\n\u003cp\u003ePlease carefully review all photographs before purchasing, as they form an important part of the condition description.\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eRecommended for someone facing a challenge, major decision or turning point in life.\u003cbr\u003eA meaningful gift for someone who values courage, determination and the strength to stand by their convictions.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Japan.\u003c\/p\u003e\n\u003cp\u003eThe artwork will be carefully packaged for international shipping.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eImport duties, taxes, customs fees and other charges imposed by the destination country are the responsibility of the buyer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSAMURAI LAST STAND ― 侍、退けない最後の瞬間 | 守川周重 Morikawa Chikashige（生没年不詳 \/ 1869–1882年頃活動）\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e運命の際に立つ、一人の武士。\u003c\/p\u003e\n\u003cp\u003e重厚な甲冑。\u003cbr\u003e抜かれた刀。\u003cbr\u003e緊張と覚悟を宿した表情。\u003c\/p\u003e\n\u003cp\u003e逃げ場のない瞬間に立つ侍の緊張感を描いた、19世紀・明治時代の真作浮世絵です。\u003c\/p\u003e\n\u003cp\u003e守川周重が1876年に制作した三枚続\u003cbr\u003e『大功記ノ内 明智光秀小栗栖村おゐて落命之場』\u003cbr\u003eのうちの1枚。\u003c\/p\u003e\n\u003cp\u003e本図には、溝尾庄兵衛を演じる歌舞伎役者・市川左団次が描かれています。\u003c\/p\u003e\n\u003cp\u003eしかし、歴史を知らなくてもこの作品の力は伝わります。\u003c\/p\u003e\n\u003cp\u003e深い赤の背景。\u003cbr\u003e緻密に描かれた武士の甲冑。\u003cbr\u003e鋭い眼差し。\u003cbr\u003eそして、舞台の一瞬を切り取ったような緊張感。\u003c\/p\u003e\n\u003cp\u003eそこに描かれているのは、単なる歴史上の人物ではありません。\u003c\/p\u003e\n\u003cp\u003e何が起こるかわからない状況でも立ち続けること。\u003c\/p\u003e\n\u003cp\u003e退かないこと。\u003c\/p\u003e\n\u003cp\u003e覚悟を決めること。\u003c\/p\u003e\n\u003cp\u003e約150年前の日本から残された、本物の浮世絵です。\u003c\/p\u003e\n\u003cp\u003e現代の複製ではありません。\u003c\/p\u003e\n\u003cp\u003e本商品は三枚続作品のうちの1枚のみとなります。\u003c\/p\u003e\n\u003cp\u003e作品名：\u003cbr\u003e大功記ノ内 明智光秀小栗栖村おゐて落命之場\u003cbr\u003eThe Taikō Chronicle: Akechi Mitsuhide Meets His Death at Ogurusu Village\u003c\/p\u003e\n\u003cp\u003e人物：\u003cbr\u003e溝尾庄兵衛 ― 市川左団次\u003cbr\u003eMizoo Shōbei – Ichikawa Sadanji\u003c\/p\u003e\n\u003cp\u003e制作年：\u003cbr\u003e1876年\u003cbr\u003e明治時代\u003c\/p\u003e\n\u003cp\u003e形式：\u003cbr\u003e真作浮世絵\u003cbr\u003e19世紀\u003cbr\u003e武者絵 \/ 役者絵 \/ 歌舞伎絵\u003cbr\u003e大判\u003cbr\u003e三枚続のうち1枚\u003c\/p\u003e\n\u003cp\u003eサイズ：\u003cbr\u003e大判\u003cbr\u003e約37 × 25 cm\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e守川周重\u003cbr\u003eMorikawa Chikashige\u003cbr\u003e生没年不詳\u003cbr\u003e1869–1882年頃活動\u003c\/p\u003e\n\u003cp\u003e明治初期に活躍した浮世絵師。\u003c\/p\u003e\n\u003cp\u003e豊原国周の門人で、歌舞伎役者や芝居の場面を中心に、力強い人物表現を残しました。\u003c\/p\u003e\n\u003cp\u003e役者の表情、華やかな衣装、舞台の緊張感を強く捉えた作品を得意としています。\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003e明治期の真作・古美術品です。\u003c\/p\u003e\n\u003cp\u003e経年によるヤケ、擦れ、折れ、シミ、小傷、縁の傷みなどが見られる場合があります。\u003c\/p\u003e\n\u003cp\u003eこれらも、約150年という時間を越えて残されてきた本物の作品が持つ歴史と風合いの一部です。\u003c\/p\u003e\n\u003cp\u003e状態については掲載写真を十分にご確認のうえ、ご購入ください。\u003c\/p\u003e\n\u003cp\u003eギフトとして\u003c\/p\u003e\n\u003cp\u003e大きな挑戦や決断、人生の転機を迎える方へ。\u003cbr\u003e勇気、覚悟、自分の信念を貫く強さを大切にする方への贈り物にもおすすめです。\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003e日本から海外発送いたします。\u003c\/p\u003e\n\u003cp\u003e作品は国際配送に適した形で丁寧に梱包して発送いたします。\u003c\/p\u003e\n\u003cp\u003e海外からのご注文について：\u003cbr\u003eお届け先の国で発生する関税、輸入税、通関手数料、その他の費用は購入者様のご負担となります。\u003c\/p\u003e\n\u003cp\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003cimg\u003e\u003c\/p\u003e","brand":"Aun Selects","offers":[{"title":"Default Title","offer_id":49080029216938,"sku":null,"price":250.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260818_211.jpg?v=1787162897"},{"product_id":"samurai-warfare-horseback-warrior-in-the-battle-of-kawanakajima-歌川国芳-utagawa-kuniyoshi-1798-1861","title":"SAMURAI WARFARE – Horseback Warrior in the Battle of Kawanakajima – 歌川国芳 Utagawa Kuniyoshi (1798–1861)","description":"\u003cp\u003eSAMURAI WARFARE – Horseback Warrior in the Battle of Kawanakajima – 歌川国芳 Utagawa Kuniyoshi (1798–1861)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA powerful original Edo-period ukiyo-e depicting a samurai warrior on horseback in the chaos of battle.\u003c\/p\u003e\n\u003cp\u003eArmor, swords, fallen warriors, and the dark horse dominating the composition create an intense image of feudal Japan at war. The dramatic movement and dense battlefield detail are characteristic of the warrior prints that made Utagawa Kuniyoshi one of the most celebrated ukiyo-e artists of the 19th century.\u003c\/p\u003e\n\u003cp\u003eThe subject is connected to the famous Battles of Kawanakajima, one of the legendary conflicts of Japan’s samurai era.\u003c\/p\u003e\n\u003cp\u003eThis is an authentic Edo-period ukiyo-e woodblock print, not a modern reproduction.\u003c\/p\u003e\n\u003cp\u003eIts dark palette, powerful composition, and unmistakable samurai imagery also make it a striking piece for contemporary interiors, especially Japanese, Japandi, vintage, or minimal spaces.\u003c\/p\u003e\n\u003cp\u003eSize:\u003cbr\u003eApprox. 37 × 25 cm\u003cbr\u003eŌban format\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eA meaningful gift for someone facing a new challenge — a symbol of courage, determination, and the strength to move forward.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e歌川国芳\u003cbr\u003eUtagawa Kuniyoshi (1798–1861)\u003c\/p\u003e\n\u003cp\u003eKuniyoshi was one of the great masters of late Edo-period ukiyo-e, especially famous for dramatic samurai, warriors, legends, monsters, and scenes filled with powerful movement and storytelling.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eOriginal antique Edo-period print.\u003c\/p\u003e\n\u003cp\u003eAge-related wear, toning, stains, creases, and other signs of age may be present.\u003cbr\u003eThe print has been mounted to a backing sheet.\u003cbr\u003ePlease carefully review all photographs for the exact condition.\u003c\/p\u003e\n\u003cp\u003eThese traces of time are part of the character and history of an authentic antique ukiyo-e print.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Japan.\u003cbr\u003eInternational shipping is available.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eCustoms duties, import taxes, VAT, and any handling or clearance fees charged by the destination country or carrier are the responsibility of the buyer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSAMURAI WARFARE ― 川中島の戦い・馬上の武将 ― 歌川国芳 Utagawa Kuniyoshi（1798–1861）\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e戦場を駆ける馬上の武将を描いた、江戸時代の真作浮世絵です。\u003c\/p\u003e\n\u003cp\u003e甲冑、刀、倒れた武士たち、そして画面を大きく占める黒馬。\u003cbr\u003e戦国の緊張と混乱を一枚の中に凝縮した、非常に力強い武者絵です。\u003c\/p\u003e\n\u003cp\u003e題材は、日本の侍の歴史を代表する合戦のひとつ「川中島の戦い」に関連する場面。\u003c\/p\u003e\n\u003cp\u003e作者は、19世紀を代表する浮世絵師・歌川国芳。\u003cbr\u003e国芳らしい大胆な構図と、武者の存在感、細部まで描き込まれた戦場表現が魅力です。\u003c\/p\u003e\n\u003cp\u003e現代の複製ではなく、江戸時代に摺られた真作の浮世絵木版画です。\u003c\/p\u003e\n\u003cp\u003e黒を基調とした重厚な色彩と、ひと目で伝わる「SAMURAI」の世界観は、浮世絵コレクターだけでなく、日本文化・侍・歴史が好きな方にもおすすめです。\u003c\/p\u003e\n\u003cp\u003e和モダン、JAPANDI、ヴィンテージ、ミニマルな空間にも強い存在感を与えてくれます。\u003c\/p\u003e\n\u003cp\u003eサイズ：\u003cbr\u003e約37 × 25 cm\u003cbr\u003e大判\u003c\/p\u003e\n\u003cp\u003eAs a Gift \/ ギフトとして\u003c\/p\u003e\n\u003cp\u003e新しい挑戦に向かう人へ。\u003cbr\u003e勇気、覚悟、前へ進む強さを象徴する贈り物としてもおすすめです。\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e歌川国芳\u003cbr\u003eUtagawa Kuniyoshi（1798–1861）\u003c\/p\u003e\n\u003cp\u003e江戸後期を代表する浮世絵師。\u003cbr\u003e特に武者絵、英雄、伝説、妖怪など、力強くドラマチックな作品で世界的に知られています。\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003e江戸時代の真作・アンティーク作品です。\u003c\/p\u003e\n\u003cp\u003e経年によるヤケ、シミ、折れ、傷み等が見られる場合があります。\u003cbr\u003e台紙貼りの作品です。\u003cbr\u003e状態の詳細は掲載写真を十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003e長い年月を経た痕跡も、本物の古い浮世絵が持つ歴史と魅力の一部としてお楽しみください。\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003e日本から発送いたします。\u003cbr\u003e海外発送可能です。\u003c\/p\u003e\n\u003cp\u003e海外からのご注文について：\u003cbr\u003e輸入時に発生する関税、輸入税、VAT、通関手数料等は購入者様のご負担となります。\u003c\/p\u003e","brand":"ＡＵＮ／阿吽（あうん）","offers":[{"title":"Default Title","offer_id":49153450737834,"sku":null,"price":500.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260827_218.jpg?v=1787901680"},{"product_id":"samurai-warrior-armed-kabuki-hero-in-a-wild-straw-cloak-豊原国周-toyohara-kunichika-1835-1900","title":"SAMURAI WARRIOR – Armed Kabuki Hero in a Wild Straw Cloak – 豊原国周 Toyohara Kunichika (1835–1900)","description":"\u003cp\u003eSAMURAI WARRIOR – Armed Kabuki Hero in a Wild Straw Cloak – 豊原国周 Toyohara Kunichika (1835–1900)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA striking original ukiyo-e from Meiji-era Japan, portraying a powerful samurai character from the world of Kabuki.\u003c\/p\u003e\n\u003cp\u003eThe warrior appears beneath an enormous traditional hat, armed with a sword and dressed in a dramatic shaggy cloak. His sharp expression, layered costume, and dark atmospheric setting give the image an unmistakable sense of tension and strength.\u003c\/p\u003e\n\u003cp\u003eThe figure represents Hatakeyama Shigetada, a legendary warrior of medieval Japan, transformed here into a dramatic Kabuki hero.\u003c\/p\u003e\n\u003cp\u003eRather than a quiet portrait, this is an image built around presence — sword, costume, posture, and expression all working together to create the unmistakable visual language of the samurai.\u003c\/p\u003e\n\u003cp\u003eCreated by Toyohara Kunichika, one of the great masters of Meiji-period actor prints, this is an authentic antique Japanese ukiyo-e, not a modern reproduction.\u003c\/p\u003e\n\u003cp\u003eIts muted green, brown, purple, and red palette works especially well in contemporary interiors, Japandi spaces, vintage rooms, and darker minimalist interiors.\u003c\/p\u003e\n\u003cp\u003eSize:\u003cbr\u003eApprox. 37 × 25 cm\u003cbr\u003eŌban format\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eA powerful gift for someone beginning a new challenge or standing firm in their convictions — a symbol of courage, discipline, and determination.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e豊原国周\u003cbr\u003eToyohara Kunichika (1835–1900)\u003c\/p\u003e\n\u003cp\u003eKunichika was one of the leading ukiyo-e artists of the late Edo and Meiji periods, celebrated especially for his dramatic Kabuki actor portraits.\u003c\/p\u003e\n\u003cp\u003eHis works are known for intense facial expressions, bold compositions, elaborate costumes, and the theatrical energy of 19th-century Japan.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eAuthentic antique ukiyo-e from the Meiji period.\u003c\/p\u003e\n\u003cp\u003eThe print is mounted to a backing sheet.\u003c\/p\u003e\n\u003cp\u003eAge-related toning, stains, creases, wear, small losses, and other signs of age may be present.\u003cbr\u003ePlease carefully review all photographs for the exact condition.\u003c\/p\u003e\n\u003cp\u003eThese traces of time are part of the history and character of an original antique Japanese print.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Japan.\u003cbr\u003eInternational shipping is available.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eCustoms duties, import taxes, VAT, and any handling or clearance fees charged by the destination country or carrier are the responsibility of the buyer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSAMURAI WARRIOR ― 巨大な笠をまとう歌舞伎の武将 ― 豊原国周 Toyohara Kunichika（1835–1900）\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e明治時代の日本で制作された、力強い侍の姿を描く真作浮世絵です。\u003c\/p\u003e\n\u003cp\u003e巨大な笠の下に立ち、刀を携え、毛足の長い印象的な装束をまとう武将。\u003cbr\u003e鋭い視線、重なり合う衣装、暗く重厚な背景によって、強い緊張感と存在感が生まれています。\u003c\/p\u003e\n\u003cp\u003e描かれているのは、中世日本の武将として知られる畠山重忠。\u003cbr\u003e本作では、歌舞伎の世界の中で劇的な武者として表現されています。\u003c\/p\u003e\n\u003cp\u003e単なる人物肖像ではなく、\u003cbr\u003e刀、衣装、姿勢、表情のすべてから「SAMURAI」の世界観が直感的に伝わる一枚です。\u003c\/p\u003e\n\u003cp\u003e作者は、明治を代表する役者絵の名手・豊原国周。\u003cbr\u003e現代の複製ではなく、明治期に制作された本物のアンティーク浮世絵です。\u003c\/p\u003e\n\u003cp\u003e落ち着いた緑、茶、紫、赤を基調とした色彩は、JAPANDI、ヴィンテージ、和モダン、ダークトーンのミニマルなインテリアにもよく映えます。\u003c\/p\u003e\n\u003cp\u003eサイズ：\u003cbr\u003e約37 × 25 cm\u003cbr\u003e大判\u003c\/p\u003e\n\u003cp\u003eAs a Gift \/ ギフトとして\u003c\/p\u003e\n\u003cp\u003e新しい挑戦へ向かう人や、自分の信念を貫こうとする人へ。\u003cbr\u003e勇気、規律、覚悟を象徴する贈り物としてもおすすめです。\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e豊原国周\u003cbr\u003eToyohara Kunichika（1835–1900）\u003c\/p\u003e\n\u003cp\u003e幕末から明治時代を代表する浮世絵師の一人。\u003cbr\u003e特に歌舞伎役者を描いた役者絵で高く評価されています。\u003c\/p\u003e\n\u003cp\u003e力強い表情、大胆な構図、華やかな衣装表現など、19世紀の歌舞伎文化が持つ劇的なエネルギーを作品に残しました。\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003e明治時代の真作・アンティーク浮世絵です。\u003c\/p\u003e\n\u003cp\u003e台紙貼りの作品です。\u003c\/p\u003e\n\u003cp\u003e経年によるヤケ、シミ、折れ、擦れ、小さな欠損などが見られる場合があります。\u003cbr\u003e状態の詳細は掲載写真を十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003e長い年月を経た痕跡も、本物のアンティーク浮世絵が持つ歴史と魅力の一部としてお楽しみください。\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003e日本から発送いたします。\u003cbr\u003e海外発送可能です。\u003c\/p\u003e\n\u003cp\u003e海外からのご注文について：\u003cbr\u003e輸入時に発生する関税、輸入税、VAT、通関手数料等は購入者様のご負担となります。\u003c\/p\u003e","brand":"ＡＵＮ／阿吽（あうん）","offers":[{"title":"Default Title","offer_id":49153727430826,"sku":null,"price":300.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260827_202.jpg?v=1787901948"},{"product_id":"the-giant-outlaw-midnight-ambush-in-old-japan-歌川芳虎-utagawa-yoshitora-active-c-1850-1880","title":"THE GIANT OUTLAW – Midnight Ambush in Old Japan – 歌川芳虎 Utagawa Yoshitora (active c. 1850–1880)","description":"\u003cp\u003eTHE GIANT OUTLAW – Midnight Ambush in Old Japan – 歌川芳虎 Utagawa Yoshitora (active c. 1850–1880)\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003eA night raid erupts into chaos.\u003c\/p\u003e\n\u003cp\u003eAt the center stands the legendary outlaw Kumasaka Chōhan — enormous, heavily armed, and gripping a long weapon as men clash and fall around him.\u003c\/p\u003e\n\u003cp\u003eThis dramatic scene comes from “The Night Attack of Kumasaka at Akasaka Station in Mino Province,” created in 1860 during the final years of the Edo period.\u003c\/p\u003e\n\u003cp\u003eAccording to Japanese legend, Kumasaka Chōhan was a notorious bandit leader who launched a nighttime attack on a travelling party, only to encounter the young warrior who would later become the legendary Minamoto no Yoshitsune.\u003c\/p\u003e\n\u003cp\u003eRather than a simple warrior portrait, the entire composition feels like a moment frozen in the middle of an action film — bodies, weapons, fear, movement, and the commanding figure of the giant outlaw dominating the scene.\u003c\/p\u003e\n\u003cp\u003eCreated by Utagawa Yoshitora, a pupil of the celebrated ukiyo-e master Utagawa Kuniyoshi, this is an authentic antique Japanese ukiyo-e from the Edo period, not a modern reproduction.\u003c\/p\u003e\n\u003cp\u003eThis sheet was originally part of a three-panel triptych.\u003c\/p\u003e\n\u003cp\u003eThe deep blacks, muted blue, brown, and gold tones make it especially striking in contemporary interiors, vintage spaces, Japandi rooms, or darker minimalist settings.\u003c\/p\u003e\n\u003cp\u003eDate:\u003cbr\u003e1860\u003c\/p\u003e\n\u003cp\u003eSize:\u003cbr\u003eApprox. 36 × 25 cm\u003cbr\u003eŌban format\u003c\/p\u003e\n\u003cp\u003eAs a Gift\u003c\/p\u003e\n\u003cp\u003eA striking gift for someone drawn to courage, rebellion, survival, or powerful stories — a piece of Japanese history filled with tension and raw energy.\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e歌川芳虎\u003cbr\u003eUtagawa Yoshitora\u003cbr\u003eActive c. 1850–1880\u003c\/p\u003e\n\u003cp\u003eYoshitora was an ukiyo-e artist and one of the pupils of Utagawa Kuniyoshi.\u003c\/p\u003e\n\u003cp\u003eHe became known for warrior prints, historical scenes, Kabuki actors, and later images of foreign cultures during Japan’s transition from the Edo period into the modern era.\u003c\/p\u003e\n\u003cp\u003eHis exact birth and death dates are unknown.\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003eAuthentic antique ukiyo-e from the Edo period.\u003c\/p\u003e\n\u003cp\u003eOne sheet from an originally three-panel composition.\u003cbr\u003eMounted to a backing sheet.\u003c\/p\u003e\n\u003cp\u003eAge-related toning, stains, creases, wear, small losses, and other signs of age may be present.\u003cbr\u003ePlease carefully review all photographs for the exact condition.\u003c\/p\u003e\n\u003cp\u003eThese traces of time are part of the history and character of an original antique Japanese print.\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003eShips from Japan.\u003cbr\u003eInternational shipping is available.\u003c\/p\u003e\n\u003cp\u003eInternational Orders:\u003cbr\u003eCustoms duties, import taxes, VAT, and any handling or clearance fees charged by the destination country or carrier are the responsibility of the buyer.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTHE GIANT OUTLAW ― 巨大な盗賊、真夜中の襲撃 ― 歌川芳虎 Utagawa Yoshitora（活動期 約1850–1880）\u003c\/p\u003e\n\u003cp\u003eDescription\u003c\/p\u003e\n\u003cp\u003e真夜中の襲撃。\u003cbr\u003e画面全体が混乱と緊張に包まれています。\u003c\/p\u003e\n\u003cp\u003eその中心に立つのが、巨大な体で長い武器を構える伝説の大盗賊・熊坂長範。\u003c\/p\u003e\n\u003cp\u003e周囲では男たちが倒れ、武器が交差し、人々が逃げ惑う。\u003cbr\u003eまるでアクション映画の一瞬を切り取ったような、非常に動きのある一枚です。\u003c\/p\u003e\n\u003cp\u003e作品は《美濃国赤坂宿 熊坂夜討之図》。\u003cbr\u003e江戸時代末期、1860年に制作されました。\u003c\/p\u003e\n\u003cp\u003e熊坂長範は、日本の伝説に登場する大盗賊。\u003cbr\u003e旅人の一行を夜襲した際、のちに源義経として知られる若き英雄と遭遇する物語で知られています。\u003c\/p\u003e\n\u003cp\u003e単なる武者の肖像ではなく、\u003cbr\u003e武器、倒れる人物、逃げ惑う人々、そして中央に君臨する巨大な盗賊によって、「夜襲」という物語そのものが一枚の中に凝縮されています。\u003c\/p\u003e\n\u003cp\u003e作者は、歌川国芳の門人である歌川芳虎。\u003cbr\u003e現代の複製ではなく、江戸時代に制作された本物のアンティーク浮世絵です。\u003c\/p\u003e\n\u003cp\u003e本作は、本来三枚続として制作された作品のうちの一枚です。\u003c\/p\u003e\n\u003cp\u003e黒を基調に、落ち着いた青、茶、金色が重なる重厚な色彩は、ヴィンテージ、JAPANDI、和モダン、ダークトーンのインテリアにもよく映えます。\u003c\/p\u003e\n\u003cp\u003e制作年：\u003cbr\u003e1860年\u003c\/p\u003e\n\u003cp\u003eサイズ：\u003cbr\u003e約36 × 25 cm\u003cbr\u003e大判\u003c\/p\u003e\n\u003cp\u003eAs a Gift \/ ギフトとして\u003c\/p\u003e\n\u003cp\u003e勇気、反骨心、生き抜く力、そして強い物語を好む人へ。\u003cbr\u003e緊張感とエネルギーに満ちた、日本の歴史を感じられる贈り物としてもおすすめです。\u003c\/p\u003e\n\u003cp\u003eArtist\u003c\/p\u003e\n\u003cp\u003e歌川芳虎\u003cbr\u003eUtagawa Yoshitora\u003cbr\u003e活動期：約1850–1880年\u003c\/p\u003e\n\u003cp\u003e歌川国芳門下の浮世絵師。\u003c\/p\u003e\n\u003cp\u003e武者絵、歴史画、歌舞伎役者絵などを手がけ、幕末から明治へと移り変わる日本を数多く描きました。\u003c\/p\u003e\n\u003cp\u003eなお、芳虎の正確な生年・没年は現在も不詳です。\u003c\/p\u003e\n\u003cp\u003eCondition\u003c\/p\u003e\n\u003cp\u003e江戸時代の真作・アンティーク浮世絵です。\u003c\/p\u003e\n\u003cp\u003e本来三枚続として制作された作品のうちの一枚です。\u003cbr\u003e台紙貼り。\u003c\/p\u003e\n\u003cp\u003e経年によるヤケ、シミ、折れ、擦れ、小さな欠損などが見られる場合があります。\u003cbr\u003e状態の詳細は掲載写真を十分にご確認ください。\u003c\/p\u003e\n\u003cp\u003e長い年月を経た痕跡も、本物のアンティーク浮世絵が持つ歴史と魅力の一部としてお楽しみください。\u003c\/p\u003e\n\u003cp\u003eShipping\u003c\/p\u003e\n\u003cp\u003e日本から発送いたします。\u003cbr\u003e海外発送可能です。\u003c\/p\u003e\n\u003cp\u003e海外からのご注文について：\u003cbr\u003e輸入時に発生する関税、輸入税、VAT、通関手数料等は購入者様のご負担となります。\u003c\/p\u003e","brand":"ＡＵＮ／阿吽（あうん）","offers":[{"title":"Default Title","offer_id":49153910079658,"sku":null,"price":550.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/files\/20260827_210.jpg?v=1787902153"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0667\/1237\/1370\/collections\/IMG_7076_e54e7430-de47-460d-9e4d-6257ec8fe7b3.jpg?v=1785979470","url":"https:\/\/aun-selection.myshopify.com\/collections\/japanese-traditional-crafts.oembed?page=2","provider":"Aun Selects","version":"1.0","type":"link"}